The ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.
The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!
Brute force, now meet Elegance.
Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...
Please, vote kindly and stay tuned for more :)
This is a cloneEclectic old-fashioned font with short ascenders and single-width proportions.
See more:
https://www.fontstruct.com/fontstructions/show/1241678/at-bitter-love-2
https://fontstruct.com/fontstructions/show/985860/fs_hikinspdot
https://www.fontshop.com/families/dutch-mediaeval
https://yurigordon.livejournal.com/445722.html
http://revision.ru/work/18656/
Rossica (Vera Evstafeva)
https://www.myfonts.com/fonts/grummedia/good-taste/
https://www.myfonts.com/fonts/wiescherdesign/royal-romain/
https://www.myfonts.com/fonts/paratype/kis-bt/
https://www.myfonts.com/fonts/paratype/academy/
https://www.myfonts.com/foundry/ABSTRKT/
http://typefaces.temporarystate.net/preview/Manege
http://rastvor.com.ua/a-tsarpeter.htm
http://www.myfonts.com/fonts/atelier-laia/waskonia/
https://www.myfonts.com/fonts/tilde/belwe/
https://www.myfonts.com/fonts/oddsorts/bradley/
http://www.myfonts.com/fonts/insigne/boncaire-titling/
http://www.myfonts.com/fonts/itc/tiffany/
https://www.stormtype.com/families/tenebra
To read:
https://pt.slideshare.net/guest7a8aa4/cyrilliclatin-yesterdaynow
http://typejournal.ru/en/articles/Civil-Type
This is a clone of Chrysalide ModernI created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.
A twenties era font with the uppercase measuring twenty glyphs tall, the lowercase measuring five glyphs tall by four glyphs wide, to multiply out to twenty, and incorporating exactly twenty different glyphs to boot.
It was really quite fun seeing all of the ways to sneak the number twenty into this font for the competition. Please enjoy!
Where are the caps? Who cares? A bold, minimal-grid font so named because it looks sort of jellybeany. Kind of. I'm still not sure I like how dark the 'k' seems, but any fix looks worse. If there's demand, I'll add an accented set, perhaps.
«Update 2017-03-29» – I've reworked the aforementioned K. I've changed the lowercase to be a thinner version, along with much of the punctuation. I've even filled out the Latin-1 Supplement, though I loosen up considerably on the basic design elements to get things to work within the established grid.