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Śmieć (transcribed as Sjmiecj when using only the characters available in the font) is a font designed to be easily readable, both up close and from far away. The name of the font means "a small piece of trash" in Polish because I will be using it on my new trashcan stickers. This font is meant to be 3D printed as individual letters, so you can reüse punctuation as diacritics when assembling words from these letters.
When to Use Upper/Lower Cases
The font is meant to have an effect when the vowels are just taller lowercases. Start words from a capital letter, so that the sentence "This is a garbage truck" becomes "This Is A Garbage Truck". This is important when a word begins in a vowel. When a vowel letter (or a Y) acts as a consonant, use uppercase, so that the sentence "The royal queenie girl is practicing ventriloquism" becomes "The RoYal QUeenie Girl Is Practicing VentriloqUism". Silent vowel letters that separate two letters from influencing each other's pronunciations are upper cased, like the Spanish name "Miguel" becomes MigUel because the U separates the G from the E so that it's not "Mikhel". On the other hand, silent vowel letters of a different purpose stay lowercase, so that the English word "cane" is simply "Cane". Digraphs containing both vowels and consonants, like the "ti" digraph in "nation" and the "ar" digraph in "cart", use uppercase vowel letters when the digraph makes a consonant sound, but use lowercase vowel letters when the digraph makes a vowel sound: "NatIon", but "Cart".
The first version was made in less than 20 mins!
Currently has 16176 glyphs and counting!
Latest Update: Edited φ and ⱷ to match with the canIPA extensions and edited з and ԑ to match with Cyrillic and -Supplement.
Pro tip for Myanmar: Use ေ and ႄ before a consonant to get the optimal vowel placement.
Pro tip for Devanagari: Use ि and ॎ before a consonant to get the optimal vowel placement.
the unofficial logo font of kick. as in the streaming platform. UPDATE JUNE 30 2023: added numbers
UPDATE JULY 31 2023: Added The Glyphs: '.', and '/', Changed 1 and 7's Glyph A Bit.
UPDATE OCTOBER 27 2023: Added Cyrillic, Ae, Oe and Thorn
UPDATE NOVEMBER 18 2023: Added the true double u.
UPDATE 2023 18 NOVEMER: Added More Cyrillic
This is the Canadian Aboriginal Pixel font. A font consisting of, you guessed it, Unified Canadian Aboriginal Syllabics.
This took me about a couple of days to finish, but here it is! And a little bonus: Kaktovik Numerals, also from Canada (and Alaska)!
This is the first Font I've built here on Fontstruct, I'm not a graphic designer but I think it turned out pretty cool. As you can see, it's a San Serif font with 60° strakes to the right. What do y'all think? Also, if I accidentally copied another person's Fontstruction, please let me know.
Recreation of the pixel font from Palace Software's "Cauldron" (1985) on the Amstrad CPC, ZX Spectrum, and C64.
This recreation includes a few additional punctuation characters from the sequel, "Cauldon II: The Pumpkin Strikes Back" (1986). Apart from that, only the characters present in the game's tile set have been included.
Recreation of the pixel font used in the end titles of Compile's "Power Strike" (aka "Aleste", 1988) on the Sega Master System.
The font was reused - without the "$", but with the addition of the "fat >", mapped in this recreation to "rightwards arrow" (U+2192) - for the main weapon selection/initial menu for "Power Strike II" (1993).
Only the characters present in the game's tile set have been included.
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This font can actually make Greek and Cyrillic sentences! And since it has letters with diacritics, you can even make German sentences too! The sky is the limit.
This will be my largest font yet. Maybe at the end of 2025, I'll finish the whole font. (Making the font 65536 characters long.)
See some of my good fonts here: Sotorian (Encoded from English), City, and Betamaze!
STF_NEUE ISAIAH - 70's Art Deco / Streamline style typeface
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Most of the design credits for this font should go toIsaiah Garciasince I took the liberty of revisiting her fontstructionFS Idea
Please check out this member's awesome contributions here:Ivy Meadows (Isaiah Garcia)
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[THE PROCESS]
The one major difference between the two works is the grid size and construction method, Isaiah's version was made using a faux-Bézier approach (very labour intensive) and requires a fairly large design grid, whereas my version is a small grid design, utilizing the circle arc bricks and composites to achieve smoother contour quality, and was done on just a 4x7 grid using 2:2 filter.
This different approach and limitations in small grid designs have led to a number of small changes for certain glyphs. Also have I change some details slightly to my personal preference. But it remains very much Isaiah's design.
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[THE FONT]
I tried to remain as faithful to the original font as possible, and in addition tried to further expand the character set. Most important differences made in my revision are the additional lowercase chatacter set (spurred strokes), the uppercase alternative forms / lowercase alternative forms (spurless) and extra symbols.
Enjoy!
This is a cloneIt can be a daunting task to find the right adviser who can help you with your visa and Immigration requirements. Abroad pathway Immigration Consultant in Delhi who have been providing quality service to their clients for many years. We help you with all your visa and immigration related Queries. We are able to Provide you with Accurate Information and support during your entire Visa Process.
LORD KRUMBLE —A transitional sans that mixed Art-Deco with neo-classical humanist minuscules
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Inspired to celebrate the homecoming of him who strikes fear in all badly baked treats, the one which nightmares are made of, that kind of person that makes every cookie crumble and wanna skip school for a day or two. Of course I'm talking about the one and only "Cookielord".
— "What could'nt be better suiting than to have a freshly crasfted and new font that is celebrating his return."
Him recently dropping a new FontStruction somewhat came as a pretty unexpected but nice surprise. It just so happened to be that I was already looking for new ideas that could lead to the next project. In fact, until recently I was actually still struggling with this, and hadn't really been able to provide a catchy and motivating design theme to bring to the table that would once again help me on my way with starting a new FontStruct project. So I took this occasion to see if I was able to find a little inspiration in his Verminfont. Not particularly aimed at doing a derivative work, nor anything closely resembling his cool font. Instead rather trying to draw some inspiration from that peculiar and playful but friendly characteristic, that to me personally distinguishes his Vermin font the most anyway.
╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍
And so I appoligize for the fact that this doens't truly relates or do justice stylistically in any way to the aesthetic present in Cookielord's original Vermin font. That being said, this is what became the end product of that.
But, it does have one striking resemblance that pays a homage to him, and that is the included cookie. Sorry I took a bite out of it my friend, hope you can still appreciate it.
— Just to let you know that regardless wether you decide to stay or not, your recent return isn't going to be for nothing!!
╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍
No 'Brick Size' filters were used, which of course presented me with a lot of challenges that limited the amount of complexity I was able to put in, something that wouldn't been the case with (2:2) 'Brick Size' filter settings. The other noteworthy aspect to this particular fontstruct is its grid size, which is tiny. Never before have I made a Fontstruction that required kerning values to fluctuate only as little as 0,01. This also made it impossible to implement optical corrections on the vertical axis in the form of overshoots, but luckily this didn't became a very clear issue in the end.
I'm not sure if I can complete the additional Latin accents for all characters due to the limited grid space available surrounding some of glyphs. I might try doing those later.
Let me know what u think of it so far fella's, stay tuned!
Cheers
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NOTE: Click 'TrueType Font' when downloading!
Originally called '10x14 Font', now with Extended Latin and Cryllic character sets.
This is a clone of The Boldest One MonoNOTE: Click 'TrueType Font' when downloading!
Originally called '10x14 Font', now with Extended Latin and Cryllic character sets.
This is a clone of 10x14 Font Mono