23125315
Published: 11th May, 2008
Last edited: 13th August, 2009
Created: 11th May, 2008
Inspired from an American Business Products, Inc. vintage logo > picture displayed in the comments.
172205334
Published: 2nd August, 2010
Last edited: 2nd August, 2010
Created: 31st July, 2010
A collection of six iconic video arcade game dingbats (1978–1983) presented as 2-bit FontStructions. Some small liberties may have been taken concerning color correction, direction / orientation, sprite merging or overall composition. See character / game listing in the Discussion Section below. Remember: Pixel view may not yield the best preview image. Enjoy, and welcome to "The Fun Hut"!
12875341
Published: 2nd August, 2010
Last edited: 18th May, 2017
Created: 31st July, 2010
Clone of The 1st Six Yrs 1of6. A collection of six iconic video arcade game dingbats (1978–1983) presented as 2-bit FontStructions. Some small liberties may have been taken concerning color correction, direction / orientation, sprite merging or overall composition. See character / game listing in the Discussion Section below. Remember: Pixel view may not yield the best preview image. Enjoy, and welcome to "The Fun Hut"!This is a clone of The 1st Six Yrs 1of6
8275318
Published: 2nd August, 2010
Last edited: 2nd August, 2010
Created: 31st July, 2010
Clone of The 1st Six Yrs 2of6. A collection of six iconic video arcade game dingbats (1978–1983) presented as 2-bit FontStructions. Some small liberties may have been taken concerning color correction, direction / orientation, sprite merging or overall composition. See character / game listing in the Discussion Section below. Remember: Pixel view may not yield the best preview image. Enjoy, and welcome to "The Fun Hut"!This is a clone of The 1st Six Yrs 2of6
8175327
Published: 2nd August, 2010
Last edited: 2nd August, 2010
Created: 31st July, 2010
Clone of The 1st Six Yrs 3of6. A collection of six iconic video arcade game dingbats (1978–1983) presented as 2-bit FontStructions. Some small liberties may have been taken concerning color correction, direction / orientation, sprite merging or overall composition. See character / game listing in the Discussion Section below. Remember: Pixel view may not yield the best preview image. Enjoy, and welcome to "The Fun Hut"!This is a clone of The 1st Six Yrs 3of6
167135342
Published: 10th May, 2014
Last edited: 10th May, 2014
Created: 6th May, 2014
A recreation of a cross stitch pattern I found on Pintrest and originally from the Hungarian cross stitch site qtp.hu.
Thanks to elmoyenique who designed the "I" and "Y" glyphs, which were not present in the original.
384235388
Published: 12th May, 2015
Last edited: 9th May, 2015
Created: 2nd October, 2014
Gorgeous, isn't it? This is a reproduction of a cross-stitch pattern from the French series of embroidery books "Maison Sajou". It dates to around the turn of the 20th century. After seeing such a beautiful, ornate pattern, I just had to convert this one to a font, a process that took several months.
The design is made of intricate flower buds, stems, leaves, and check patterns. The design of the letters is similar throughout the pattern, however no two letters have exactly the same layout (for example, flower buds are facing a slightly different angle). Each letter is intertwined with a branch that winds its way up the letter, and features representations of leaflets and berries.
The 'I' and 'W' were not present in the original design. 'J' doubles as 'I' and 'W' is a rotated 'M'. While I would love to make up numerals based on the current letters, it would be a daunting task as each letter is about a 100x100 size grid. Anyone is welcome to clone this font and give it a shot.
This pattern was found on http://patternmakercharts.blogspot.com/2010/11/sajou-no-601.html . There are lots of Sajou and other embroidery patterns there.
730541
Published: 28th April, 2008
Last edited: 28th January, 2010
Created: 28th April, 2008
Second try. Still in progress. Let me know what you think so far.
180125545
Published: 20th March, 2009
Last edited: 18th June, 2009
Created: 21st January, 2009
Clone of PixelSoulScript2X.
*This is a clone of PixelSoulScript2X
112145527
Published: 3rd September, 2011
Last edited: 14th September, 2011
Created: 10th February, 2010
This fontstruction was started a long time ago. Yesterday, being bored (or something), I randomly clicked on page 7 of My FontStructions and found this. Being bored (or something), I clicked Edit.
Back in February 2010, I was able to take this fs only so far and came to a halt owing to geometry and FontStructor limitations. Those limitations, for the most part, seemed to have disappeared in the intervening time. I must've felt encouraged as I've been working on this fs all day today. As it turns out, when you work on something long enough, something will emerge. Et voilà. (I jest. ;)
Oh the soap box syndrome!
Visual aesthetics require two elements, namely, art and design. Let's examine each, shall we, the better to understand whence this came from and to what purpose.
Art has as many meanings as there are people giving them. For me, art is that visual that appeals to one, the stress being on 'one', and serves no practical purpose. Design, on the other hand, by definition*, must serve some purpose, must be reasonably attractive to those for who it is intended, and must stay within the limitation (whether explicit or implicit) of all that is (or will be) involved.
This and every other fontstruction, being visual in nature, has an element of art in it. Keeping the above art definition in mind, and as far as this fs is concerned, the art was my personal aspiration to try to do a diagonal stem of the A and the M and have the rest of the letters in such formation so that they fit like a glove with the A and M (without any effort on the user's part — but that jumps ahead to design). The February 2010 version of the FontStructor allowed me to achieve that very well. The art part was a start (yes, sorry, I couldn't resist the rhyme).
In my experience, any visual thing, no matter how simple or complex; no matter how involved or not; how unique or generic; how &c. and &c. may be termed art as if any one person appreciates it, it is art, albeit to that person only. So, I am satisfied how this fs looks, so the art is done. Also as per my personal experience, design is a much harder, difficult, involved element of getting something done right that also requires appropriate technical know-how to see it to fruition. The February 2010 version of the FontStructor did not allow the 'fit like a glove without user intervention' part. This morning when I started working on this fs, the September 2011 version of the FontStructor allowed me to do almost all that I wanted it to. (I say 'almost' because there were one or two custom bricks I required that I was unable to achieve, quite possibly due to my own inability).
The design confine [—if art gets a rhyme, so shall design—], with every letter overlapping just so, required quite a lot of geometric manipulation (not particularly apparent) to make sure any two letters fitted in properly. It got tedious quick fast in-a-hurry typing out manual kerning pairs (AM, ST, &c.). I had to type out all kerning pairs (AB, AC…RI, RJ, RK…SM, SN, SO…VS, VT, VY…ZZ…&c.) in Word (utilizing handy Replace functionality to speed kerning pair creation) and test every possible pair (even ones that are likely never to be used in reality—QK, for instance).
This being a design exercise, there had to be a purpose. My thinking was, staying within the limitations created by the art part, the font should work as an instant logo delivery system. Type a word in fs Instant—and, hey presto!, Logo (a gogo). It’s up to you to decide if I succeeded.
1962115660
Published: 13th March, 2009
Last edited: 22nd June, 2009
Created: 27th February, 2009
I made this FontStruction for artists who beginning pixel-art. This font is a template for pixel-art. The matrix of the letter: 3×5×1. Optimal font size: 64 ptThis is a clone
26277856689
Published: 6th November, 2009
Last edited: 4th January, 2010
Created: 29th October, 2009
I produced this for my "communicating with words" first year module on the BA(Hons) Graphic Design course at UWE Bristol, England. It pays homage to Ralph Steadman and is a true testament to what you can do on fontstruct, if you’re willing to spend a week in front of a computer in your underpants.
Recently reviewed on P.C World Downloads
www.laurieguy.co.uk
12035631
Published: 8th October, 2010
Last edited: 5th November, 2010
Created: 5th October, 2010
This is a font that i have designed and created as part of a project given in the first term of my first year doing Graphic Design at UWE. The initial theme for my project was "Decay" where I researched different types of rotting, erosion and decay of quality in every day objects. I then came to look at crumbling brick walls and developed my font from there. I've tried to show a lack in defined edges and emphasise a crumbled, smudgey typeface. I think it could be used as a relatively playful font,but could have strong impact if used for communicating the idea of decay or decompositon. This is a bold font, meant to be used big! Feel free to comment or discuss !
661573
Published: 15th September, 2008
Last edited: 8th March, 2009
Created: 15th September, 2008
Do you think that pixel fonts are new?
1920's...the Bauhaus...these were really modern times....
84105728
Published: 31st August, 2010
Last edited: 2nd September, 2010
Created: 20th August, 2010
Not complete. But I had this waiting to be shared for a while...so I´ll add uppercase and other characters hopefully soon!
64865898
Published: 8th November, 2010
Last edited: 14th November, 2010
Created: 18th October, 2010
Electrical Energy has opened the doors to whole new worlds of creativity, specifically when it comes to computer technology. The whole concept of video games and computer programming is something we wouldnt have dreamt of being able to do hundreds of years ago. With computer technology getting more advanced everyday, I find it astonishing to see what we have achieved since the very first computers and computer games, and it is mind boggling to think what we may be capable of doing in the future.
520604
Published: 8th August, 2008
Last edited: 22nd August, 2008
Created: 8th August, 2008
first try here at a font, based on some stuff from my sketch book
71106016
Published: 25th August, 2009
Last edited: 10th December, 2022
Created: 24th August, 2009
This one started out quite different; a simple three-line font. While making an alternate B, the curlicue was introduced. A clone and many hours later, Etched was born. Later added borders and decorations when the sample called for it. Then cloned the clone and stripped it bare...because DJNippa was going to ask for it, wasn't he!. :-) ----- Works best at 64pt. Set leading to between 48pt and 56pt. No kerning required.
Top borders: [ \ ] Bottom borders: { | } Top border decoration: ~ Bottom border decoration: / Left border: ( Right border: ) Text decoration: _ Text decoration end (ambidextrous): `This is a clone of fs Etched
91186043
Published: 27th March, 2010
Last edited: 5th April, 2010
Created: 27th March, 2010
Let me introduce Hugo The Huge's little brother, Fritz The Fat. Some digit are copies of letters (2, 5, 6, 9), so you may need to use colours, patterns or any other trick to make them look different.
55226075
Published: 9th October, 2010
Last edited: 13th October, 2010
Created: 7th October, 2010
A TRUE HAND WRITTEN font.
No two letters are the same, or use any of the same brick configurations.
From my very own hand using an Edding 5.0 Calligraphy pen.
Only the upper case is available for now. Due to a heavy work load this week, and several non-starter comp entries, I've unfortunately been unable to fully complete the lowercase and numerals. :-(
Hope you like it.
All comment and crits appreciated.