SANS SERIFSCO — Humanist / Neo-Grotesque Sans-Serif

A contemporary neo-grotesque sans-serif design with regular weight.

I tried to add subtle diverse and nuanced visual elegance while still remaining minimalistic. Most significant feature is the subtle stroke modulations, distinguishing this from a more geometric style.

Designed to be versatile and suitable for a wide range of different purposes and optimized for legibility in small point size body copy.

The font was constructed on a large grid using linear interpolation (also known as faux-Bézier method). This allowed the most freedom for constructing more complex custom forms, curvatures and all the various stroke modulations.
The font has a total vertical height of 88 square grid units, this is including all optical compensations, ascends / descends and accents.

Work in progress

A cursive handwriting inspired style work.

Its a medium size faux-Bezier (fake curve) style approach with somewhat rough shaped outlines. I am having a serious hard time comming up with a uppercase set. Publishing it in this early stage I kind of hope to get some suggestions that might refreh my perspective on it.

Therefor I am curious about what you guys think so far...

Cheers

STF_DERBY - Condensed Geometric Neo-Grotesk sans.

The idea was to make a typeface design that would suit small point size body style typography.

■ Multilingual support (91 languages)
■ Partial kerning WIP (6739 Pairs and counting)

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The fontstruction is a Faux Bezier style approach, to allow the most freedom in shaping the different letterforms and curves.

Font sample is best viewed at 2x pixel size or above for a sharp result.

I hope you like it!

GEO-PROTESQUE - Geometric grotesque typeface

This time I did a attempt to make a typical super rounded geometric grotesque typeface.  Which is a very popular style for headline and display text. Although I tried to make a contemporary looking typeface, I kind of remained faithful to plain geometry. This font style is far from unique and could somewhat be compared with that of typefaces such as HAUS Sans, TT Norms and LL Circular

(3 great commercial pro fonts that were made by some great other designers!)

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One of the most important rules for this font was to have near perfect circular letterforms in both upper and lowercase. To pull this off properly it required a large grid faux-Bézier approach.Everything else just enfolded along the way. The design, (obviously) a geometric grotesque, but also has a neo-grotesque feel as well. The almost quirky looking letter widths give this a very strong early 1900s feel.

While many letters mostly have even stroke width, upclose you'll notice some stroke width variation is going on after all. This to bring more conttract into certain area's.

The font is optimized for Body-Type in both Digital- and Print-use at very small point sizes. In Digital-display-use it performs crisp even as low as 9pts. (Not bad at all I think)

Cheers

A futurustic typeface inspired by the classic NASA worm logotype.

Uppercase only, no lowercase planned!

Enjoy nonetheless