2021081
Published: 29th July, 2013
Last edited: 29th July, 2013
Created: 29th July, 2013
Clone of Room for Squares. This version removes the filler squares.This is a clone of Room for Squares
1941082
Published: 29th July, 2013
Last edited: 29th July, 2013
Created: 28th July, 2013
Inspired by the work of the FontStructor Magic Sam. A font built using only squares, with smaller squares to fill gaps where possible. 1.8x1.8 filters,had to have the grid scaling 4x4 due to some squares not showing up. Could be considered the big brother of Vulgar.
497758
Published: 15th October, 2009
Last edited: 16th October, 2009
Created: 2nd October, 2009
A new member of the Afro-family is born: Afroblack, another version of Afrobeat without any horizontal lines. Although I changed only a couple of details it has a very different feeling. Take a look at the example! I´m not sure about the numbers, probably a few of them have need to be reworked. What do you think?
This is a clone of Afrobeat Regular
82109217
Published: 2nd October, 2009
Last edited: 3rd October, 2009
Created: 2nd October, 2009
Clone of Afrobeat Regular. Same lc as Afrobeat Regular, but with small caps and small numbers. You have many different possibilities to combine the letters, take a close look at the example. Looks smoother and more balanced to me. What do you think? More glyphs to come.
*=alt.l, #=alt.t, %=alt.fThis is a clone of Afrobeat Regular
513674
Published: 2nd October, 2009
Last edited: 2nd October, 2009
Created: 30th September, 2009
Another bold condensed filter-type, with a funky 70s-feeling (especially the lowercase). Inspired by Apollo & Samoa.
I didn´t like the Uppercase, so I tried out a few more things with Afrobeat II. Be sure to take a look at both! I´m open for suggestions.
More glyphs to come...
701313225
Published: 10th September, 2009
Last edited: 14th September, 2009
Created: 6th September, 2009
Serpentine is another easygoing Outline-type which can be used for headlines. Take a look at the example, hope you like it. I´m open for any suggestions.
*=alt.B, #=alt.R, %=alt.e
961610618
Published: 4th September, 2009
Last edited: 11th September, 2009
Created: 3rd September, 2009
If you want to create cool Letterings, try Underground!
This was inspired by Pincoya Black Type by Daniel Hernandez. You can write letter by letter using the Uppercase or you can connect every character using the alternates.
Please take a look at the example, then you´ll understand the idea!
Lowercase are alternates of the same letter or a different letter. >=alt.B, <=alt.D, @=alt.T
Underline:=+, Overline=*, Filter: 1,6.
2561074
Published: 2nd September, 2009
Last edited: 1st October, 2009
Created: 31st August, 2009
The Cross-spider-Font! Another Filter-Fontstruction (1.7). The intention was to create a modern, geometric headline-font with a unique touch. At the beginning only a few letters (like A, D, O) had the cross on them, but then I decided to use this element for the whole font.
Hope you like it, take a look at the example. Please write a comment if you have any suggestions!
2171673
Published: 22nd August, 2009
Last edited: 4th September, 2009
Created: 18th August, 2009
This is a very simple one..."Apollo" is dedicated to the English graphic designer, typographer and art director Neville Brody. A few days ago I read the book "The Graphic Language of Neville Brody" and while creating this font I realized that it looks a bit like a few typefaces he did back in the days.
Hope you like it, write a comment if you have any suggestions!
* = alt.A,
# = alt.$,
% = alt.j (less spacing)
109613410
Published: 17th August, 2009
Last edited: 2nd October, 2009
Created: 14th August, 2009
"Samoa" is another bold typeface experiment where I used the filters (1.6). Looks striking to me although I´m not sure about Z, 4 and 7...How do you like it? Write a comment!
7116917
Published: 13th August, 2009
Last edited: 13th September, 2009
Created: 8th August, 2009
Freestyle is not a usual font, as you see. The concept was inspired by the "How very Tokyo"-poster by Spin (I posted it in the comments). I liked the idea of cutting every letter into pieces so it looks artistic but is still readable.
Freestyle consists of three parts: the whole letter at the top and in the middle/at the bottom there are parts of it, cut vertically.
Upper- and Lowercase are different. Under construction, more glyphs to come. This can be used e.g. for posters or magazine layouts. What do you think about this experiment?
< = alt.I
> = alt.I
* = alt.space
# = alt.space
341965
Published: 31st July, 2009
Last edited: 31st July, 2009
Created: 29th July, 2009
What can I say? Just another very simple, edgy typeface...A mix of Bauhaus and 80s-style. Hope you like it. Check out the example.