Based on a font identification request over at Typography.guru.
A recreation of the typeface used for the titles of the film Sneakers, evidently inspired by the MICR aesthetics, filtered through the over-the-top flair of arcade video-games graphics.
Only |J|Q|Z| are done from scratch, but most letters still needed some interpretation in order to choose what to keep as a detail and what to discard as just an artefact.
As per the samples available, it's just uppercase (plus the lonely lowercase |c|).
It is possible that the original wasn't a pixel font after all, or that the pixels weren't square, and probably it had a higher resolution than 13×13.
STF_VAQUUM 67 - A MICR style font
The font is loosely based on a screenprint named "Vacuums"
taken from a 1967 portofolio work by Eduardo Paolozzi.
It's not an accurate 1:1 copy, instead I tried to make it slightly more proportional version inspired by the original work. The font is done in all caps with some glyph alternatives in the lowercase string in order to slightly more accurate mimic the original print text.
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The original print was most likely based on the "Westminster" typeface
that was designed by Leo Maggs and was inspired by the MICR(magnetic ink character recognition) system used on bank cheques.
Several other imitations of Westminster are out there, with most well known probably being the "Data 70" typeface.
Cheers
RABBITRON is a nod to the fonts you'd find on checks and other magnetic ink character recognition typefaces recreated in picel art. RABBITRON is free to use. please credit and tage @rabbitking.pxl
This typeface was designed as a response to the shift towards Online and Digital Communications that communities practice in modern society. Since the emergence Internet, people has more frequently resulted to email, messaging and other online connections as a means of communicating with each other as supposed to speaking directly in person.
This has limited the power of communication and removed many organic aspects of conversation. I feel this is particularly prevalent today as a result of the Covid pandemic and as people continue to feel more isolated, we loose the important subtleties in the way we discuss and exchange.
The character’s design was based off fonts like CMC7, MICR E13-B, CRT Screen Typography, the works of Gerard Unger, Wim Crouwel and other pieces of design created for the exchange of digital information between machines.
Theo D'Cruz 2020
Inspired by a type identification request over at Typography.guru.
During developement, the tool has taken over, also helped by the scarcity of letters available in the original, making the design more sans than serif, and with strong MICR vibes in some places.
The name means "shoe shop" (also shoe repair or shoe making) in Italian.
At the moment the language coverage is limited to Western Europe.