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Remember that time in the future, when those mean, hyper-aggressive, sarcastic aliens tried to take over the planet? Those guys were jerks. But I did like the font that they used to communicate with us measly humans. Alternate extraterrestrial realities are the future.
This is a cloneRemember that time in the future, when there was a deadly global virus, then they tried to force everyone to take a mandatory untested vaccine, along with an implanted GPS chip that is cryptocurrency controlled and could track you worldwide, along with embedding additional restritions on civil liberties and personal freedom? Oh wait, thats now. Silly humans.
Future technology, like nanoimplants, will be magically rendered invisible with the use of nanotechnology utilizing atomic sized processors enabled through ferro electrics in conjunction with nanowires and carbon nanotubes operating from a ternary extradimensional mathematical framework. Or something like that.
Ironically, this font works best in macro sizes, not micro or nano.
This is a clonePrajna is a Sanskrit word meaning wisdom, understanding, insight. Simple on the outside, with some depth on the inside. Looks like it could be 1:1 bricks, but it actually uses a 1.5 sized brick width, giving it additional curvature that wouldn't be possible on a 1:1 scale.
I was supposed to release this a year ago, synchronous to the Peace 2.0 sculpture that was publicly unveiled which utilized Prajna to spell out "Peace" in 12 different languages. I like to think that since the sculpture was written with Prajna, it has a literal connection with wisdom, understanding and insight. I release it now with the hope that you may write with Prajna of your own.
Remember that time in the future now where we would blame immigrants for taking our jobs, and nobody talked about how robots can now execute many repetitive industrial manufacturing tasks, do gymnastics, disarm bombs, while working 24/7 without breaks, health insurance or labor unions, and how cars/drones could drive themselves with artificial intelligence that improves daily? That was the good ol' day. Now robots can perform surgical procedures. That video of a robot carefully removing the skin off of a grape was awesome. 4 out of 5 medical robots prefer the G1 Prone font for their personal visual linguistic representation due to its surgical precision and linear execution. The future of TeleRobotic medicine, or any laborious human endeavor, will be in the hands of our cold, unfeeling robot overlords. =)
This is a cloneClone of Galaxsea Starlight Mono v3, with some small adjustments to make punctuation more visible and rein in too-wide extended-Latin glyphs that spread into the previous glyph. Credit for the nice sci-fi aesthetic goes purely to dialNforNinja; I only did some technical work to make this work better in text-based games.
This is a clone of Galaxsea Starlight Mono v3Alter version of Game of Strife. These two designs are for a project that is in progress. They're made to animate and swap between each other so that the text they print seems "untrustworthy".
(If you guessed that this text was being printed by an evil AI, you've won! Here's your free Nothing.)
This is a clone of Game of StrifeA single line is bent on itself to trace letterforms in 5x5.
This is part of my "IVO" series (Inline Versus Outline) wherein inline and outline elements are split, merged, and altered to make them ambiguous and to allow new styles to emerge. They may look like maze fonts, but they have a different design methodology altogether.
A continuation in the style of Genera and Genera Deux
Going for an industrial sci-fi look. The hard angles give these letters the appearance of being made by some kind of tape or roller.
This font was originally designed to be uppercase only. So, the lowercase might be considered as an alternate set.
Original size: 24pt (24pt, 48pt, etc. look most crisp when not using antialiasing)
Guess what movie I just watched again? A mostly accurate font inspired by the movie "Total Recall" (1990). Consider it an experiment in using the 2x vertical filter.
**2017 08-13 Update** Taking advantage of the expanded brick-stacking minimums, I have modified the following glyphs: A a R r S s Z z 2 7 ? _ +
The diagonal leg of the R is still not quite correct; further attempts might be made in the future.
I have also removed the 2x vertical filtering. We are back to good old 1x filtering now.
By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35