A multi-outline design with intentional aliasing.
At the original size, it looks nicely textured. The illusions become more harsh as one zooms in.
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Original size: 12.75pt (use multiples of this size for pixel perfection)
Another handwriting script style font. Some suggestions for a better results: 1) You can put an additional bar (placed in the "<" and ">" glyphs) before typing a lowercase word. 2) And it's also convenient to add an extra space before writing a word with a capital letter to improve the separation between they. But you're the boss with it. Enjoy.
Balloon/block style pixel text.
Original size: 18.5pt (use multiples of this value for pixel perfection)
Bold variant of Ticketmeister.
Original size: 14.25pt (use multiples of this value for pixel perfection)
This is a clone of TicketmeisterSemibold version of Nobody's Treasure. Most glyphs have the same width as before, and the overall width of the font is the same.
This is a clone of Nobody's TreasureAn experiment to see if 3x3 fonts are more legible when drawn in negative space. I consider this to be not only a success, but also the most readable 3x3 design I have seen - particularly the uppercase.
The successors Megashark and S.D.M.G. are more useable and more stylish respectively, while Minishark strikes a good balance.
This is considered an E3x3 because, while it's created in a 5x5 grid, it has an effective drawing area of only 3x3. The outermost square only has pixels drawn in it when the interior design dictates such.
WIP
See more:
https://fontstruct.com/fontstructions/show/1500535/contortion-c
https://fontstruct.com/fontstructions/show/1577341/zoftly70-eye-fs-3
https://fontstruct.com/fontstructions/show/2256589/sidetracked-6
This is a clone of zimonart R eYe/FSWhen each column of 4 pixels is read from top to bottom, they form letters in Morse code.
This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.
Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .
This is a stylized version of Block Morse. Each letter has roughly the same outline, but several liberties are taken with the proportions and formatting. For example, filled 3x3 squares are indicated with a diagonal slash and "E"s are marked with an extra stroke.
This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.
Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .
Inspired by Dry Heat Medials and English cursive, named Atlantico because it's similar to Pacifico.
Capitals - Low connectors
Lowercase - High connectors
!"#$%&'()*+,-./0123456789: - Initials
;<=>?@[\]^_`{|}~¤¥¦§¨©ª«¬ - Low Finals
®¯°±²³´µ¶·¸¹º»¼½¾¿ÀÁÂÃÄÅÆÇ - High Finals
ÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìí - Capitals
Low low space: [No-Break Space]
Low High space: ¡
High Low space: ¢
High High space: £
Low final z at the soft hyphen glyph ()
ÈÉÊËÌÍÎÏÐÑ - Numbers
ÒÓ - Period and Comma
Ô4LANTIC} ìÖ Ùæ
à!D? "Æ á!THA| ×/uGLA¦
Confidento is a typeface based and styled on the word Confident, aiming to produce a type which uses features that are strong and bold. One of the main characteristics I have aimed to encorporate throughout this process is the use of a balanced type design, enabling the design to not become too heavy. I achieved this through the means of having large variation in width across different aspects of the text.
Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation:
1) Every letter is filled with thinner version of itself (self-pattern fill).
2) Outline vs Inline, emphasizing the "opposite" meaning of counter.
A pixel font which combines four experimental techniques at once:
1. Structurally disconnecting the stems from the open parts of letters.
2. Allowing glyphs to extend beyond the reaches of width and starting position.
3. Designing glyphs specifically to connect and form new shapes, rather than simply allowing shapes to emerge from existing characteristics.
4. Designing glyphs so that the overall font is free of a need for kerning.
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Alternates are now on UPPER CASE. I'll continue to update this as I get more ideas!
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Original size: 6.75pt (use multiples of this value for pixel perfection)
I've already gotten into another mess. Again a "2-in-1" font. It may work as is, but if you want to convert it to a script one you have to use some connectors between the letters, placed in the glyphs <, >, \, [, ], {, }. You must try each of them between two characters because there are many possible combinations. I add some samples down here. Don't worry and be patient, please, the result is worth it. Oh well, the actual "</>" glyphs are finally in the "©/™". To see all working, copy and paste the following sentence in the User Input window, please: Th>e q>u>i>c}k b[r{o[w[n f>o[x j{u]m]p\s o[v{e[r t]h>e l>a{zy d>o{g.
This is a clone