I intentionally made this as large of a font as I could.

WORK IN PROGRESS. Upon completion i will allow anyone to use it (With permission required for commerical use.)

Feel free to come up with a name for this font in the comments (The current one is a placeholder because i couldn't think of anything better.)

CHANGELOG:

Late September - Decided to redo every glyph because of glyph height being a very big issue.

REDO PROGRESS:
Currently working on the Supplemental Mathematical Operators (U+2A00 - U+2AFF) unicode block.

I made this before I knew about fontzillion.

I will make a new zillion because of this corruption.

Based on the font 'Kettler' (Eric Olson, 2002), which in turn is a tribute to the great 'Courier' (1955) by Howard "Bud" Kettler. As often happens to me, this recreation was born from the attempt to improve some characteristics of the original glyphs that I considered appropiated, in addition to being able to have a personal modern typewriter font. The monospace of this kind of letters has been a bit relaxed on this occasion. PS: Thanks for the helpful hand from @Sed4tives!

A font inspired by the Scratch game "Loops" and it's logo. Designed to be a 1:1 recreation of the original logo and with artistic liberties for every other letter.

Credit to @7eps80 on Scratch for the game and the logo.

Future Competition entry 2

A more legible version of hack.ed with punctuation

See also:

https://fontstruct.com/fontstructions/show/1748611/hack-ed

To see how to build each character (0.9 brick size)

Each character here can be built in Minecraft (No vertical halfbricks, no corner quarter bricks, etc.)

Continuing my experimentation with diagonals. My goal was to make a font without vertical stems. English has 13 capital letters with vertical stems (B,D,E,F,H,I,K,L,M,N,P,R&T). Diagonia has 4 (I,M,T&W).

What started as a revisit of an old Impulse Tracker font, EK-WINTR, turned into an exercise in clarity and distinct letterforms in a small (4×8) array for as much as I could manage. I'll gladly add accented Latin letters on request (or as I get the urge), and I might have a go at filling in the Greek and Cyrillic alphabets soon if there's demand.

Note: E-Keet Winterlate BC is bicameral (typical upper-and lowercase forms). This is the “Alphabet 26” version (no distinction in forms between upper- and lower case).

Extra note: The vertical metrics are present wonky compared to the BC version because they're primarily calculated off of a few lowercase letters... which are very different between the two! Once FontStruct gains more direct control of vertical metrics, the generated fonts will line up fine.

Revision 2019-11-14: In loose regex terms, revised [MWmwÑñĒ™⇑], moved [₀-₉] to their correct slots, added [£←↑→↓⇒] and Roman numerals.

Revision 2019-11-16: Added [★☆].

What started as a revisit of an old Impulse Tracker font, EK-WINTR, turned into an exercise in clarity and distinct letterforms in a small (4×8) array for as much as I could manage. I'll gladly add accented Latin letters on request (or as I get the urge), and I might have a go at filling in the Greek and Cyrillic alphabets if there's demand.

Note: This is the bicameral version (typical upper-and lowercase forms). E-Keet Winterlate A26 is the “Alphabet 26” version (no distinction in forms between upper- and lower case).

Revision 2019-11-13: In loose regex terms, revised [MWmw™⇑], added [£←↑→↓⇒] and Roman numerals.

Revision 2019-11-16: Added [★☆].

Here is a font to implement a simple ASCII Art drawing package.