Only caps/unicase font. Also includes an "a" and "e" alternates... and a little "c" in the "¢" glyph. More kerning work is in process, btw.

SEADWELLERS — 1920s Art-Deco Sans style
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I was somewhat inspired to do a Art-Deco style lettering of my own after seeing the stylish Art-Deco flavored FontStruction Aquamarine by IronClaws

Other than that the two fonts remain unrelated and Seadwellers poses no resemblance to Aquamarine. Instead I sort of did a 1920s Art-Deco style lettering with thin geometric letterforms. It's comes as a Majuscule only and the letters have nice quirky width variations, with some letters appearing almost extended, while others are more narrow.
— The similar aqua-themed concept is merely coincidental.

Only basic character set!

It remains a WIP for now..

Cheers

This font is not a font, but rather a place where I can do experiments like large curves, things that only look cool in outline mode, and much more.

This is published and cloneable so you can see (and use) the experiments for yourself.

Capital A: Various sizes of circles approximated using a standard faux (pronounced like 'foe') bezier curve technique (top) and stock bricks (bottom)

Capital B: A thing that only looks cool in outline mode

Capital C: Approximations of diagonal lines.
Bottom (1): Simple Stock Brick method, using only two stock bricks.
2: Complex Stock Brick method, using three.
3: Composite method.
4: Complex composite method (4x4 composites)

Capital D: (Set filters to 2x2) I wish this was a stock brick / createable brick that didn't require layers or filters.
Ideas:
  -  Allow layers for non-patrons (maybe not colors, but at least layers)
  -  When stacking, don't revert the bricks to their original states
  -  Brick patching (T)

Capital E: Weird thorn brick pinwheel thing. I suppose the last one there is infinitely extendable, as seen in Capital F.

Capital F: Extension of the weird thorn brick pinwheel thing.

Capital G: Capital E but with fin bricks. The last one is also extendable (not shown)

Capital H: Two circles.
On the left is the largest one in the Capital A.
On the right is a slight variation that follows the rules of the circles: Any size circle should be able to exactly fit the one that's two sizes down. This one also looks marginally more consistent as far as stroke weights go.

Capital I: The snick bricks contain themselves.

Capital J: Sierpinski Triangle

Capital K: Capital E and G but with Snick Bricks

Capital L: Capital E, G, and K but with Half-width triangles

Capital M: If anyone wants to make this a font, be my guest.

Capital N: Original concept for Tloak (left), and the updated version (right)

Capital O: Collisions of the New Rings 1, 2, and 4, all offset by just a little, forming New Rings 3, 5, 6, and 7. Just like Binary. (i.e., if you combine 1 and 4 you get 5, or 1 and 2 make 3. Mixing all makes 7, the thickest one.)

Capital P: The capital C with composites expanded

Capital Q: Various approximations for curves at the tops of 1x2 slopes. You are very welcome.

Capital R: Zoom out and press 'O' while in expert mode

Capital S: Rounding the end of a diagonal

Capital T: Various brick patches using William Leverette's Brick Patching technique, found here.

New experiments go down here.
Suggestions and requests are allowed, but spam isn't.

Thank you, STF!
@SuIsJustBack4523721387: Weird flex but ok

(BTW, I can't comment or clone fonts)

Unicase font with a lot of alternates in the lowercase to improve the general playfullness. Also added more diacritics and accents, and remodeled and kerned the old glyphs. (Plus: other "1" at the "t", the 3rd "U" -and their accents- are at the "v", "ò", "ó", "ô" and "ö", respectively.)

Westmobster NRC — Magnetic Ink Character Recognition style

A typeface design inspired by the MICR aesthetics style.

I haven't checked and compared this against any of the others already in existence, but due to this it's obvious that this is going to share several resemblances with other similar fonts that are out there.

But I'm pretty confident that this isn't just your next Westminster or Data70.

Just to point out one of the unmistakable difference here for example, is the more distinct Sci-Fi characteristic, which is especially strong within it's uppercase set.

This sort of fonts have been strongly associated with computers technology, especially in the late 1960s and early-to-mid 1970s. Nowdays these lettering concepts are frequently used to indicate computer involvement in television series, films, books, music fashion and several other media.

In the 1960s, the MICR fonts became a symbol of modernity or futurism, leading to the creation of look-a-like "computer" typefaces that imitated the appearance of the MICR fonts.

It still requires some minor adjustment and tweaks, but the global concept is finished.

Let me know what you think,

Cheers

Well, I was not happy with the final look of my zelestia, so I tried to change the center of gravity of the font, which I managed to lighten its weight and basically alter its general appearance. I like this new, more dynamic and special look better... and I wish you would like it too. Let me know your opinion. Thanks a thousand.

Unicase italic font with many alternates (in the lower case zone), so much that it's almost like two fonts in one. Hope you like it.

Sort of mixing ideas from "tuxedo blvd" and "tinseltown." Keeping with the "t" naming trend between them, here is yet another Art Deco font, "trailblazer," please enjoy~

A coding font. (Unfinished)

If the font has any issues, please comment.

Optical experiments continue. "ff" and "tt" ligatures are in the "fi" and "fl" glyphs. Hope you like it.

actually blackletter (somehow)

inspired by the work of @elmoyenique and @sed4tives

btw "kaldus" is slanted in estonian

Optical experiment...

this is an all caps font that is used for display

Extra "ff" and "tt" ligatures placed on the "fi" and "fl" glyphs. Legible even at pixel size.

Some kind of alien dashboard font.

an art deco font pulled from the treasure trove of disney's "the rocketeer"

this also marks the second birthday for this little adventure. many thanks for all the help along the way :)

a rather narrow art deco font

I recently found an old book of typefaces and one of the samples within sparked the creation of this, a classic/angled art deco font, inspired by the golden age of ocean liners. Please enjoy