Unbroke 2 is an update on my earlier Unbroke. It is a san-serif headline display typeface inspired by the prensent and the absent; the broken and whole. It is minimalist heavily derivative of stencil typography.This is a clone
Extrapolation of the lettering found on a 1976 calender by Wim Crouwel.
I know this has already been done before, here is one that was done by Wilson Thomas. Who did a far more extensivey version that also includes extended Latin. Check his version out here: https://fontstruct.com/fontstructions/show/795855/kalendar_1976
Apart from a couple of glyphs that were done notably different and some other tiny differences in detais the two are pretty similar, but most certainly not copied.
Extrapolation of the lettering found on a Dutch renovation brochure. I have no clue if it is a existing font or not. I only used the letters from the brochure as guide and did zero research on it's origin.
At first I started to struct the lettering seen on the book cover of:
"Tot elkaar veroordeeld 'De Nederlands-Duitse economische betrekking' (tussen 1945-1957)"by Martijn Lak.
But doing a little more research it turned out to be the 1988 geometric typeface "Senator" originally designed by Zuzana Licko.
I took the liberty of making sort of a replica.
I made a couple of small changes here and there trying to improve its overall look.
My attempt at a headliner font. This is made to look very regular, even "generic", but also very clearly readable - the sort of font you might expect to see in advertising agencies, publishing houses, hospitals, and government buildings.
Use with kerning turned ON!
Inspired by the bold black letter style of old aswell as midevil styles. The font was constructed with harsh edges and sharp corners in mind. A font worthy of a noble knight.
Mixed-case, low-legibility headline font inspired by '80s-era arcade games and the hard-to-read graffiti bubble letter alphabets of the same time period. Free to use, with attribution, even commercially.
Check out the details for a more accurate preview. Bold and blocky fonts are my fav. However, a lot of the blocky fonts I find are typically limited and offer a single style. Therefore, I made two options for this font: the lowercase is a solid version of the slotted uppercase with slight variation on key letters.