A 117-segment display made to have a more "mosaic" look. Try using this one at odd sizes, especially with antialiasing off! The resulting distortions occur in a consistent way which leads to many new uses for the font.

Original size: 38pt

A decorative insular display font.

This is still a work in progress. I'm pushing the new bricks, stacking and nudging to the limit to create some nice flowing shapes. This is also a great opportunity to get working with some good kerning. Once I have the basic character set, this is going to be submitted to Google Fonts for approval.

A serif font with a couple of nice little touches to it. My original idea was to attempt to make a Donburi Serif, but about three glyphs in turned into its own thing.

This is a rendition of one of A. V. Hershey's dot fonts from his 1967 paper "Calligraphy for Computers", the "Cartographic" (sans-serif) font. This version only has the original Latin and Greek characters, map symbols, and some punctuation, and, like the original font, is missing the []{}@#$%& symbols.

Bold super italic 45º!

A multi-line design which is slightly reminescent of mazes/fingerprints. It's not designed to create functional mazes, but it is somewhat capable!

"Absinthelyric Print" is an anagram for "Labyrinthine Script".

Original size: 11.25pt. Use multiples of this value for pixel perfection. (If you use antialiasing, it will look perfect at most any size.)

Design rules:

1. Square bricks and 90-degree angles only.

2. Alphabetic glyphs must have open terminals; numerals and symbols must have closed terminals. Letters which do not terminate (D,O, etc.) must be broken so that they terminate.

3. Glyphs must fill the 15x15 grid.

4. Ligatures and combinatorial glyphs must fit into one letter's space.

A last minute countercomp entry, taking a deco design and surrounding the glyphs with greater and lesser facsimiles

A classical option with a new point of view (the scrape). The LC is different to make more legible the pairs of equals glyphs like FF, TT, CC, OO, EE... IBYP because I'm kerning a lot of them.  

Very stressful assembly of bricks, I thought I would not finish it on time. Uff! Some glyphs are still expecting to be included in the font. WIP, and kerning.

A funky idea that started with the A and expanded from there. Most letters are drawn by a single line winding around, although some are just not willing to follow this mantra. I found this half-finished while scrolling through my private FontStructions, looking for ideas for the CounterComp, and decided it was already an interesting entry :-)

There's an alternate, narrow set of numbers that can be reached with Shift+number (on a QWERTY, Dvorak, etc. layout); not sure which set fits the style better. Suggestions and critiques welcome for anything, and feel free to clone and poke around with it. Thanks and enjoy!

my entry into countercomp

a font for when you want to be brutally serious and to the point

Numerous single brick pattern fillers and connectors, ready for you to use/clone/copy/change and put into your own designs or whatever.

All patterns are designed to work as a selection fill. So in other words: the patterns will always look the same regardless of the dimensions of your selected area!

They come in a wide range of styles such as: Retro, Tile, Seemless, Textile, Composite, Glitch, Minimalism

All bricks are stored and saved in the custom brick pallet.

Enjoy!

A stencil army face created as my first submission to Google Fonts. 

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Another simple experiment with composites, this time trying to make a font which can easily accomplish a "diamond encrusted" or "disco floor" style effect within my graphics software.

SPOILER: I succeeded. :D

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Going for an industrial sci-fi look. The hard angles give these letters the appearance of being made by some kind of tape or roller.

Like most of my fonts, this is made to have a constant height, with plenty of empty space between rows/lines to enhance readability. Accented characters might be completed at some point, but only if I can work their designs into the existing letter height.

This font was originally designed to be uppercase only. So, the lowercase might be considered as an alternate set.

Original size: 24pt (24pt, 48pt, etc. look most crisp when not using antialiasing)

Happy 10th anniversary to FS and all the fontstructors! Thanks a million to Meek and the sponsors. This is a wonderful trip and the future is infront of us, compañeros!

BTW, "Sorpasso" means "overtaking" in italian.

I'm kerning...

An angular font with built-in ligatures for <f> and <j>. More punctuation and international support (hopefully) coming soon.

An art-deco font utilizing striped shading. Please enjoy

This font is kerned.

This contains the Latin and Greek alphabets.

See this font on my website at http://www.parallax.net.nz

CHANGELOG:

2018-02-06 - First release with 148 characters.

It's a real pleasure to work now in FontStruct! And here we are a lot of new challenges too. PS for the beginners: Just only let the basic square and try the other bricks... It's amazing, believe me!

One-brick (more or less)-font, using 2x2 filters. 

"Zorionak" means "Congratulations" in euskera (one of the regional languages in Spain).

Chcel som vytvoriť klasický font s rožšírením viacerých znakov tak, aby sa zachoval jeho vzhľad spojený so serifmi a preťahmi, ktoré obsahuje

I decided to be laynecom for a day, and this is the result. Didn't have time for numbers and punctuation though, unfortunately...

Some alternates available in Extended Latin A. Suggestions and critiques encouraged, as always. Thanks and enjoy!

More of an experiment than an attempt at an amazing typeface, but I thought it'd be a fun entry nonetheless. Don't let the creation date fool you: I started this design in early 2014. There were many issues that had to be remedied before publishing, most notably the lack of characters and major discrepancies between the shapes of serifs (some were entirely triangular, others entirely curved). It's still heavily a work in progress. Suggestions are encouraged, especially for the Q and punctuation. Thanks and enjoy!

(This font is dedicated to my dear friend Miguel and his wife María. Miguel just died on 26/may/2012. ¡Nunca te olvidaremos, compañero!)

Work in progress (kerning and more glyphs to come).

Work in progress (kerning and more glyphs to come).

Work in progress (kerning and more glyphs to come).