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Fontstructions tagged with “Post War”

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CONCRETE 

by meggsz
8.84 Click on the stars to rate this FontStruction.
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Average Rating: 9.75
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 4 votes
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534307 Published: 23rd November, 2020
Last edited: 10th July, 2021
Created: 11th November, 2020

Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings. 

        • Rebirth (29)
        • Geometric (882)
        • Geometry (72)
        • Architecture (50)
        • brutalism (3)
        • Modernism (61)
        • Post War (3)
        • Decorative (686)
        • modernist architecture (1)
        • Typeface (135)
        • Typography (128)
        • Graphic Design (150)
        • Graphics (239)
        • Uwe (1025)
        • Bristol Uwe (140)
        • UWE_graphicdesign (47)
        • Typeworks (167)
        FontStruct License

        STF_JS-AVANT-GARDE i10 (REGULAR) 

        by Sed4tives
        7.44 Click on the stars to rate this FontStruction.
        Balanced Rating: 7.44
        Average Rating: 7.14
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         7 votes
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        651951 Published: 23rd April, 2018
        Last edited: 31st August, 2022
        Created: 22nd April, 2018

        AVANT-GARDE i10 (Regular) - Modular stencil type system

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        Another revival of the works originally designed by great dutch graphic designer Jurriaan Schrofer

        The original source for this fontStruction was the cover of 1963 paperback: "i10 de internationale avant-garde tussen de twee wereldoorlogen"

        by Lehning, Arthur & Jurriaan Schrofer

        ═════════════════════════════════════

        This is a optimized re-entry of my very first fontstruct entry. Which was in loving memory of "Jurriaan Schrofer". it was a attempt to re-create a alphabet from late great dutch graphic designer "Jurriaan Schrofer".

        Unfortunatly the first entry that I published had some imperfections, and which for the most part were removed in this version.

        No true uppercase glyph set for this style (yet), and the only small difference between the Uc and Lc strings is the dot above (i j).

        ═════════════════════════════════════

        -- Down here you'll find a link to the 'tiled' style version for this family:

        AVANT-GARDE i10 (Tiles)

        ═════════════════════════════════════

        I hope you like it,

        Cheers

              • Jurriaan Schrofer (82)
              • Modular (256)
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              • Post War (3)
              • STF-LETTERS OP MAAT (72)
              Creative Commons

              Helvetica

               from MyFonts
              Helvetica
              Some fonts you just can’t FontStruct.
              Buy & download premium fonts on MyFonts.com

              CeramicConstruct 

              by JamesRatcliffe
              7.98 Click on the stars to rate this FontStruction.
              Balanced Rating: 7.98
              Average Rating: 8.00
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               4 votes
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              191300 Published: 5th November, 2010
              Last edited: 5th November, 2010
              Created: 20th October, 2010
              As part of my Graphic Design brief at UWE I was asked to design a font based on the word 'Curve'. I wanted to design a typeface that uses the negative space and creates a curve from consistent shapes, hence only using a select set of pixels. This also strongly links to my research into ceramic sets where curves were introduced strongly during post war times in 1945 - 1960s. I was inspired by the sculpture work of Henry Moore and Barbara Hepworth in particular, and feel that the font has produced its own ceramic set with a flow throughout the typeface created within the negative space.
                    • Uwe (1025)
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