Happy 13th BD, FontStruct! WIP (kerning).

A double-line style with a twist. Named for the Exage Viral Armada (EVA), a mutagenic virus featured in several of my own games and stories. EVA causes rapid limb bifurcation and the spontaneous generation of butterflies, both of which can be seen in various glyphs from this design.

The exact rules for this are somewhat complicated, and based on structural as well as visual analysis. The basic idea can be seen on glyphs like k and x: Closed loops (double line) are joined by single lines which turn back on themselves to create the illusion of more lines. Of course, this idea had to be modified for most of the other glyphs, for the sake of stylistic consistency and visual interest. Particularly, almost all the spurred glyphs have the double-line structures open up to form the spurs.

Black space tipping "\".

The font can work by itself or curious effects can be achieved. The 3D aspect becomes real by adding one or two gray bands to our text as the samples show. Some alternatives (A, a, E, Y) are at the end of the Basic Latin set.

Two-in-One font again (maybe 3in1?). You can write only with the uppercase, write only with the lowercase or you can mix both alternating them in a single zigzagging word: HELLO, hello, HeLlO, hElLo. Your choice, your fun.

An inspired font in it's ugly adolescence hoping to be so much more.

Xploring thin sides.

When I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.

Not sure what to say about this one.

Sorry. It's the effect of the excess of Xmas cakes on these past days...   ; ) 

One day I'm going to add all the missing letters…

Based in the astonishing calligraphic work of Farruk Aziz.

Feel free to leave a comment :)

So the idea behind this one is that as you type you're creating a city scene.  The spaces are empty intersections.  The slash marks are slightly askew telephone poles.  The quotation marks are flocks of birds.  Etc.  From a distance it can be a bit illegible.  It's primarily meant for large letters or close up scrutiny.

still kinda rough, i'll hopefully finish it soon

Another "2-in-1" fontstruct. To obtain a chained word, please write their letters using only the uppercase (= with connectors) and use the lowercase (= without connectors) to finish the last letter of your word. E.g.: HELLo. The lowercase works like a traditional font too.

Two-in-one fontstruct. This can be used directly like any other font or... you can also add it some special: rounded beginning and end of words! (typing without spaces "<" before writing the word and ">" when you finish it and using "\" as the space). Enjoy it, please.

A bold, rounded, mono spaced typeface;  useful at various scales, I think.  Designed primarily for use in English,  also useful in French and Spanish.  It's functionality in Greek is limitted, only really useful in a display context, or where only Demotic usage is required; not useful in Katharevousa, Koine, Classical, etc.  Open Font Liscence, hope it is enjoyable and of use.

A take on modern inktrap typefaces, Capsaicin is a wilder rendition of such a kind. With the liberal use of inktraps and sharp ends, it became like a 'stinger' itself. Capsaicin is a component that can be found in chili peppers, and it causes people's skin to have a burning sensation. Hope this typeface kind of puts that feeling into visuals. 

A non standard stencil/piano-like font, using an experimental "guides + nudging" kerning process and a lot of smooth curvy shapes. Some soft alternates (for A, W, w, X, x, Y and y) are in the ligatures area at the More Latin section.