Something is lurking in the shadows..

Testing the new square connector bricks with a simple outline font.

I ran into an anomaly where one of the new bricks glitches out after saving. Easy to fix using other bricks, but I'm leaving it here to show some interesting effects the glitch is producing. 
1. It looks like there is a boolean operation going on with it. Something we've been asking for for a while.
2. When grabbing the brick, it highlights an area of about 9 grid spaces, as if it were a group of bricks connected together. Another feature that has been requested for a while.
Anyways, the brick in question is the last one listed on the Bricks:Connect panel

This font explores the configuration of bubble forms. The font was inspired by markmakings of ink bubbles which imprinted onto a surface, rather than bubbles floating in the air. I have involved lots of depth and tonality into the font, which, despite bubbles being quite a soft concept, gives it a very dark and heavy feel. The outcome also contains a very digital feel, due to the small scale I worked with. 

My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.

Made with the new pizza brick.

Something from the archive. Pempo reads as Retro from Russian (or any other language that uses Cyrillic script).

The new "pie" brick tested out. WIP.

An older, previously unpublished fs, modified to try out the new arc bricks.

Geometric Art Nouveau lettering inspired by as well as trying to mimic Uncial & medieval Insular script letters!

Art Deco tile mosaic lettering design and background tile patterns.

It's designed to craft layers of typographic mosaics. It can create very subtle clear display text combinations when only layering text with just one or two backgrounds max. This will result in nice retro-ish mosaic typography. But beware, combining two or more background patters with for example different blending modes on each layer, this seemingly peaceful boy becomes capable of recreating the big bang!

All patterns are located in the Unicode block for Block Elements!

You know what, lets make this one clonable for everyone.

Enjoy!

Oh yeah! it's finally completed.

And old font that I hadn't published before. Similar to Da Capo.

A more bookish take on Comicool, made for more comfortable general reading. It's still useful for comics, as well!

Many letters were squared off in the corners, lowercase letters were given stems, and an assortment of glyphs were edited for more style.

This is the third iteration of Comicool... rather than develop them all toward one style, I tried to make each iteration the best it could be. The result is three distinct, but still compatible styles. This one is probably the best for body text!

A blocky, retro Sci-Fi font inspired by evil, faceless mega-corporation logos.

I tried to make a font that mimics the minimalist design patterns of the late-90s and early-00s, as well as earlier grid-based works like those of Wim Crouwel. This is the fruit of that labour.

A semibold Gongclonker made to the same specs as the original - 5x5 with no wasted matrix.

A sci-fi font crafted while at the Pohang train station in Korea. Please enjoy

AZUL is BLUE in Spanish. I choose the word blue because it always reminds me of ultra bold fonts. But i feel like just "BLUE" looks dumb so i choose "AZUL" instead. Btw blue in Chinese is "lan". Just imagine "LAN" as it's name lol.

Least important stuff :

I got this idea when i was thinking about if I design a poster for a JoJo character. it'd be Kira Yoshikage. And I was like "Gotta need a ULTRA bold font to show he's really danger" Now you know this totally unuseful thing :P

A little more important stuff : 

This font is free for all use.

DO NOT PRESS THE B SYMBOL WHEN YOU USE THIS FONT. SERIOUSLY, DO NOT

lqi laugh quietly inside 

A simple multiline design

Some kind of great big ol' chain.

In retrospect, I think it looks like a jewelry chain from a dwarven civilization. Perhaps the hypothetical jeweler cut and ground the stones in an imitation of some dwarven font!

When glyphs are used in isolation, they somewhat resemble carved signets or seals. Increasing the letter spacing allows you to create a variation of the design. (This is something that must be done in-software since the font will render as monospaced by default.)

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12SEP2018: Added lowercase... the low resolution combined with the design method make it very difficult to render distinctive lowercase versions of every letter, but I'll keep working on it. There's a lot of similarity between pairs like S/5, Z/2, etc., so this font is most effectively used in forms of writing wherein context suffices to inform the reader as to the identity of each glyph (lists, prose, and technical writings). If you want to use this in a password system or something, I recommend using one case's glyphs only.

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Design Rules:

1. Negative spaces will be areas of 0.5 bricks' effective length or width.

2. Negative spaces may exceed the 0.5 measurement only by increments of 0.5 and in only one dimension at a time.

3. Glyphs will fill their framed canvasses to the greatest extent possible while adhering to the other rules.

calligraphy+western