simple cursive pixel font

capitals are for connecting after a letter with a stroke ending on the median

real capitals are at unicode spaces 0040-007E

Designed ages ago on MS Paint, this plain font taught me how to be a junior brick jigger.

Everything other than the capitals was an afterthought.

Topo was originally inspired by the theme Filthy. The idea of compact lines came from looking at the shapes chewed into chewing gum pieces which are wrongly discarded on the floor. Using topographic maps I created the lines for each letter respectively hence the naming of the font. 

Retrofuturism, no sharp corners (except in the percent sign because of the smaller zeroes). Should probably better differentiate S/5... First try at Cyrillic too.

Desk bound is inspired by the shape of paperclips. The theme for this idea is ‘systematic’, my initial interpretation of this was something heavy and solid, to represent machinery/construction, based on industrial systems. The idea behind the paperclips comes from the notion that every ‘system’, in a broader sense of the word, requires careful planning and organisation. The physical form of the letters is intended to appear both soft and geometric, making use of the rounded rectangular shape of the paperclips to communicate this and remain consistent, reflecting back on the original ‘systematic’ theme whilst looking lighthearted and playful.

Kulibin or Kulidyaka? Kulich?

See more:       https://www.fontsquirrel.com/fonts/list/foundry/alexey-kryukov

https://fontstruct.com/fontstructions/show/152204/unispace

https://fontstruct.com/fontstructions/show/942604/lexiconius

Eda (by Alexander Tarbeev)

http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/

http://www.myfonts.com/fonts/shinn/scotch-modern/         

http://www.myfonts.com/fonts/artlebedev/mirta/

Kostro, 21 Cent  (https://yurigordon.com/ru/shop/fonts)

Kazimir, Parmigano, Brioni, Karloff (https://type.today/en)

Marian family(19c), Caponi (https://commercialtype.com/)

https://www.paratype.ru/pstore/default.asp?fcode=PT_FIL&letter=F

http://www.myfonts.com/fonts/itc/caslon-no-224/

https://www.paratype.ru/pstore/yfonts/ITC-Bodoni-72.htm

http://www.myfonts.com/fonts/wiescherdesign/bodoni-classic-cyrillic/text-light/

http://www.myfonts.com/fonts/redrooster/poor-richard-rr/monoline/glyphs.html 

https://www.colophon-foundry.org/typefaces/peggs/

Merry Christmas!

For Commercial use license go here: https://chequered.ink/font-license/ 

Thank-you, and enjoy the font!

Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.

- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;

- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;

- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;

- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.

Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!

An attempt to make a very readable sans similar to what you would see on streetsigns, utilizing larger curves than the average FontStruction. Uses 3x3 curves on the uppercase and 2.5x2.5 on the lowercase/numbers. A few alternates in Latin Extended-A. As always, suggestions and critiques are welcome. Thanks and enjoy!

This was another attempt at a clean geometric sans. It turned out a lot like fs vandyx, but... less "open", perhaps? Anyway, suggestions and critiques welcome. Thanks and enjoy!

Inspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.

Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.

the lowercase are alternates, i recommend sticking to the uppercase

Not sure what inspired this one--I think it actually started off italic, but it proved too difficult to FontStruct an italic like this back in 2014...

The amount of motivation to complete a fontstuction is directly proportion to the amount of PhD work that requires doing. Apparently.

Staring at an oscilloscope...

A cursive-esque font, quite fun to design. Please enjoy

Based on the Timerider logo. This is definitely the most difficult font I've made - don't know if I can finish the accents and punctuation.

The kerning of some letters is way off for some reason, namely the Ss, the Ts, the hyphen, the plus sign, and the 7s.

Create your own license plate! Surround your text with () or []. Use '_' to get a truly blank space; use '|' for an uppercase middle dot, '\' for lowercase. Some alternates are available in Latin Extended A. Suggestions and critiques welcome. Thanks and enjoy!

(2017: I think this idea was sort of a spin-off of fs quotable. I was also experimenting with clean sans like this one at the time, which contributed greatly toward the design of the inner font. The () characters are new and a few letters (regular g, alternate g and Q) have been updated, but other than that everything's pretty much the same as 3 years ago.)