116125613
Published: 18th July, 2015
Last edited: 18th July, 2015
Created: 17th July, 2015
Ant-Man!
Still a work in progress, but obviously it has to be released today.
There were lots of failures in attempting this one. This version was the best rendition thus far.
The preview looks best set below 75%.
247167737
Published: 25th September, 2015
Last edited: 25th September, 2015
Created: 24th September, 2015
Ribbon-ish all caps font.
A further development of AT Shlanga's technique.
2162120021
Published: 16th March, 2015
Last edited: 14th April, 2015
Created: 11th March, 2015
I wanted to create a light serif typeface that is clear and readable and at the same time sort of elegant. Don't know whether I did all this, really...
0819331
Published: 27th June, 2014
Last edited: 22nd September, 2014
Created: 26th June, 2014
In the case of 7-pixel-tall characters, one row of dead pixels is added (stragetically). ;)
256206099
Published: 5th June, 2010
Last edited: 5th June, 2010
Created: 21st May, 2010
No reference used at all. This is me drawing Paul Renner's original Futura from memory, without intending to. Actually, I was going for something more Avante Garde. It all started with the O and developed from there. The hardest letter = S. It was a real pain in the S. It was interesting afterward to compare the letters to Futura after finishing the caps.
Futura - It was like the Helvetica of 1928.
Bezziaire is an early experimental simulation of Bezier curves with FS2.0. Zooming 30% and below renders best results.
Horizontal optical compensation added for the circular glyphs, as well as baseline overshoots.
060510
Oh yeah, this also has preliminary involvement with shasta's circle competition, which is seriously humbled by his Circle Cult.
3031216032
Published: 9th February, 2015
Last edited: 9th February, 2015
Created: 7th February, 2015
Condensed sans serif. Named after the "best pencil in the world".
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
110118620
Published: 21st February, 2015
Last edited: 22nd February, 2015
Created: 18th February, 2015
Every (almost) glyph has a matching pair, rotated, mirrored or otherwise. Some are quite forced.
143383
Published: 24th October, 2014
Last edited: 24th October, 2014
Created: 15th June, 2013
Filters: 1.5 2 1.25 1
Close enough to real squares and circles (!), but it appears that would be 1.5 2 1.3 1
October 24: adjusted letters and letter spacing (to be consistent with the interior of the letters... I think)
1551230218
Published: 17th June, 2015
Last edited: 22nd June, 2015
Created: 27th May, 2015
Licht Sans is a regular, rather condensed typeface that has a few distinct features if you look closely.
11021429
Published: 15th March, 2015
Last edited: 23rd March, 2015
Created: 7th February, 2015
Clone of RM Stoney with subtle shading.This is a clone of RM Stoney
61836615
Published: 28th August, 2015
Last edited: 3rd March, 2016
Created: 25th July, 2015
A work in progress. Quite simply a pixel modern roman typeface. The yogh (ȝ) I have designed as a mix between x and g. I thought of it as a latin letter gamma (ɣ) to distinguish it from the greek letter gamma (γ), but maybe it would do better as an insular g (ᵹ). What do you think?
I have gone with a classic seriffed look for the greek letters. I have looked a lot at Times New Roman to see the stress of the different characters. Do my solutions work?
Oh, and about the name: "Sprogreolen" is Danish for 'The Language Shelves', the pun being that "Bogreolen" would be 'The Bookcase' or 'The Book Shelves'.
33034132742
Published: 27th June, 2014
Last edited: 23rd March, 2015
Created: 20th June, 2014
Simple sans serif typeface making heavy use of the nudge feature.
386625
Published: 12th February, 2015
Last edited: 30th August, 2020
Created: 28th November, 2014
Really excited to be able to share this fontstruction, as it was developed as the display font for a group exhibition in Dublin's Temple Bar Gallery + Studios. A kerned version (slightly tweaked using Glyphs) can be downloaded for free through the gallery website.
28996231
Published: 25th June, 2015
Last edited: 26th June, 2015
Created: 18th June, 2015
I got the idea from the circle blocks. The smaller the circle, the more the font has a look that it's vanishing at the top.
15187615
Published: 3rd April, 2013
Last edited: 20th July, 2014
Created: 1st April, 2013
Display font built from isometric cubes. Voxels = volume pixels.