A jazzy, unicase, unique typeface!
i am posting this late at night, becuase i know due to time zones, it's morning right now. So, here i am at 1:14am, trying to post this late at night, so people wide awake somewhere else see this!
A traditional alphabetic font with a medieval flavour. The space is a black circle so a negative space between words. There is a full-stop and a forward-slash (Solidus) as the only punctuation marks. Numerals are based on roman numerals by design but should be used as standard numbers, so 22 is written as ll ll (2 of the number 2) rather than XXll which would be the correct use of roman numerals. PS: The font is surprisingly legible at very small sizes.
Clone of spellbound / envoûté.
This is a cloneHello again! Here's someting I started dabbling with years ago, but never finished or published. Fontstruct bricks and functions have evolved since then so I decided to give the ‘font’ a facelift and make it a little more complete (still no plethora of glyphs but I'm ok with it for now). Circus wild west meets casino and slot machines. Gambling, gunpowder, acrobats and jesters. Wash down with tequila.
This font draft was created with the theme of massive, I wanted to create something that looked physically imposing and noticeable. To create the structure, I looked at buildings and cityscapes around the busiest parts of Bristol City and wanted to play with perspective as if the viewer was standing beneath a building and looking up at it, I ended up making a font that reflected the uniformity and scale of buildings.
This is a clone‘Scrap Paper’ is a bold, display typeface inspired by the theme of compression. The letterforms were created from drawings of a distorted alphabet, formed by screwing up each letter printed onto a piece of paper, hence the name. The scrunched up type make for a ‘grunge’ feel, perfect for a large format, yet still visible when used at a smaller size.
Richter is a font inspired by the idea of instability. I initially looked at the idea of falling; the aftermath of an earthquake. However, the current design looks not at the aftermath of an earthquake, but at the aftermath of falling. The design is heavily inspired by breaking, smashing and the general consequences of an unstable object splitting apart.