by djnippa
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A TRUE HAND WRITTEN font.
No two letters are the same, or use any of the same brick configurations.
From my very own hand using an Edding 5.0 Calligraphy pen.
Only the upper case is available for now. Due to a heavy work load this week, and several non-starter comp entries, I've unfortunately been unable to fully complete the lowercase and numerals. :-(
Hope you like it.
All comment and crits appreciated.
No two letters are the same, or use any of the same brick configurations.
From my very own hand using an Edding 5.0 Calligraphy pen.
Only the upper case is available for now. Due to a heavy work load this week, and several non-starter comp entries, I've unfortunately been unable to fully complete the lowercase and numerals. :-(
Hope you like it.
All comment and crits appreciated.
| Info: | Created on 7th October 2010 . Last edited on 13th October 2010. |
| License | All Rights Reserved. No download available. |
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22 Comments
I've looked at my filter and sort options and it's set to Descending, and Shared Date.
Even when I do a sort they appear to be out of there correct positioning. I have even trawled through a hundred pages of the most recent fontstructions, and still no sign of them anywhere. :-((
That aside: I'm not a swearing man, but JesusBeepingChrist!
It's an little bit odd. Usually when you share a font for the first time, it pops up on the 'Everything' page, as soon as you've shared it...usually!
Let's talk about how brilliant the fontstruction. Inquiring minds want to know the inspiration behind it. Talk us through the process.
A few months back, I decided I wanted to create a hand rendered Black Letter font using a calligraphy pen, for a Halloween Poster I was designing. I nearly released the Black Letter version for the comp, but thought it too obvious an idea, and it just looked too contrived.
So I then moved onto various hand written Alphabets at different angles and sizes using the Edding 5.0 Calligraphy Pen. It seemed to work. I then scanned the results into Photoshop, and created PATHS around each letter, by highlighting one letter, then selecting SIMILAR to highlight the rest of the font. I then exported PATHS to illustrator, and placed them over a grid (suitable for Fontstructing), and calculated which brick goes where.
A very long and time consuming technique, but with very rewarding results.
It was made less painful by utilising my All COMPOSITES SAVED IN MY BRICKS
the font is beatiful and the technique behind took a lot of time.
Bravo again this is PRO work
@Funk_King. Much appreciated FK. I've written more details how I achieved it in the comments above.
@Aphoria. Huge thanks. I always feel a font looks lonely without a decent sample. Sometimes it takes a good sample to show it's full usage.
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