Just experiment with 3 fonts that can be stacked 

there is a 2-line and 1-line version

Unfinished, experimenting with halftone

[For best results set to Pixel View.]

Another mondrian-esque, colourful and minimalist font. Unicase with alternates.

Inspired by the superb Schaar by four, in a pixelated mood. It is also an optical experiment. The diacritics needs some extra work.

A thin, simple, tricolour font, smooth and pleasant. The "ff" and "tt" ligatures are included in the "fi" and "fl" glyphs and an extra "s" is in the "™" too. Some kerning is still needed.

My entry for ColorComp. I will admit this isn't as good as some of my other works, and this is a bit of a derivative work, but other than that, it's pretty good.

Letters and numbers only.

Edit: HOLY CRAP MY FIRST TOP PICK!!!!!!!!

Playing with pattern capitals. Some alternates in the lowercase. Best viewed in large format.

This is my little contribution to the fantastic recovering universe
called LETTERS OP MAAT by the great @Sed4tives about the typographic world of the dutch artist and typographer Jurriaan Schrofer. Btw, I sincerely apologize to @Sed4tives for the undue delay and the time it took to publish this exciting addition to his magnificent series (I'm sure he thought I'd forgotten, didn't he, comp4ñero?). Hope you like and enjoy these two fonts in one.

- - - - -

GUIDE TO FIND GLYPHS:

- Curved left unicase: A to Z + Ç, Ñ, Æ, Œ.

- Curved right unicase: a to z + ç, ñ, æ, œ.

- Curved left numbers: 0 to 9.

- Curved right numbers: for 0 type %, 1=<, 2= =, 3=>, 4=[, 5=], 6={, 7=|, 8=}, 9=^.

- Other curved left glyphs like ., , , ”, ’, ', ?, !, @, $, &, (, ) and -: in their own glyphs, plus :=/.

- Other curved right glyphs: ”=“, ’=‘, '=", @=*, &=#, -=+, .=:, ,=;, $=`,:=\, ?=¿, !=¡, (=_, )=~...

... The work still in progress (diacritics in the oven)...

An earlier (1926) constructed alphabet from Jan Tschichold, based on a somewhat finer grid and a slightly less condensed uppercase and a bolder appearance overall.

With a caps-height of 17, reproducing some diagonals proved quickly to be between nightmarish and impossible, thus the fidelity is a bit less exact than my previous recreation.

For a digitisation that encompass both designs and offers proper alternates, you can look at Peter Wiegel’s Tschichold.

Unicase with alternates. I was trying a monospaced font, but...

Happy 17th BD, FontStruct!

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

Tall Modern Western Style font. Three extra glyphs "M", "N" and "Ñ" are placed at the ligatures "fi" and "fl" and the "™" sign. (Btw, this font started with a dreamed letter "R".)

Caps only. Inspired by the cool font "Chwast Art Tone" -or simply "Artone"- (1968, by the legendary master of design Seymour Chwast), "Inkwell" (1992, Sam Wang) and "Dogsmoke" (2019, Humberto Gillan), and recalling the feelings of those unforgettable momments from the "Saturday Night Fever" times. Tony Manero lives! Thanks a lot to @Dmitiy Sychiov for designing these beautiful Cyrillic glyphs.

This italic was more difficult to build than I espected (especially the glyphs K, M, S, X, g, k, x, 2, 5, 6, 8, ß and a few others). There are still shapes that are very hard to achieve using the current FontStruct's tools... but nothing is completely impossible if you dedicate the time to it, the results are often surprising. So it also took me much more time to complete the entire character set, but I'm happy about the final aspect of the font: it looks curiously forceful, positive and fresh at the same time, and I like it, despite not being 100% happy with some glyphs. Kerning isn't finished. Suggestions are welcome, folks. This is my 2024 font for Xmas: Happy holidays to you and yours, dear Rob Meek and all the FontStructors wherever you are!

Inspired by INVASION BLOCK (by the great Upixel), but right slanted, with more glyphs added (206 in total) and some of the originals slightly retouched.

High contrast font, with two dingbats of little seagulls placed at the "fi" and "fl" ligatures.

An old project put a day.

Initially inspired by SB Standard font (2013, Craig Staiton) with many modifications and recreated glyphs... And made to saving half the ink when you print your text with it, which is very important in today's times, you know :))

Remembering free and groovy good old times! Curvy style font. "ff" and "tt" ligatures availables. Nothing better for the hot summer days. Enjoy. (Kern in progress).

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

EXPANDED VERSION AVAILABLE ABOVE.

Very loosely based off of the seemingly unknown typeface used on a lot of Ben Bova novels (E.G. Privateers). By the way, this was SUPER hard to make, but still, it's 100% free.

I can't superate chocomotion by four (❤️!), but I'm trying my own soft approach to the 3lines font design world. Hope you like this attempt to clarify from my to-do list. Btw: feedback about the design or aesthetics of some Cyrillic characters would be appreciated. Thanks in advance, people.

Yet another 70's like display font brought to you by me!

An odd dot matrix

"Clean" forms in lowercase

Thanks for the top pick! :D

Every printable character in the strict 7-bit ASCII set, with handy decimal, octal and binary numerical codes attached (no hexadcimal, as it involves letters ;-)

this was more a concept than a style Idk

also this is like the only thing I could come up with that was remotely related to the competition. 

A - 4     C - ©     E - 3     G - &     I - 1     O - 0     R - ®     S - $     Y - ¥     Z - 2            a - @     b - 6     c - ¢     g - 9     s - 5     t - +

Soft and rounded NUMBERS like long fairground balloons... and shadowed. The first was the 8 and then all the others arrived.

The NUMBERS were the origin: This font has been created from the design of glyphs 0, 2 and 4, which was then extrapolated to the rest of the characters. Unicase with alternates. Thanks @AidenFont for the vertical stripes idea.