12035631
Published: 8th October, 2010
Last edited: 5th November, 2010
Created: 5th October, 2010
This is a font that i have designed and created as part of a project given in the first term of my first year doing Graphic Design at UWE. The initial theme for my project was "Decay" where I researched different types of rotting, erosion and decay of quality in every day objects. I then came to look at crumbling brick walls and developed my font from there. I've tried to show a lack in defined edges and emphasise a crumbled, smudgey typeface. I think it could be used as a relatively playful font,but could have strong impact if used for communicating the idea of decay or decompositon. This is a bold font, meant to be used big! Feel free to comment or discuss !
137189831
Published: 29th May, 2013
Last edited: 22nd May, 2013
Created: 24th April, 2013
This typeface was addapted from "egrang" . Egrang is traditional game from Indonesia . The player walk with two bamboo sticks that have some wooden block to place their foots.
The rule is to race until the finish line without droping the foot to the ground .
In this typeface , I used bamboo shape for the stroke and the wooden block for the horizontal stroke .
284187353
Published: 6th October, 2012
Last edited: 19th October, 2012
Created: 5th October, 2012
I"M BACK <3
The viewer doesn't really do this font justice. Please either download and view or make a private clone!
For this font I aimed to make a block sans with bridges in unconventional locations...and then it became a monoline semi-geometric slab~ And I sorta regret starting on this so late...
Suggestions are welcome. I know the pointy bits of W and M are wonky but I don't know how to fix those ...
1352018639
Published: 13th August, 2014
Last edited: 20th August, 2014
Created: 24th December, 2013
A Japanese (Hiragana, Katakana) typeface that mimics roman lower case shapes.
93117735
Published: 6th March, 2012
Last edited: 16th March, 2012
Created: 5th March, 2012
Inspired with neurone's font "AFT64 The Orgians" although it doesn't have any identical shapes or styles...
This is still incomplete. I'm going to finish it soon...
72234530
Published: 11th October, 2010
Last edited: 2nd February, 2011
Created: 11th October, 2010
A glyph made with glyphs, I dreamed this image and I could not take it off of my mind untill I've crafted this that you see. It's a little joke about the matrix of our creations... and now it lives in FS.
412431268871
Published: 27th February, 2014
Last edited: 13th February, 2015
Created: 23rd February, 2014
Something as simple and boring as a monospaced, octagonal, sans serif font. But it has great unicode support!
29713153055
Published: 5th February, 2012
Last edited: 15th October, 2012
Created: 4th February, 2012
Pixel font with lower right corners cut. Best used with font size 24.
206352299
Published: 23rd April, 2011
Last edited: 30th April, 2011
Created: 17th April, 2011
An assortment of moustaches and beards from history and popular culture. Far from comprehensive, but that will have to do for now. :)
384235388
Published: 12th May, 2015
Last edited: 9th May, 2015
Created: 2nd October, 2014
Gorgeous, isn't it? This is a reproduction of a cross-stitch pattern from the French series of embroidery books "Maison Sajou". It dates to around the turn of the 20th century. After seeing such a beautiful, ornate pattern, I just had to convert this one to a font, a process that took several months.
The design is made of intricate flower buds, stems, leaves, and check patterns. The design of the letters is similar throughout the pattern, however no two letters have exactly the same layout (for example, flower buds are facing a slightly different angle). Each letter is intertwined with a branch that winds its way up the letter, and features representations of leaflets and berries.
The 'I' and 'W' were not present in the original design. 'J' doubles as 'I' and 'W' is a rotated 'M'. While I would love to make up numerals based on the current letters, it would be a daunting task as each letter is about a 100x100 size grid. Anyone is welcome to clone this font and give it a shot.
This pattern was found on http://patternmakercharts.blogspot.com/2010/11/sajou-no-601.html . There are lots of Sajou and other embroidery patterns there.
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
711257015
Published: 24th October, 2009
Last edited: 28th November, 2009
Created: 17th October, 2009
More pxl love. And another expansion of Lex Kominek’s Trajedy majuscules.
The freshness of the original charmed me into creating an extended set of matching miniscules, diacritics, symbols and ligatures. But why stop there? :^)This is a clone
69213624
Published: 11th April, 2011
Last edited: 25th April, 2011
Created: 10th April, 2011
A festive font in the spirit of the upcoming holidays :) I'm going to make more eggs, but I just had to release it before anyone else got the same idea ;P
Numerals are more solid shapes and letters are crazy patterns (There's even a captain's decoration on the G)
1962115660
Published: 13th March, 2009
Last edited: 22nd June, 2009
Created: 27th February, 2009
I made this FontStruction for artists who beginning pixel-art. This font is a template for pixel-art. The matrix of the letter: 3×5×1. Optimal font size: 64 ptThis is a clone
167135342
Published: 10th May, 2014
Last edited: 10th May, 2014
Created: 6th May, 2014
A recreation of a cross stitch pattern I found on Pintrest and originally from the Hungarian cross stitch site qtp.hu.
Thanks to elmoyenique who designed the "I" and "Y" glyphs, which were not present in the original.
1015125826094
Published: 25th November, 2009
Last edited: 23rd April, 2015
Created: 17th October, 2009
A monospaced pixel font with over 8000 glyphs! 7 pixels wide, 12 pixels tall. Some characters may be wider than 7 pixels to make them connect with other characters.
199128457
Published: 13th September, 2011
Last edited: 6th February, 2012
Created: 12th September, 2011
I think I've completed the glyph. But maybe I will add some glyphs like More Latin, Greek, Cyrillic, etc.
68824921
Published: 19th November, 2010
Last edited: 26th April, 2011
Created: 6th June, 2009
This is an old font of mine. Wow, it's more than a year old. Yeah I thought I'd share it with you. I'll make some extended latin and such now.