Came up with this script in just about 15 minutes, it has a really nice flow to it and is inspired by Thai, Arabic, and believe it or not, Tengwar. Great for fictional languages, conlangs, or aliens. Let me know if you decide to use it for anything, would love to see your work!
NOTE: The glyphs are the same for Upper and Lower case for the time being.
AdheresNA is a font which is heavily inspired by Sederhana and ztrippy eYe/FS
AdheresNA is an anagram of Sederhana
Note : this font is still WIP
I've remade previous AT Sour Love by adding serifs, it fits better for this 45 degree rotated heart. But as previous one, the downloaded font still has rendering issues despite my attempts, most bricks located at lower serifs change into other brick for some unkown reason. Holes in hearts were removed cause they too have rendering issues when downloaded.
Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
More characters to come... :)
This is a cloneHere is a (somewhat refined) departure/sequel to the example design I created to help inspire their projects. :)
Alternates are included in the lowercase. Just letters for now...
Bump the zoom up a few notches in the preview widget to get proper hairline spacing. Enjoy!
This is a cloneThe ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.
The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!
Brute force, now meet Elegance.
Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...
Please, vote kindly and stay tuned for more :)
This is a cloneThe ubiquitous video game font standard, likely designed by Lyle Rains of Atari; first used in 1976's "Sprint 2" by Atari, and then on until well into the 1990s. Used by most video arcade game companies, including (but not limited to): Namco, Williams Electronics, Irem, Atari, Konami, Bally-Midway, Taito, Nintendo and Sega. The lower case characters are from several Atari video arcade games from 1984-1987. Plenty of alternate characters -- variations used in conjunction with the standard font, all selected from a variety of MAME32 game roms.