"thank god theres a copy and paste function"

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i thought an isometrical font would be nice so i made one

wow i like 3d fonts huh

Something is lurking in the shadows..

My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.

 Clone of Stark by riccard0. riccard0 was inspired to do this font by the Iron Man logo. It's so good I had to grab it and played with it a little (added drop caps and some punctuation, still a work in progress).

This font is Copyright Riccardo Sartori ( Fonstruct username riccard0 - homepage http://www.mompracem.net/ ) & Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the Creative Commons Attribution Share-Alike License.  You are entitled to use this font however you want, but please credit us for our work somewhere (website, blog or social media, preferably with a link back to our portfolio or web site). Credit attribution IS greatly appreciated.

Categories: Logo Inspired, Techno, Collegiate & Sports (Jersey Lettering)
Type: Sans (sans serif)
Weight: Black (or at least Super Heavy)
Web font: Yes, sure.
Commercial use: Any use, yes, please credit us somewhere? Thanks!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged

Fontstruct Profile Links...
riccard0: https://fontstruct.com/fontstructors/171217/riccard0
SymbioticDesign (me): https://fontstructors/595075/symbioticdesign

P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com

PayPal donations to Doug (to encourage continued freeware font design efforts):
https://paypal.me/sitedesigner

I tried to make a font that mimics the minimalist design patterns of the late-90s and early-00s, as well as earlier grid-based works like those of Wim Crouwel. This is the fruit of that labour.

Some kind of great big ol' chain.

In retrospect, I think it looks like a jewelry chain from a dwarven civilization. Perhaps the hypothetical jeweler cut and ground the stones in an imitation of some dwarven font!

When glyphs are used in isolation, they somewhat resemble carved signets or seals. Increasing the letter spacing allows you to create a variation of the design. (This is something that must be done in-software since the font will render as monospaced by default.)

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12SEP2018: Added lowercase... the low resolution combined with the design method make it very difficult to render distinctive lowercase versions of every letter, but I'll keep working on it. There's a lot of similarity between pairs like S/5, Z/2, etc., so this font is most effectively used in forms of writing wherein context suffices to inform the reader as to the identity of each glyph (lists, prose, and technical writings). If you want to use this in a password system or something, I recommend using one case's glyphs only.

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Design Rules:

1. Negative spaces will be areas of 0.5 bricks' effective length or width.

2. Negative spaces may exceed the 0.5 measurement only by increments of 0.5 and in only one dimension at a time.

3. Glyphs will fill their framed canvasses to the greatest extent possible while adhering to the other rules.

calligraphy+western

Alternate take on Nirvanite, this time with bullseyes rather than solid circles as the large segments.

This one is a lot more organic than its predecessor, but also a lot more confusing. Looks like clusters of alien tadpole eggs to me!

This font and tm Nibble started off as one. Both were different from what they have now become. The idea was to create a very heavy, minimal curves and angles to give a sense of the glyph.

It started with a plain N and a solid O. Making the E match either the N or the O resulted in deviation from the style just enough that it warranted a spin-off into a font of it's own. 

Some letters—such as G and H—proved quite difficult to match in the style of either. A slight angle shift resulted in a glyph that did not go with other glyphs. I kept trying different possibilities...and at some point decided to save the discarded option into another fs, which now contains more than 200 characters.

The teardrop counter in tm Byte forced a complete redraw of all glyphs at about 2× the size.

I am already working on two additional fonts that came out of this exercise...and it might yield more.

A 117-segment display made to have a more "mosaic" look. Try using this one at odd sizes, especially with antialiasing off! The resulting distortions occur in a consistent way which leads to many new uses for the font.

Original size: 38pt

circle.

Bold super italic 45°!

ELEVATED - A large 3D outline shadow display typeface.

It's inspired by the lettering from a sketch of great Dutch graphical designer "Jurriaan Schrofer".

Enjoy!

Work-in-Progress …

G1 Recoil. It's like a vibrating pixel font. It's got like one strand most of the time. 

G1 Counterfade. Its got faded halftoned counters. Who would've thought.

A classical option with a new point of view (the scrape). The LC is different to make more legible the pairs of equals glyphs like FF, TT, CC, OO, EE... IBYP because I'm kerning a lot of them.  

The idea is to represent counters with arrows. Letters with closed counters (e.g. D,P ) were first opened and only afterwards were represented by arrows.

Fluid simulator. Author too lazy to do lowercase.

Based on the theme 'Accept Advice'. Inspired by 3 year old's advice on improving each letter.

042718. Thor Ragnarok is the funniest of all the Marvel films. I can watch it over and over.  There is so much respect for Jack Kirby’s art style all over land of Sakaar. Growing up I never really appreciated Kirby’s artwork, as I leaned toward more graphically detailed artists. It wasn’t until much later that I recognized his great contributions to the entire language of visual expression in sequential art. I’m sorry I didn’t create this for the opening, but here it is for Avengers Infinity War.

042718. Opening Day of The Avengers Infinity War. It’s been a while since I’ve released a Superhero movie font, but this one brings to life my entire childhood exposure to the Marvel Universe. Over ten years now, each movie is getting deeper and deeper into the reality of each character. Looking back, I’ve got fontstructions for most of the Avengers: Hulk, Iron Man, Captain America, and now Thor, and Black Panther. All of them in tribute to these heroic symbols translated into glyphic abstract symbols. Thank you comic books, for drawing me into these creative spaces.

This is a pixelated font containing the Latin alphabet, including many letters with diacritics and more obscure yet common Latin letters, roman numerals, punctuation, the Cyrillic alphabet, the Greek alphabet, the Hebrew alphabet, Japanese Katakana, Japanese Hiragana and the Georgian alphabet.

G1 Obsidian Black. Created around 2009 and incomplete due to brick limitations, now updated with new bricks as originally envisioned.

Desk bound is inspired by the shape of paperclips. The theme for this idea is ‘systematic’, my initial interpretation of this was something heavy and solid, to represent machinery/construction, based on industrial systems. The idea behind the paperclips comes from the notion that every ‘system’, in a broader sense of the word, requires careful planning and organisation. The physical form of the letters is intended to appear both soft and geometric, making use of the rounded rectangular shape of the paperclips to communicate this and remain consistent, reflecting back on the original ‘systematic’ theme whilst looking lighthearted and playful.

Some sprites to go with my video game inspired Fontstruct, Epyx..