A VCR font of my own, inspired by other VCR fonts. Very compact; everything stays within a 16x10 grid.

This is one I've been wanting to make. It's basically just a little remake of the original VCR OSD Mono made by Riciery Santos Leal (mrmanet) that also has more characters than the original. Do whatever you want with this. Enjoy. :>

Decided to overhaul it. Mainly changed the x-height to be the same as the original.

Alternate for my original Iuwave font.

Multi-Language & Cyrillic compatible.

I was just on the internet watching videos when I stumbled accross a video that was about a guy talking about something called the "ClockClock 24". I looked this up and I kid you not: it is a 24 hour clock made of smaller Analog clocks. When I saw this I was like, "only if you were able to make it display letters...", and then I thought, "I could do that".
And thats how this monstrosity was born.

This is a segmented display concept I’ve been tinkering with for the past couple years, utilizing a concept I call a “fused middle segment”. This is essentially where the side segments are extended to make up parts of the middle, removing a whole LED (this brings the number down to 6). While it has no purpose as a font, I wanted to try it out here to polish some stuff.

I should also address the fact that multiple characters are missing, or wierd looking. That’s because of the limitations of the display, it’s not possible to do them all without more segments (it can manage as many as the traditional 7 segment, though!). For future versions or styles, I probably won’t keep doing more than the normal digits, but I thought it would be useful to do them at least once.

Anyway, thanks! I would love feedback, and I will make sure to include it in the next versions!

This is a font from the Mitsubishi M35049 chip, recreated, this was used in VCRs, analog TV, or any other on-screen display devices.

Edit 2/9/25: Fixed a lot of letters and changed spacing to mono

I made a new "Hit Space"! Credit to The Font Penguin for the original.

my font is inspired by a circuit board with breakers in the designs. I also drew inspiration from nordic runes and egyptian hieroglyphs because I liked how they're unreadable to us but they were once the main form of communication that was used. I wanted to play into that but still makeit legible

My font based on the themes 'analog' and 'lo-fi'. My aim for the design was to make the font's appearance unusual and almost alien/bug like mirroring the natural world we live in over the digital one. 

After choosing Lo-Fi as a project theme on my graphic design course, I wanted to explore the idea of 'bad handwriting' and how it's perceived as messy, informal, and even sometimes stupid. Each letter has its own quirks and individuality, and gives the idea of authenticity. Perfect for projects that need a personal, raw, and expressive feel.

This typeface I created after being told my original one looked like how a baby robot would write. I created a little robot and can imagine this is how he would have typed when learning how to write.

this font was inspired by the use of polaroid (film) cameras before they went digital and how polaroids are unchangeable and will forever look the same.

A unique typeface crafted from nuts and bolts, embodying industrial strength and creativity. Each character is meticulously designed to reflect the rugged texture and geometric precision of hardware, offering a striking visual experience. Perfect for projects that need a bold, mechanical touch, Bolts stands out in any design.

Ghosting is a font I designed for my graphic course to evoke a sense of decay and fading. Inspired by the eerie and fleeting nature of disappearing text, each character has a subtle degradation effect, as if the letters are slowly vanishing into the background. Drawing on the concept of "ghosting" from Kindle pages, this font is perfect for themes that explore impermanence, mystery, or the passage of time.

I made a font inspired by the graffiti letters on Bristol street poles and walls throughout the City Centre, Clifton, and other places within Redland and Bristol. I aimed to make each letter have a different style, look funky, and have character and expression. Wanted to make my font different from others that exist with in-consistency, and variety. 

This font intends to imitate the rolling letters of an old analog screen. Often found at train stations, airports and similar facilities.

It is a relativley simple and non-optimized font so far. Feel free to leave me a comment with suggestions for optimization or any flaws you may find.

This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I also designed these letters to look like bubbles on the surface of water, hence the name 'Analogue Fizz'. I focused on the old method of transport in Bristol: boats.

Another VHS font

Agent Dagger is a font inspired by the 1983 Atari arcade game 

"Cloak and Dagger" / "Agent X" featuring a full range of retro hacker styled characters with various glyphs and symbols

created by:                                                                                                Abstract Lion (Christian "Kiko" Lopez)

2019 (C)