Published: 9th April, 2011
Last edited: 9th August, 2011
Created: 4th March, 2011
Here, the innovative approach I took to stroke contrast in iSlab takes a radical leap forward. The result: a technical, friendly, modern slab serif design demonstrating further potential of the stackable composite function.
Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
Published: 13th May, 2010
Last edited: 13th May, 2010
Created: 12th April, 2010
Ultra heavy slab serif uppercase only face, subtly celebrating the 4x1 diagonals of fontstruct 2.0...
I hope some people will find more stylish uses for this than on college shirts/jumpers. It actually wasn't intended to have that standard college slab serif look, and I desperately believe that there's still a nuance of difference, but that might be an illusion.
I btw just copied the uppercase letters on lowercase slots to make it more convenient. So don't be too impressed by the character count.;)