Fontstructions tagged with “V10”
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fs Turn Off the Sun
by minimum8.66
Click on the stars to rate this FontStruction.
Balanced Rating: 8.66
Average Rating: 8.94
Click for more information about this rating. 16 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.66
Average Rating: 8.94
Click for more information about this rating. 16 votes You voted ? for this FontStruction. You may change your vote at any time.
fs Patterns — Layers
by thalamic8.03
Click on the stars to rate this FontStruction.
Balanced Rating: 8.03
Average Rating: 8.22
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.03
Average Rating: 8.22
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
407485
Published: 5th June, 2013
Last edited: 5th June, 2013
Created: 5th June, 2013
Dedicated to Mr. will.i.ૐ. It was his idea really.
Build your own patterns by layering different letters one on top of other.
Xs on uppercase A-R
corresponding Os on lowercase a-r
1-6 are progressive arrows out
S T s t center fills
7 8 idunnosomethingThis is a clone of fs Patterns - Quarters
Last edited: 5th June, 2013
Created: 5th June, 2013
Dedicated to Mr. will.i.ૐ. It was his idea really.
Build your own patterns by layering different letters one on top of other.
Xs on uppercase A-R
corresponding Os on lowercase a-r
1-6 are progressive arrows out
S T s t center fills
7 8 idunnosomethingThis is a clone of fs Patterns - Quarters
All Rights Reserved. No download available.
fs Patterns - Quarters
by thalamic8.68
Click on the stars to rate this FontStruction.
Balanced Rating: 8.68
Average Rating: 9.09
Click for more information about this rating. 11 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.68
Average Rating: 9.09
Click for more information about this rating. 11 votes You voted ? for this FontStruction. You may change your vote at any time.
fs Permutation B I
by thalamic8.56
Click on the stars to rate this FontStruction.
Balanced Rating: 8.56
Average Rating: 9.00
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.56
Average Rating: 9.00
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
44154414
Published: 6th May, 2013
Last edited: 6th May, 2013
Created: 6th May, 2013
Permutation: The act of changing the arrangement of a given number of elements.
One font, two different brick combinations.
Picking any two bricks from the 211 available gives a total possible combinations of 22155 (211C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 2211 (67C2) unique combinations or fonts.
In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 211P2 gives 44310 permutations and a 67P2 gives 4422 permutations.
So, at a minimum, 4422 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks.
Staggering.
—Updated May 6, 2013
-----
This new version is not strictly a permutation of the previous set. This B set uses one brick for the background and three, sometimes four, bricks for the letters. Let's see what new permutations are possible out of this one. This is a clone of fs Permutation XII
Last edited: 6th May, 2013
Created: 6th May, 2013
Permutation: The act of changing the arrangement of a given number of elements.
One font, two different brick combinations.
Picking any two bricks from the 211 available gives a total possible combinations of 22155 (211C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 2211 (67C2) unique combinations or fonts.
In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 211P2 gives 44310 permutations and a 67P2 gives 4422 permutations.
So, at a minimum, 4422 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks.
Staggering.
—Updated May 6, 2013
-----
This new version is not strictly a permutation of the previous set. This B set uses one brick for the background and three, sometimes four, bricks for the letters. Let's see what new permutations are possible out of this one. This is a clone of fs Permutation XII
All Rights Reserved. No download available.
fs Permutation IX
by William Leverette (will.i.ૐ)8.26
Click on the stars to rate this FontStruction.
Balanced Rating: 8.26
Average Rating: 8.46
Click for more information about this rating. 13 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.26
Average Rating: 8.46
Click for more information about this rating. 13 votes You voted ? for this FontStruction. You may change your vote at any time.
5664410
Published: 15th September, 2011
Last edited: 15th September, 2011
Created: 13th September, 2011
Permutation IX: octahedral totem emboss on raised text achieved through 1/4 brick stagger of similar custom composite.
Last edited: 15th September, 2011
Created: 13th September, 2011
Permutation IX: octahedral totem emboss on raised text achieved through 1/4 brick stagger of similar custom composite.
>> thalamic’s description (with edit)
Permutation: The act of changing the arrangement of a given number of elements.
One font, two different brick combinations.
Picking any two bricks from the 169 available gives a total possible combinations of 14196 (169C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 630 (36C2) unique combinations or fonts.
In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 169P2 gives 28392 permutations and a 36P2 gives 1260 permutations.
So, at a minimum, 1260 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks.
This whole permuatation thing is so fun and easy to play around with. The original fs Permutation series worked with just the bricks that were available by default. Since then, the FontStructor has evolved, allowing for, in part, custom bricks. This new permutation was not possible before. This one is created just to show that custom bricks can be dragged and dropped on top of the existing ones replacing the standard bricks. The bricks used here are [edit:1/4 brick staggered identical custom composites] .
Clone it and play around.
Instructions
1. Select a brick from the standard bricks or create your own custom brick.
2. Click and drag it to the brick in the first position in My Bricks until that brick turns gray.
3. Release.
4. Repeat steps 1-3 for the brick in the second position in My Bricks.
Learn. Enjoy. Share your permutation.
fs Permutation VIII
by William Leverette (will.i.ૐ)8.60
Click on the stars to rate this FontStruction.
Balanced Rating: 8.60
Average Rating: 10.00
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.60
Average Rating: 10.00
Click for more information about this rating. 3 votes You voted ? for this FontStruction. You may change your vote at any time.
243446
Published: 12th September, 2011
Last edited: 12th September, 2011
Created: 12th September, 2011
Permutation VIII: dual weave pattern + character stroke via composite bricks, 2:2 advanced filtering.
Last edited: 12th September, 2011
Created: 12th September, 2011
Permutation VIII: dual weave pattern + character stroke via composite bricks, 2:2 advanced filtering.
>> thalamic’s description (with edit)
Permutation: The act of changing the arrangement of a given number of elements.
One font, two different brick combinations.
Picking any two bricks from the 169 available gives a total possible combinations of 14196 (169C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 630 (36C2) unique combinations or fonts.
In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 169P2 gives 28392 permutations and a 36P2 gives 1260 permutations.
So, at a minimum, 1260 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks.
This whole permuatation thing is so fun and easy to play around with. The original fs Permutation series worked with just the bricks that were available by default. Since then, the FontStructor has evolved, allowing for, in part, custom bricks. This new permutation was not possible before. This one is created just to show that custom bricks can be dragged and dropped on top of the existing ones replacing the standard bricks. The bricks used here are [edit: custom composites] .
Clone it and play around.
Instructions
1. Select a brick from the standard bricks or create your own custom brick.
2. Click and drag it to the brick in the first position in My Bricks until that brick turns gray.
3. Release.
4. Repeat steps 1-3 for the brick in the second position in My Bricks.
Learn. Enjoy. Share your permutation.
fs Permutation V
by thalamic8.46
Click on the stars to rate this FontStruction.
Balanced Rating: 8.46
Average Rating: 8.71
Click for more information about this rating. 14 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.46
Average Rating: 8.71
Click for more information about this rating. 14 votes You voted ? for this FontStruction. You may change your vote at any time.
5944412
Published: 11th September, 2011
Last edited: 10th September, 2011
Created: 10th September, 2011
Permutation: The act of changing the arrangement of a given number of elements.
One font, two different brick combinations.
Picking any two bricks from the 169 available gives a total possible combinations of 14196 (169C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 630 (36C2) unique combinations or fonts.
In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 169P2 gives 28392 permutations and a 36P2 gives 1260 permutations.
So, at a minimum, 1260 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks.
Staggering.This is a clone
Last edited: 10th September, 2011
Created: 10th September, 2011
Permutation: The act of changing the arrangement of a given number of elements.
One font, two different brick combinations.
Picking any two bricks from the 169 available gives a total possible combinations of 14196 (169C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 630 (36C2) unique combinations or fonts.
In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 169P2 gives 28392 permutations and a 36P2 gives 1260 permutations.
So, at a minimum, 1260 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks.
Staggering.This is a clone
fs Instant [Logos À Gogo]
by thalamic8.53
Click on the stars to rate this FontStruction.
Balanced Rating: 8.53
Average Rating: 8.71
Click for more information about this rating. 21 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.53
Average Rating: 8.71
Click for more information about this rating. 21 votes You voted ? for this FontStruction. You may change your vote at any time.
112145525
Published: 3rd September, 2011
Last edited: 14th September, 2011
Created: 10th February, 2010
This fontstruction was started a long time ago. Yesterday, being bored (or something), I randomly clicked on page 7 of My FontStructions and found this. Being bored (or something), I clicked Edit.
Back in February 2010, I was able to take this fs only so far and came to a halt owing to geometry and FontStructor limitations. Those limitations, for the most part, seemed to have disappeared in the intervening time. I must've felt encouraged as I've been working on this fs all day today. As it turns out, when you work on something long enough, something will emerge. Et voilà. (I jest. ;)
Oh the soap box syndrome!
Visual aesthetics require two elements, namely, art and design. Let's examine each, shall we, the better to understand whence this came from and to what purpose.
Art has as many meanings as there are people giving them. For me, art is that visual that appeals to one, the stress being on 'one', and serves no practical purpose. Design, on the other hand, by definition*, must serve some purpose, must be reasonably attractive to those for who it is intended, and must stay within the limitation (whether explicit or implicit) of all that is (or will be) involved.
This and every other fontstruction, being visual in nature, has an element of art in it. Keeping the above art definition in mind, and as far as this fs is concerned, the art was my personal aspiration to try to do a diagonal stem of the A and the M and have the rest of the letters in such formation so that they fit like a glove with the A and M (without any effort on the user's part — but that jumps ahead to design). The February 2010 version of the FontStructor allowed me to achieve that very well. The art part was a start (yes, sorry, I couldn't resist the rhyme).
In my experience, any visual thing, no matter how simple or complex; no matter how involved or not; how unique or generic; how &c. and &c. may be termed art as if any one person appreciates it, it is art, albeit to that person only. So, I am satisfied how this fs looks, so the art is done. Also as per my personal experience, design is a much harder, difficult, involved element of getting something done right that also requires appropriate technical know-how to see it to fruition. The February 2010 version of the FontStructor did not allow the 'fit like a glove without user intervention' part. This morning when I started working on this fs, the September 2011 version of the FontStructor allowed me to do almost all that I wanted it to. (I say 'almost' because there were one or two custom bricks I required that I was unable to achieve, quite possibly due to my own inability).
The design confine [—if art gets a rhyme, so shall design—], with every letter overlapping just so, required quite a lot of geometric manipulation (not particularly apparent) to make sure any two letters fitted in properly. It got tedious quick fast in-a-hurry typing out manual kerning pairs (AM, ST, &c.). I had to type out all kerning pairs (AB, AC…RI, RJ, RK…SM, SN, SO…VS, VT, VY…ZZ…&c.) in Word (utilizing handy Replace functionality to speed kerning pair creation) and test every possible pair (even ones that are likely never to be used in reality—QK, for instance).
This being a design exercise, there had to be a purpose. My thinking was, staying within the limitations created by the art part, the font should work as an instant logo delivery system. Type a word in fs Instant—and, hey presto!, Logo (a gogo). It’s up to you to decide if I succeeded.
PS: I have no idea what ‘à gogo’ means. ;-)
*Gregg Berryman
Last edited: 14th September, 2011
Created: 10th February, 2010
This fontstruction was started a long time ago. Yesterday, being bored (or something), I randomly clicked on page 7 of My FontStructions and found this. Being bored (or something), I clicked Edit.
Back in February 2010, I was able to take this fs only so far and came to a halt owing to geometry and FontStructor limitations. Those limitations, for the most part, seemed to have disappeared in the intervening time. I must've felt encouraged as I've been working on this fs all day today. As it turns out, when you work on something long enough, something will emerge. Et voilà. (I jest. ;)
Oh the soap box syndrome!
Visual aesthetics require two elements, namely, art and design. Let's examine each, shall we, the better to understand whence this came from and to what purpose.
Art has as many meanings as there are people giving them. For me, art is that visual that appeals to one, the stress being on 'one', and serves no practical purpose. Design, on the other hand, by definition*, must serve some purpose, must be reasonably attractive to those for who it is intended, and must stay within the limitation (whether explicit or implicit) of all that is (or will be) involved.
This and every other fontstruction, being visual in nature, has an element of art in it. Keeping the above art definition in mind, and as far as this fs is concerned, the art was my personal aspiration to try to do a diagonal stem of the A and the M and have the rest of the letters in such formation so that they fit like a glove with the A and M (without any effort on the user's part — but that jumps ahead to design). The February 2010 version of the FontStructor allowed me to achieve that very well. The art part was a start (yes, sorry, I couldn't resist the rhyme).
In my experience, any visual thing, no matter how simple or complex; no matter how involved or not; how unique or generic; how &c. and &c. may be termed art as if any one person appreciates it, it is art, albeit to that person only. So, I am satisfied how this fs looks, so the art is done. Also as per my personal experience, design is a much harder, difficult, involved element of getting something done right that also requires appropriate technical know-how to see it to fruition. The February 2010 version of the FontStructor did not allow the 'fit like a glove without user intervention' part. This morning when I started working on this fs, the September 2011 version of the FontStructor allowed me to do almost all that I wanted it to. (I say 'almost' because there were one or two custom bricks I required that I was unable to achieve, quite possibly due to my own inability).
The design confine [—if art gets a rhyme, so shall design—], with every letter overlapping just so, required quite a lot of geometric manipulation (not particularly apparent) to make sure any two letters fitted in properly. It got tedious quick fast in-a-hurry typing out manual kerning pairs (AM, ST, &c.). I had to type out all kerning pairs (AB, AC…RI, RJ, RK…SM, SN, SO…VS, VT, VY…ZZ…&c.) in Word (utilizing handy Replace functionality to speed kerning pair creation) and test every possible pair (even ones that are likely never to be used in reality—QK, for instance).
This being a design exercise, there had to be a purpose. My thinking was, staying within the limitations created by the art part, the font should work as an instant logo delivery system. Type a word in fs Instant—and, hey presto!, Logo (a gogo). It’s up to you to decide if I succeeded.
PS: I have no idea what ‘à gogo’ means. ;-)
*Gregg Berryman
All Rights Reserved. No download available.
fs Arc Test 2:2
by minimum7.97
Click on the stars to rate this FontStruction.
Balanced Rating: 7.97
Average Rating: 8.08
Click for more information about this rating. 12 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.97
Average Rating: 8.08
Click for more information about this rating. 12 votes You voted ? for this FontStruction. You may change your vote at any time.
65289116
Published: 19th August, 2011
Last edited: 23rd August, 2011
Created: 19th August, 2011
Clone of fs Arc Test 1:1, which was started on Fri, 27th August, 11:59 AM 2010.
As simple as this fs may appear to be, it was much more complex to pull off. The curves and angles just did not match. The original version was at filter 1:1. Today--after a long time--I had enough free time to play around. Cloned and upped the filter to 2:2 (well, 1.75:1.75 to be exact). The 0.25 offset was initially put into place for the creative process, just so I know which brick was where. The breaks became a design element somewhere along the way. That caused additional brick placement problems. A full 2:2 filter would have made things much easier. Regardless, I am reasonably satisfied with the outcome. Needless to say, each glyph went through a whole bunch of iterations before settling on what's currently visible. Not all turned out good. The 'V', for instance. Who knows, better solutions may exist.
Take a square, split it horizontally, vertically and diagonally. This gives just 16 line segments to work with. I have a book where the author lists every possible combination of those 16 line segments. That gives a staggering 65535 total possibilities. And that's just straight lines. I mention this because the uppercase grid here is 6×8=48 bricks (counting one 2:2 brick as 4 1:1 bricks). Then there is the possibility of using a whole slew of 4×4 brick shape. I am not even going to attempt to figure out how many total possible combinations that makes but I am sure it is a number much larger than 65535.
The point is, with so many possible brick combinations, better solutions most probably exist. I just may be too narrow-minded to visualize them.This is a clone
Last edited: 23rd August, 2011
Created: 19th August, 2011
Clone of fs Arc Test 1:1, which was started on Fri, 27th August, 11:59 AM 2010.
As simple as this fs may appear to be, it was much more complex to pull off. The curves and angles just did not match. The original version was at filter 1:1. Today--after a long time--I had enough free time to play around. Cloned and upped the filter to 2:2 (well, 1.75:1.75 to be exact). The 0.25 offset was initially put into place for the creative process, just so I know which brick was where. The breaks became a design element somewhere along the way. That caused additional brick placement problems. A full 2:2 filter would have made things much easier. Regardless, I am reasonably satisfied with the outcome. Needless to say, each glyph went through a whole bunch of iterations before settling on what's currently visible. Not all turned out good. The 'V', for instance. Who knows, better solutions may exist.
Take a square, split it horizontally, vertically and diagonally. This gives just 16 line segments to work with. I have a book where the author lists every possible combination of those 16 line segments. That gives a staggering 65535 total possibilities. And that's just straight lines. I mention this because the uppercase grid here is 6×8=48 bricks (counting one 2:2 brick as 4 1:1 bricks). Then there is the possibility of using a whole slew of 4×4 brick shape. I am not even going to attempt to figure out how many total possible combinations that makes but I am sure it is a number much larger than 65535.
The point is, with so many possible brick combinations, better solutions most probably exist. I just may be too narrow-minded to visualize them.This is a clone
fs no kerning required
by thalamic8.60
Click on the stars to rate this FontStruction.
Balanced Rating: 8.60
Average Rating: 9.13
Click for more information about this rating. 8 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.60
Average Rating: 9.13
Click for more information about this rating. 8 votes You voted ? for this FontStruction. You may change your vote at any time.
4752914
Published: 23rd July, 2011
Last edited: 31st July, 2011
Created: 19th March, 2011
The idea came from the Unify game on the iOS and the availability of the arc bricks. The rest happened on its own. I was just the vessel. I don't know where else to go with it at the moment.
Last edited: 31st July, 2011
Created: 19th March, 2011
The idea came from the Unify game on the iOS and the availability of the arc bricks. The rest happened on its own. I was just the vessel. I don't know where else to go with it at the moment.
All Rights Reserved. No download available.
fs Watch Out
by thalamic8.46
Click on the stars to rate this FontStruction.
Balanced Rating: 8.46
Average Rating: 8.60
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.46
Average Rating: 8.60
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
fs Special
by thalamic8.09
Click on the stars to rate this FontStruction.
Balanced Rating: 8.09
Average Rating: 8.17
Click for more information about this rating. 23 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.09
Average Rating: 8.17
Click for more information about this rating. 23 votes You voted ? for this FontStruction. You may change your vote at any time.
fs hype
by thalamic8.10
Click on the stars to rate this FontStruction.
Balanced Rating: 8.10
Average Rating: 8.30
Click for more information about this rating. 10 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.10
Average Rating: 8.30
Click for more information about this rating. 10 votes You voted ? for this FontStruction. You may change your vote at any time.
fs Laurel
by thalamic8.56
Click on the stars to rate this FontStruction.
Balanced Rating: 8.56
Average Rating: 9.00
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.56
Average Rating: 9.00
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
fs WIP
by thalamic8.47
Click on the stars to rate this FontStruction.
Balanced Rating: 8.47
Average Rating: 8.64
Click for more information about this rating. 22 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.47
Average Rating: 8.64
Click for more information about this rating. 22 votes You voted ? for this FontStruction. You may change your vote at any time.
94186837
Published: 5th March, 2011
Last edited: 19th March, 2011
Created: 4th March, 2011
Hi, there!
We (the place where I work) are attempting to brand ourselves because our field is getting a bit too crowded and we don't want to get lost in the clutter. In the process, we are exploring a lot of different styles. Not that we are unsure how we want to proceed or what our positioning will be, we want to ensure nothing obvious is overlooked. In the process, a lot of ideas are generated, some discarded outright while others —as long are they support the planned positioning— are pursued long enough to recognize if they are worth exploring further...or not.
Some letters from this font were developed as part of one of the proposed wordmark. Overall, it works without breaking any of our internally established rules. The problem is one of extensibility and adaptability for unforeseen future needs which this font is prone to cause owing to its personality. The logo work was done in Illustrator, of course. However, to see if the typeface has potential beyond the few glyphs of the wordmark (and not in small part due to its modular nature), I worked out the remainder of the letters here in the fontstructor. :-)
I'd appreciate it if I could have your constructive criticism on each or any of the glyphs and how they could be improved. Specifically, I am trying to avoid awkwardness in the coming together of any two letters. As you can see, it's very much a work-in-progress.
Danke, Merci, Thank you, Shukria.
Last edited: 19th March, 2011
Created: 4th March, 2011
Hi, there!
We (the place where I work) are attempting to brand ourselves because our field is getting a bit too crowded and we don't want to get lost in the clutter. In the process, we are exploring a lot of different styles. Not that we are unsure how we want to proceed or what our positioning will be, we want to ensure nothing obvious is overlooked. In the process, a lot of ideas are generated, some discarded outright while others —as long are they support the planned positioning— are pursued long enough to recognize if they are worth exploring further...or not.
Some letters from this font were developed as part of one of the proposed wordmark. Overall, it works without breaking any of our internally established rules. The problem is one of extensibility and adaptability for unforeseen future needs which this font is prone to cause owing to its personality. The logo work was done in Illustrator, of course. However, to see if the typeface has potential beyond the few glyphs of the wordmark (and not in small part due to its modular nature), I worked out the remainder of the letters here in the fontstructor. :-)
I'd appreciate it if I could have your constructive criticism on each or any of the glyphs and how they could be improved. Specifically, I am trying to avoid awkwardness in the coming together of any two letters. As you can see, it's very much a work-in-progress.
Danke, Merci, Thank you, Shukria.
All Rights Reserved. No download available.
Madina Script
from MyFonts
Some fonts you just can’t FontStruct.
Buy & download premium fonts on MyFonts.com
Buy & download premium fonts on MyFonts.com
fs I Square
by minimum8.26
Click on the stars to rate this FontStruction.
Balanced Rating: 8.26
Average Rating: 8.46
Click for more information about this rating. 13 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.26
Average Rating: 8.46
Click for more information about this rating. 13 votes You voted ? for this FontStruction. You may change your vote at any time.
94136732
Published: 18th August, 2010
Last edited: 18th August, 2010
Created: 17th August, 2010
Well, there was this way to go.This is a clone of fs SquaredUp (and nowhere to go)
Last edited: 18th August, 2010
Created: 17th August, 2010
Well, there was this way to go.This is a clone of fs SquaredUp (and nowhere to go)
fs SquaredUp (and nowhere to go)
by minimum8.07
Click on the stars to rate this FontStruction.
Balanced Rating: 8.07
Average Rating: 9.00
Click for more information about this rating. 2 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.07
Average Rating: 9.00
Click for more information about this rating. 2 votes You voted ? for this FontStruction. You may change your vote at any time.
3021514
Published: 16th August, 2010
Last edited: 25th August, 2010
Created: 16th August, 2010
Now blacker than ever...and monospaced.
(Shift+Click PXL to actually see the shapes)This is a clone of fs Super Black
Last edited: 25th August, 2010
Created: 16th August, 2010
Now blacker than ever...and monospaced.
(Shift+Click PXL to actually see the shapes)This is a clone of fs Super Black
fs Dots and Dashes
by minimum7.92
Click on the stars to rate this FontStruction.
Balanced Rating: 7.92
Average Rating: 8.00
Click for more information about this rating. 15 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.92
Average Rating: 8.00
Click for more information about this rating. 15 votes You voted ? for this FontStruction. You may change your vote at any time.
fs Unoriginal
by minimum8.40
Click on the stars to rate this FontStruction.
Balanced Rating: 8.40
Average Rating: 8.55
Click for more information about this rating. 22 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.40
Average Rating: 8.55
Click for more information about this rating. 22 votes You voted ? for this FontStruction. You may change your vote at any time.
72114626
Published: 23rd May, 2010
Last edited: 23rd May, 2010
Created: 23rd January, 2010
An unoriginal idea that's been sitting around for a while. Don't go by the January 2010 creation date, no; this is a clone of a clone of a different idea (which may see the light of day yet...or not, whichever comes first ;).This is a clone
Last edited: 23rd May, 2010
Created: 23rd January, 2010
An unoriginal idea that's been sitting around for a while. Don't go by the January 2010 creation date, no; this is a clone of a clone of a different idea (which may see the light of day yet...or not, whichever comes first ;).This is a clone
fs Kerplunk
by thalamic8.62
Click on the stars to rate this FontStruction.
Balanced Rating: 8.62
Average Rating: 8.84
Click for more information about this rating. 19 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.62
Average Rating: 8.84
Click for more information about this rating. 19 votes You voted ? for this FontStruction. You may change your vote at any time.
136125433
Published: 8th April, 2010
Last edited: 29th March, 2010
Created: 19th March, 2010
A racy fontstruction.
Last edited: 29th March, 2010
Created: 19th March, 2010
A racy fontstruction.
- V10 (66)
- Speed (30)
- Zoom (5)
- Cars (18)
- Bikes (1)
- Automobiles (2)
- Road (21)
- Autobhan (1)
- Uppercase (294)
- Numerals (69)
All Rights Reserved. No download available.
fs Fabric
by minimum8.51
Click on the stars to rate this FontStruction.
Balanced Rating: 8.51
Average Rating: 8.61
Click for more information about this rating. 38 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.51
Average Rating: 8.61
Click for more information about this rating. 38 votes You voted ? for this FontStruction. You may change your vote at any time.
fs Intaglish
by thalamic8.54
Click on the stars to rate this FontStruction.
Balanced Rating: 8.54
Average Rating: 8.80
Click for more information about this rating. 15 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.54
Average Rating: 8.80
Click for more information about this rating. 15 votes You voted ? for this FontStruction. You may change your vote at any time.
fs minimum
by minimum8.43
Click on the stars to rate this FontStruction.
Balanced Rating: 8.43
Average Rating: 8.86
Click for more information about this rating. 8 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.43
Average Rating: 8.86
Click for more information about this rating. 8 votes You voted ? for this FontStruction. You may change your vote at any time.
fs I-Tilic
by thalamic8.63
Click on the stars to rate this FontStruction.
Balanced Rating: 8.63
Average Rating: 8.80
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.63
Average Rating: 8.80
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
15398648
Published: 1st February, 2010
Last edited: 22nd December, 2010
Created: 31st January, 2010
Inspired by a picture found on this website.
Another diagonal line font so soon after fs Overlap. A mere coincidence. The application of each is very different. Overlap is about negative space while I-Tilic is about patterns and meta shapes. Post samples if you end-up playing with this fontstruction. Have fun.
[ = fi ligature
] = ti ligature
< = background fill (negative)
> = background fill (positive)
` = reverse tile (above base line)
~ = reverse tile (full height)
{ = top border
} = bottom border
| = side border
Last edited: 22nd December, 2010
Created: 31st January, 2010
Inspired by a picture found on this website.
Another diagonal line font so soon after fs Overlap. A mere coincidence. The application of each is very different. Overlap is about negative space while I-Tilic is about patterns and meta shapes. Post samples if you end-up playing with this fontstruction. Have fun.
[ = fi ligature
] = ti ligature
< = background fill (negative)
> = background fill (positive)
` = reverse tile (above base line)
~ = reverse tile (full height)
{ = top border
} = bottom border
| = side border
- V10 (66)
- Tiles (32)
- Islamic (3)
- Architecture (43)
- Geometric (692)
- Uppercase (294)
- Lowercase (192)
- Numerals (69)
- Fs Itilic (1)
All Rights Reserved. No download available.
fs Cubed
by minimum8.57
Click on the stars to rate this FontStruction.
Balanced Rating: 8.57
Average Rating: 8.71
Click for more information about this rating. 28 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.57
Average Rating: 8.71
Click for more information about this rating. 28 votes You voted ? for this FontStruction. You may change your vote at any time.
fs Institutional
by thalamic8.46
Click on the stars to rate this FontStruction.
Balanced Rating: 8.46
Average Rating: 8.71
Click for more information about this rating. 14 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.46
Average Rating: 8.71
Click for more information about this rating. 14 votes You voted ? for this FontStruction. You may change your vote at any time.
731811014
Published: 11th December, 2009
Last edited: 1st November, 2010
Created: 26th November, 2009
A pretty simple fontstruction on its own. It only comes to life when layered with other fontstructions from the Institutional family (Elements is available now with further additions coming soon); see samples. This fontstructions attempts to further two quests: to have a font almost completely solid (without sacrificing legibility, i.e.) and to find new ways pixel-level coloring without coloring each pixel.
Disclaimer:
No attempt is made to copy/reproduce any existing type design or coloring technique. Any resemblance to existing fonts or fontstructions or coloring technique is purely coincidental and displays the designers inability to unlearn intentional or accidental knowledge gained in the past, either visual or technical.
Danke, merci, thankyou.This is a clone
Last edited: 1st November, 2010
Created: 26th November, 2009
A pretty simple fontstruction on its own. It only comes to life when layered with other fontstructions from the Institutional family (Elements is available now with further additions coming soon); see samples. This fontstructions attempts to further two quests: to have a font almost completely solid (without sacrificing legibility, i.e.) and to find new ways pixel-level coloring without coloring each pixel.
Disclaimer:
No attempt is made to copy/reproduce any existing type design or coloring technique. Any resemblance to existing fonts or fontstructions or coloring technique is purely coincidental and displays the designers inability to unlearn intentional or accidental knowledge gained in the past, either visual or technical.
Danke, merci, thankyou.This is a clone
- V10 (66)
- Heavy (431)
- Fitting (5)
- Blocks (202)
- Squaredoff Splines (1)
- Family (36)
- Fs Institutional (2)
- Uppercase (294)
- Lowercase (192)
- Numerals (69)
All Rights Reserved. No download available.
fs Dot Dot Hex
by minimum8.50
Click on the stars to rate this FontStruction.
Balanced Rating: 8.50
Average Rating: 8.71
Click for more information about this rating. 18 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.50
Average Rating: 8.71
Click for more information about this rating. 18 votes You voted ? for this FontStruction. You may change your vote at any time.
fs AUGHT Three
by thalamic8.63
Click on the stars to rate this FontStruction.
Balanced Rating: 8.63
Average Rating: 9.11
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.63
Average Rating: 9.11
Click for more information about this rating. 9 votes You voted ? for this FontStruction. You may change your vote at any time.
297512
Published: 4th November, 2009
Last edited: 4th November, 2009
Created: 1st November, 2009
Yet another version that came while modifying AUGHT One to AUGHT To. And believe it or not, in the process of doing these three fonts, enough additional glyphs were created and deleted to fill at least two more variants. This is why the Clone is enabled again so someone else might experiment some more, if they so choose.This is a clone
Last edited: 4th November, 2009
Created: 1st November, 2009
Yet another version that came while modifying AUGHT One to AUGHT To. And believe it or not, in the process of doing these three fonts, enough additional glyphs were created and deleted to fill at least two more variants. This is why the Clone is enabled again so someone else might experiment some more, if they so choose.This is a clone
Balance Bold
by aphoria7.52
Click on the stars to rate this FontStruction.
Balanced Rating: 7.52
Average Rating: 7.40
Click for more information about this rating. 5 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.52
Average Rating: 7.40
Click for more information about this rating. 5 votes You voted ? for this FontStruction. You may change your vote at any time.
264893
Published: 13th October, 2009
Last edited: 13th October, 2009
Created: 12th October, 2009
My bold attempt of thalamic's Balance.This is a clone of fs Balance
Last edited: 13th October, 2009
Created: 12th October, 2009
My bold attempt of thalamic's Balance.This is a clone of fs Balance
fs ought
by thalamic8.43
Click on the stars to rate this FontStruction.
Balanced Rating: 8.43
Average Rating: 8.51
Click for more information about this rating. 41 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.43
Average Rating: 8.51
Click for more information about this rating. 41 votes You voted ? for this FontStruction. You may change your vote at any time.
125208533
Published: 12th October, 2009
Last edited: 12th October, 2009
Created: 11th October, 2009
This was fun to do.
---Not liking the e and the s so much.
---While doing the sample, I found that even though the inter-character spacing is specifically set to one grid space wide, Photoshop was rendering the spacing differently per character pair. Same in Illustrator. Curious, I opened it in FontLab Studio. Turns out, the characters that have a half-wide brick left of the left edge in FontStruct are another half-brick-width over in the TrueType file. The sample is, therefore, manually kerned back to original.
Last edited: 12th October, 2009
Created: 11th October, 2009
This was fun to do.
---Not liking the e and the s so much.
---While doing the sample, I found that even though the inter-character spacing is specifically set to one grid space wide, Photoshop was rendering the spacing differently per character pair. Same in Illustrator. Curious, I opened it in FontLab Studio. Turns out, the characters that have a half-wide brick left of the left edge in FontStruct are another half-brick-width over in the TrueType file. The sample is, therefore, manually kerned back to original.
fs Balance
by thalamic8.31
Click on the stars to rate this FontStruction.
Balanced Rating: 8.31
Average Rating: 8.45
Click for more information about this rating. 20 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.31
Average Rating: 8.45
Click for more information about this rating. 20 votes You voted ? for this FontStruction. You may change your vote at any time.
fs Lead (Pb)
by minimum8.28
Click on the stars to rate this FontStruction.
Balanced Rating: 8.28
Average Rating: 8.41
Click for more information about this rating. 22 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.28
Average Rating: 8.41
Click for more information about this rating. 22 votes You voted ? for this FontStruction. You may change your vote at any time.
118104828
Published: 28th September, 2009
Last edited: 22nd November, 2012
Created: 28th September, 2009
It's elemental.This is a clone of fs Bas Relief
Last edited: 22nd November, 2012
Created: 28th September, 2009
It's elemental.This is a clone of fs Bas Relief