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i take the undertale/deltarune font and add glyphs that are not from basic latin because everyone always forgets to add them
In the private use area F000-F022 are some chars to help with custom symbols
Pixelated font for a user interface. High resolution.
This is a clone of Interface Low-ResThis font is a clone of "15 * 15dot-ariake".
こちらのフォントは"15*15dot-ariake"のクローン版です。
Additions and extensions of Latin characters, and Greek and Cyrillic characters are also included.
ラテン文字の追加・拡張、またギリシア文字やキリル文字を収録しています。
In addition, in the area to display Hangul
I wrote Braille in the sequence of Louis Braille's Braille Table.
おまけとして、ハングルを表示する領域に
点字をルイ・ブライユの点字表の並びで書きました。
This font is based of the theme 'gregarious'. For this I looked into coral reefs and sea anemone, then developed ideas through print making with acrylic paint and sponges. The type face is inspired by the flowing nature of the sea anemone and how some sea creatures/ plants grow upwards towards the sun. Eventually the type began to look more like flames/ smoke than a plant, which I decided to focus on instead. This shows how a project can completely change from the initial idea and just how it is important to always develop further taking into account others opinions and thoughts.
Hijack is my first typeface and as been produced from my theme Asymmetrical. The font takes the characteristic of imperfections and glitches. In a world that often criticises imperfections and irregularities it offers an option to embrace the unsymmetrical aspects within this typeface. The use of this typeface could fit in a large variety of circumstances and forms, whether it be billboard posters, t-shirt and bags, TV, flyers and online website banners.
My font was inspired by the way pixels have been used by other designers in the late 20th century, in particular, Peter Saville’s Original die-cut sleeve album cover for New Order’s Blue Monday single, Wim Crowel’s new alphabet used by Brett Wickens in Joy Division’s compilation album Substance cover. The font was modeled on digitalized letters. To produce it I have used techniques from traditional calligraphy (drawing, use of pencil and ink on paper) to create an effect usually generate instantaneously by computer coding in order to stress the tension between the finished piece and the production behind it. The tension between the two and the uncertainty are represented in the font by the missing and misplaced pixels in each letter.
This is a clonePC Font recreations: "System"
This font only appears in Notepad, MS Paint and nowhere else, so replicating it might be a good idea. It's also stuck at bold, so a regular version will be coming soon.