nothing much, just a little experiment with serifs paired with a pixel font.

free to use in whatever project you want

fs Stainless 

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My first font using the Connect Bricks
This is just a test font to experiment with new bricks, nothing more

Sorry if some of the letters and numbers look alike, K and H look the same, A and R look the same, and 1 and 7 can be mixed up

A project I was up to for a while now.

This was originally intended to be a Japanese only font, but I coudn't resist making Latin ..

Katakana or kanji are not planned right now.

¡Feliz Navidad! - Merry Xmas! - Iloista Joulua!

a little something I had in my head for quite a while already, finally decided to try and make it in Fontstruct.

No kerning done right now, but maybe some time later I'll do it. though even without the kerning it looks nice in my opinion.

Feel free to clone and see how it was done. (some glyphs like { are quite messy though)

also may redo some glyphs in the future.

UPDATE: cyrillic done

SPOKOYNOY NOCHI — 1920's Art-Deco style
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This is a simple monolinear Art-Deco unicase font. Upper & Lower case glyphs are the same sets. But in addition to the unicase (default style) there is a full alphabet of glyph alternate forms located in the Half Width And Full Width Forms Unicode block.

I done global kerning, but extra pairs are still required..

I hope you like it,

Cheers

Made with the well-known Grafilone typeface (by Bo Berndal) in mind, but more elongated and avoiding its curious roughness. In addition to the basic set of glyphs, some special ones have been added and the Cyrillic alphabet has also been included. The ligatures "ff" and "tt" are located on the characters "ff", "fi" and "fl". Enjoy it, please.

Arabic comics

ETC Vieux Canard is whimsical, geometric sans-serif font based on V. Sarela's "Res Cogitans" and Christian Munk's "Insular Typewriter".

Some letters are oddly kerned, but that is due to FontStruct's +/- 10 unit limit on kerning.

work in progress

I have found a way around the color problem. 

Taking advantage of the modular characteristics of the GunFight 8 Bit font (7x7 pixels), I have added concave bricks following the flow of the original style.

Work in progress.

Aprovechando las características modulares de la fuente GunFight 8 Bit (7x7 píxeles), he añadido ladrillos cóncavos siguiendo el flujo del estilo original.

Trabajo en progreso.

An experimental and somewhat eclectic work in progress.

There are alternates on some uppercase glyphs and at the beginning of the Private Use Area.

Really not sure how to categorize this font I saw while in a burger joint, it's a little deco, a little linear, and a little bauhaus. Nevertheless, found it interesting and wanted to try my hand at it, please enjoy

INNERCITY — Geometric future retro display grotesque
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Geometric unicase display sans with a stylistic filled counter-like (Uc) set and monolinear 'bare-boned' geometric grotesque (Lc) set.

— Full alphanumeric dual-variant font !!
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Elmoyenique's "zenzura" (a very stylish work in it's own right, make sure to check that one as well) anyway,
His 'zenzura' font kind of struck me with a healthy fresh dose of motivation. In the past I've explored somewhat similar style designs, but none of those ever really got consolidated into the extensive and complete work Elmo delivered with his stunning zenzura.
So I decided to dig up one of my older such projects and see if this new motivational boost could turn 'half'-a-font into a complete piece.

Long story short, this update is the result of that venture.
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Where previously this project came in just one style (filled counters), with no additional glyph alternates. Basically a complete absense of the lowercase-string all together, and only very limited complementary set of symbols and punctuation marks were present. Neither did the previous version had a great deal of refinement in terms of metrics / kerning and overall horizontal distribution of type-set material.  So, it was nothing more than a plain doodle of the idea I had back then, that had to be preserved for a later stage.  
But being drawn into more recent projects at the time I eventually ren dry on motivation to fully finalize this I ended up publishing it in its rough state.
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ABOUT THE UPDATE:

The'bare-boned' lowercase is a somewhat futuristic geometric looking form, whereas the filled uppercase set has a strong retro vibe.  

Combined in 'mixed-case' it can make a cool optional decorative style capitalization for your text. Used in isolation the two styles (Uc, Lc) both could be used as two seporate fonts, allowing stylistic text hierarchy.

In addition to the stylish retro-like, and partially filled forms I included a glyph-alternative set that strips the letterforms down to their monolinear core-geometric essence.
The design of this set is characterized by the spacious, sharp and clear appearance, that looks slightly futuristic but fashionable still.

With this new addition being the more legible and clean form of the two style sets, I placed this variation into the lowercase-string, making this the default-style for the font.
For the numerals, symbols and punctuations, I tried to remain committed to the stylish filled nature of the uppercase set.

A full alternative monolinear and 'bare-boned' numeral counterpart is located in the 'Full Width' Unicode block. Two extra weight variations for the brackets are also included for a more precise personal preference..

— And so it finally could respectably considered being a full font after all.

Thats all folks.. Enjoy !

cheers

My take on a thin sans.

It should cover all Western European languages (plus Hawaiian and Hepburn romanisation).

First pass at light kerning done, will be refined with use.

This font is a not too curious case. It comes after trying to prove to myself (with a high percentage of satisfaction, but not quite yet) that FS can allow me to create pro-looking fonts. I am thinking, for example, of zerena, zchreibengroß, zimmera, zenando, zenantoo, zanze, zinckel and others like that. Every time I finish a font that has taken me a long time to complete, I feel the need to look back and do something more relaxed and simple. Thus, without any pretense but feeling fun and friendly, zikiya was born. Hope you like it.

As you see, this is not a conventional font, it's more like a little picture game. Typing pairs of letters you can see some figures: AB = Dog, CD = Bockwurst, EF = Car, GH = Factory, IJ = Bike, KL = Truck, MN = Frankfurter, OP = Pinocchio, QR = Birthday Cake. But what happens if you write ASSSSB?... And with the others?... Try it and enjoy!

What’s your favorite letter?
 
 

A cursive-esque, sort of hand-drawn font. Really had some fun stepping out of the usual font styles and explore with these cute little loops and swirls. Please enjoy~

Unicase with alternates (a, e, m, n, u...). You can find also an extra "&" at the ™ glyph and a "c" at the ¢. Inspired on the wonderful Goliath (1970) by Vincent Pacella, but with its own personallity.

Recreated directly from screenshots I took of the game. I replicated every character I could find and extended the Latin set from there.

I haven't played much of the franchise, but I always loved the typeface used in the journals and was surprised no one else had recreated it.

Unicase with alternates. I've used Astronef Super (by excellent typographer JF Porchez) and others like Neil Bold (by the inspirer Wayne Stettler) as a starting reference, but I've redesigned the general aspect of all the glyphs and added a lot of new details, which makes this font quite different and special. I like to review and get a personal second look at some already released fonts, and I like to do this in FS. Thanks again for support me and understand that.