Spiky shapes and sticks that point in all directions: just take a twilight walk trough a forest in the fog.

The name is Hungarian as we have Hungarian connection in the family and among friends. It means my forest spirit.

The current month seems to hold a meaning of threads: of fog, dew covered spiders' webs, barely-there things, feint perceptions defying scientific understanding and fine links with ancestors, to keep us in the present and enable open minds and caring souls to better the future.                                This abstract interpretation of Halloween has been designed to echo the traditionally mysterious mood to show the past (known glyphs, earlier FS bricks) linked in the present (on paper, in the FS previews, and using some of Meek's newest bricks I experiment with in this design) to create future (text will carry meaning to the reader, diversity of thought not experienced until after every glyph is finished, and beauty of text flow is visible only after it has been written). Totally within my personal plan for Night Pegasus' work: adventurous, alternative, divergent, different, exploring, experimental, unusual --  after all, the flying horse is free to visit any time any item or existence in this universe and any place in Fontstruct, to discover and weigh possibilities, to create its future from the past in it's present body and mind, and it does this cloaked in black as deepest night, undiscovered unless someone has their feelers tuned into mystery and taps into experiences of presence.

:.:.:.: Information to help you when using this font :.:.:.:

If a LC glyph follows a UC glyph: you need to use the space bar 6X to get the correct letter space (it will then match the natural spacing between LC); using only LC glyphs (or only UC glyphs) will give satisfactory text results as letter space is set by the programming. But you'll need to manually add the word space you want: between UC (or LC) words a minimum of 3 space taps for a just visible gap, use the space bar 6x for good spacing. Experiment!

Note: the full stop and comma have a line on the baseline to link with UC. There might be no need for a 'space' after those two marks even on LC? The apostrophy has a short line to link it to previous/following UC glyphs (note those link lines retain the meaning of the glyph when used with LC glyphs or an LC following an UC glyph).

SPACE BAR = a 1px space; tap 3x to get a small word space that's obvious

% key = a set of reasonably wide lines to match upper case verticals

_underscore = a space consisting of a long single line on base line only

I'm trying to figure out some diacritics before the 31st so this remains WIP

This had the look of the original reverse-comp entry. Then the save ignored me, as you can see. Another of my basic fonts died in silence.

Inspired by an artist's tarot card set. WIP.

Inspired by a lace edged table cloth. Good for a word of greeting on a card for Easter (or Ostara, but you're a day late ;)  so you best grab it for next year... )  It would be great to use on cards, labels, book bindings, for someone doing needlework, crochet, knitting, tatting, macramé, sewing, stencil work and similar paper or thread based  crafts.

I am not with myself today?

Inspired by a Blackletter font in which I saw Art Deco qualities. The name comes from Norse/Viking mythology. It's great for headlines/titles and works nicely as majuscles for slab sans serif fonts.

No DL for this particular design but the initial font design will be tidied (has Latin & MoreLatin only) and made available before the end of next week.

Dark Tokken was inspired by Maren Winter's novel about a Tokkenspieler. I know that this design is far from looking like the styles of writing popular at the time when the story was supposed to have happened. I adjusted some lines of this version compared to a previous one, added real LC, numbers and More Latin diacritics :) as I want to print bottle labels with this.

I made the old style sz for the ß, and placed the alternate modern ß on the °.

A while ago I designed the Circe family; it is quite elegant and fine. This new version,  based on Circe1, has thicker lines without being bold. This meant changing a few letter shapes and lines. While it can be used with the others I would discourage mixing the normal weight versions with this one due to the structural changes to many letters.

Glyphs full of spring ;)

An "almost sans serif" text font with an alternate g on the § because I couldn't decide which g was nicer. I have made all Latin sets. This replaces one of my  computer's sans-serif fonts.

The Santa in the sample is one of the christmas-sy fonts I made.

Covering the Unicode "Runic" letter set (from U+16a0 to U+16f0), except for the subsets "Tolkienian extensions" and "Cryptogrammic letters". Including Scandinavian runic numerals (number keys, U+0030 to U+0039). Additional runic punctuation marks, alternative glyphs, and private-use characters have been ascribed to free slots in "Latin Extended-D" (U+a7d0 to U+a7de), such as the magical ligature rune Alu or frequent (or, frankly, more aesthetic) alloglyphs for e.g. Kauna, Jeran, Sigel, Ehwaz, Mannaz, Ingwaz, Dagaz/Dæg, Stan, and others. +++ This font has been designed to meet the highest standards of runic aesthetics, glyph regularity and harmony, as well as scientific usefulness. As a specific advantage over other available non-FontStruct runic fonts, this font will always be equal in height to letters of other popular fonts at the same point size (Times New Roman, Linux Libertine), so as not to cause trouble with line height e.g. when writing a scientific paper.

For the goddess Circe ... Elegant, feminine, joyful, rounded, with a positive swing to it. Working with shapes and 'frames' I made this for the "mix-and-match" set of decorative fonts called CIRCE. The caps can be used as a "majuscle" but might overload visually if used exclusively in a text? The LC are quite legible in smaller sizes. This font is part of a 5-font style set

For my weaving website I wanted a novel font. So here is FRIVOLITE, the shape is based on the beautifully shaped shuttle used for hand weaving. Indeed the O and 0 and @ show perfectly the shuttle shape. The other glyphs were made to fit (as far as reasonable) into this specific shape. I know that frivolité is knotting rather than weaving, but this shuttle shape can be found in weaving, too. An alternate N and Z is on 'extended Latin B'.

Decorative font in 'basic' and 'more' Latin. It's crisp and spacious, allowing easy reading at smaller point sizes from 10 upwards. I have not checked how large it can get before the building bricks become disturbing in the flow of the edges. It can be used in conjuction with my "Ritual Minutes" which has no descenders on the UC and LC. Not sure if this is more of an 'Art Nouveau' design or points more towards a generalised 'Victorian-ish'. It doesn't really matter, someone will find the perfect text to show its visual qualities ;) NOTE: the space is reduced to something like 1/2 letter width. To get a 'good' space between words you need to hit the space key twice. Do you think this is acceptable? Or should I increase the space?