P.S. There’s a starting character on Í (option+shift+s for Mac). Spaces can be used to pad the wave effect and create shapes and background textures. Enjoy!
This is a clone of xe O Marks the FontThis typeface was designed with the adjective 'Massive' in mind. I then chose to focus on trees, particulary the tree bark, to see how it is structured. I collected bits of bark from trees to see how bark can vary in its texture, such as, the 3D features and the visible cracks. This typeface could be used as a large title in posters, banners or headings for leaflets, possibly for environmental awareness campaigns.
This is a cloneThis typeface was designed from using the word 'Squishy' as a starting point. Which i then went on to pinpointing it down to fat in particular looking at animal fat. I feel this font can be used in a large poster or sign, advertising or for promoting against animal cruelty.
This is a cloneAnother experimental font for texturing work. This one uses only an 8x8 grid, but since it isn't pixel art, a much greater variety of patterns is possible. Every glyph in the font repeats as a seamless texture in both directions.
See also:Gremlin Skins (pixel version)
Experimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!
The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.
"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D
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Design Rules:
1. Segments can have interior length/width of 2 or 5.
2. The central 2x2 square must always remain open.
3. Square bricks and 90-degree angles only.
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Original size: 20.75pt (use multiples of this value for pixel perfection)