¡Feliz Navidad! - Merry Xmas! - Iloista Joulua!

It's finally ready!

Because NOBODY IN YEARS has made a version of Kapow with all the numbers and accents, so as Thanos would say.... "Fine, I'll do it myself!"

Behold: Kapow Plus Ultra! A complete rework of one of fonstruct's most popular fonts with new tiles for smoother "curvature"; Fully optimized kerning and tracking for usage in comics; And includes all numbers, punctuation, accents, and other characters missing from the original Kapow.

BONUS FEATURES: Mac option symbols supported

Update: Now with extra Manga symbols

@Christian_Munk_(CMunk) You're welcome.

Opening day of Guardians of the Galaxy Vol. 3! 
Celebrating with a spacy star filled background texture, bombarded by comets infiltrating multiple dimensional planes of existence. "Guardare" is Italian for Guardian.  

Lowercase font with some alternates (a, e, f, j, m, p, t, w) in the uppercase. The "tt" & "ff" ligatures are at the ""fi" & "ff" glyphs.

LUCERNA — Neoclassical stencil serif

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Lucerna is a modern neoclassical stencil serif in the Didot style.

Simple & Elegant...

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Created primarily with the focus towards luxury fashion and marketing brand-oriented projects, aiming at luxurious and sophisticated design projects.

Although it’s a true and fully functional stencil, design focus wasn’t so much
concentrated around the 'functionality' part of the stencil concept. Instead it was more focussed on the stylish implementation of the concept and on making sure it looks pretty.

The stencil concept was achieved by way of stroke omissions. Some of which are large and drastic, leaving only critical parts of the stroke intact, while others are more subtle, like those detached crossbars or cuts seen in the hairlines.

Thin transitional bracketed serifs and a mixture of various sized teardrop- and pointy terminals, combined with the high stroke contrast, these make up for a sharp and interesting looking font that provokes this thoughtful stencil letter concept.

There is a lot of subtle dynamic height deviations going on, hoping to tune in to more of a lively rhythm, and introduce some playful characteristic properties.
Minute changes to optimize optical performance have also been implemented, such as overshoots. The relative low cap-height makes up for a somewhat short and stocky uppercase quality. Its accompanied by a relatively tall x-height that results in a fairly large lowercase size. Due to the lower cap-height of the font, the short ascenders parts of the lowercase letters still exceed above the Cap-Line, preserving some of that otherwise lost white space, improving legibility.

The design's missing segments and various random detached bits 'n pieces aren't as functional in smaller sizes. Making it harder to read or distinguish detached letter elements from puntuation marks. So it is best used for display purpose.
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A small number of glyph alternative forms are included as well:
 • 2 forms of lowercase letter a:Single-storey and double-storey (default).
 • 2 forms of upper- and lowercase letters Ss:Pointy terminals (default) and teardrop terminals.
 • 2 forms of upper- and lowercase letter Tt:  Uppercase letter T has two variations of pointy terminals, normal angled and extra angular. Lowercase letter t has alternative form with teardrop shaped terminal to use at the end of words, and can add a slightly more stylish look. The default version has better proportional width with just a small non-decorative curved terminal, this default form has smaller width for a improved horizontal text advance.
 • 4 forms for lowercase letter g:Just 3 additional extra slightly alternate forms.
 • 5 forms for lowercase letter f:Bracketed (default), curved, teardrop narrow, teardrop extra narrow, teardrop wide.
 • Extra set of Copyright symbols:Cap-height size and x-height size.
 • 5 forms of Pilcrow symbols:Just 4 additional extra alternate forms.
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It covers most basic Latin languages, 65 in total so far.
Several symbols and punctuation marks are included. (probably more later)

I hope you like it so far,

Cheers

I originally made this font in July of 2021. I'd been looking for a way to turn it from a .png to an actual font file, and came across this site a few days ago, so I decided to make it available for others to use. I've also made a "smoothened" version, which helps makes some symbols (such as the M and W) clearer.

Cool. A Celtic font that's even better than my original attempt "Insular Design".

[P.S. How do you pronounce Celtic? /keltik/ or /seltik/?]

UNION WEST (Display) ― Classic Wood Type inspired slab serif
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This is the 'Display'(bold weight) version for the "Union West" typeface family
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[About the "Union West" typeface]
The idea was to craft a typeface that resembles a vintage wood block lettering style. The design is a sturdy looking geometric form with small wedged slab serifs, straight beak terminals. It comes with two weight versions, 'Display' and 'Text'. The Display version is a bold style that has medium weight contrast and aims for headline use, the Text version is a thin style with only mild weight contrast that is heavily condensed and aims for body copy use.
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➥ More characters will be added within the following days.
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The other font in this family is found here:
UNION WEST (Text)

I hope you like it so far, let me know what you think

Cheers

I took a look at the very first font I published and looking back at it now, I couldn't help but think I could have done better and gone much further with it. Having learned a few things along the way when I was working on the light version of Pixelbabania, I decided to invest some time into working on a much improved version of Pixelbabania VI, while once again following a self-imposed limitation. This time, I decided to go with 6x9 (with some exceptions) to allow a bit more wriggle room and to make characters with accents much nicer, and even decided to change up some of the characters to improve their look. Not only this, I decided I'd try and see if it was possible to add more characters from other sets and thus far, it had gone quite nicely.

After so much time on and off, now I share with you the fruits of my labor and love.

Note: I have done what I could to get N'ko and to a lesser extent Adlam to play nice; unfortunately I could not get the tone marks to actually just go above or below the characters properly, therefore they will take residence right next to the character, taking up another space. Apologies for any inconvenience caused to those who type in those languages.

04/12/23 : Fixed up a few more glyphs in Box Drawing to make them look and work proper with the others.

A font I initially created for an album cover but later expanded into a full typeface. Thanks to J.R.'s sci-fi font for the inspiration.

Recreation of the small pixel font from Sega's "Ristar" (1995) on the Sega Mega Drive/Genesis.

This recreation uses the special TTF+SVG format, which currently has limited support.

Only the characters present in the game's tile set have been included.

Cool pixel font huh? :)

Basic hiragana + numbers
These hiragana are set to be used in Japan in a parallel world.
The hiragana was rotated 180 degrees and then redesigned.
Since this is a character from a parallel world, it is not the correct form of hiragana as we know it.
In other words, this font has no readability at all!
So you may use it when you want to make strange letters, mysterious posters, old memoirs, etc. It all depends on your ideas!

I am writing this text using a translator because I am not good at English. Sorry if it is a strange sentence.
I hope you like this font.

Third font in a series of three colour pixel experiments, made after reading Arcade Game Typography: The Art of Pixel Type by Toshi Omagari. This one has a double shadow, which gives an extruded 3D effect at a smaller scale.

My second 8x8 colour pixel experiment after reading Arcade Game Typography: The Art of Pixel Type by Toshi Omagari. This one has an inverted gradient inline.

GunFight 8 Bit font originally made for my video game "Honcho Poncho" (8x8 pixels grid), ported to Fontstruct for quick prototyping.

this is my font that has glyphs

attractive,  simple,  experimental.

My first font that I made