See more:

http://mishapanfilov.ru/fonts/pobeda/font_pobeda.html

https://fontstruct.com/fontstructions/show/1758070/boomville-2-0-0

STF_VINDALOO (Regular Condensed) - Style variation in the 'VINDALOO' font family

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Cheers

STF_VINDALOO (Regular) - Style variation in the 'VINDALOO' font family

This is the lightest version in this font family and is the most suitable style for more of a body text use.
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Of all the versions this one proved to be the most challenging one to implement all the stylistic details the heavier versions also feature. And in the end I was unable to transfer each and every one of them into this version. But that seems to be far from any issue at all since this is aimed at smaller point size and best legibility. So I guess some slight extra simplicity wouldn't harm!

Another notable difference in this version is that some glyphs received more changes than just a 1:1 straight weight cut. This was done because either a straight weight cut would've made the character look awkward or due to technical difuculties.

Despite the above I think it came out just great, and absolutely a clearly recognizable family member.

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All the versions will receive more language support soon (stay tuned)

I hope you like it so far.

Cheers

STF_VINDALOO (Extra Bold) - Style variation in the VINDALOO font family

STF_VINDALOO (Extra Bold Condensed) - An extra bold and condensed Art-Deco display sans
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This initially had already been a published work from my early days of Fontstructing and the original had a lot that was less than desirable. For a start, the obvious rookie mistakes, that were due to the lack of typographic education as well as insufficiant knowledge about the overall Fontstruct-Editor Expert-mode features.
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Now several years later, fully acustomed to the physiology of Fontstructing (composite bricks, filters, behaviour) but above all, to be able to visualize ahead and to conceive imaginary conceptual thinking for new ideas or solutions within the FS-Editor limitations. And in return to bounce back from these restrains and make them work in my favour.
So now I feel like I have to give some of my older Fontstructions a serious reassessment, and perhaps do some revisions here and there.
There are numerous hidden gems and potentials within these works, for which back in the day I remained unable to accomplish to their full glory and complete satisfactorily successful end result and design objectives.
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To get back at this particular font:
There was some unsolidified hidden beauty in certain forms that had yet to 'truly' be revealing itself. I completely overhauled a clone but basically ended up with more of a new font instead.

And I really like it

B-)

ART-FRÉCO - Art-Deco style typeface
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My second Fontstruction that honours the work of Fré Cohen.
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In loving memory of the great Dutch graphical designer

Frederika Sophia (Fré) Cohen(August 11, 1903 – June 14, 1943).
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Unlike the previous font that was solely based on digitizing one specific lettering concept, this one is more of a 'inspired' mixture of the various works by Fré Cohen.

The font features a full uppercase set that has the main focus. Everything else was build to supplement mainly these. It features a mixture of glyphs alternates in both upper and lowercase form to make some decorative typographic variations.

More fine-tuning will be done soon!

With this font I am late to the competition, but I still love Art Deco a lot.

Art-deco style font developed from the letter s (which wasn't that easy to make).

Decorative experimental letters drawn around XX pattern.

Very Fun Art-Deco font.

See more:

https://www.fontstruct.com/fontstructions/show/1693097/sonic-21

https://fontstruct.com/fontstructions/show/1310196/ad-c

https://www.fontstruct.com/fontstructions/show/173138/cheese_11

https://www.fontstruct.com/fontstructions/show/1578717/stf-nieuwpoort

https://www.fontstruct.com/fontstructions/show/1405116/zhappy5th-uc

https://www.fontstruct.com/fontstructions/show/192086/donut_3