I have many clones of the basic version of Caractère, with different line thickness and with different arragements of diacritics and decoration elements. This is a version with many elegant decorative lines-swirls.
This is a cloneMesse Muenchen is my latest in a series of fonts named after German Trades Fairs. This one could be put to good use in a college logo or something similar.
for commercial use look here: https://chequered.ink/font-license/
STF_PRÆSENS - A geometric retro display sans
The source for this font was the lettering seen on the cover of 1930's second issue of "Præsens". A Polish avant-garde artistic magazine from the interwar period that was designed by the architect Szymon Syrkus. The letters on the magazine's title formed the baseline to extrapolate the complete font.
The magazine got published throughout the first part of the previous century and was similar to other magazines from that same era such as:
DeStijl, Wendingen & Het Overzicht.
Decorative, ArtDeco-ish all uppercase font for TwentiesComp. Got carried away and added Cyrillic too ;) Enjoy!
GROOVERIDER — 70's future retro display sans
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Grooverider is another groovy looking display style with that distinctive 70's retro aesthetics.
The concept for the lettering is that of a solid future retro / space-age style with inversed-stress. It's reversed weight contrast adds some additional groovin' funkyness and good old boogie wonder flavour to the font's overall characteristics. Making it somewhat of a hybrid mixture between two distinct 70's and 80's retro styles.
Simple at the surface, but rather complex down at the Editor level, since the letterforms have several tailor-made geometry and curve shapes. Pulling off some glyphs without disrupting the (near) real Bézier curve geometry was tricky I must say. Like for example the joined letters such as lowercase Æ/Œ, question mark, @ sign, number 2 digit, percent sign and lowecase letter S all proved difficult. But also some unlikely ones that are typically pretty straight forward now were trickier within the font's parameters. But I'm pretty satisfied with the end result so far. Little to no compromising imperfections slipped into the design, one or two real minor ones are present, but only truly become noticeable once the size is fully blown up.
It was very fun to make though, I hope y'all like it...
Cheers
This is a cloneOpening day of Marvel's "The Marvels" movie! Couldn't resist making a chibi version of Goose, the Flerken from the original Captain Marvel film. #StrongestAvenger
This allcaps font is meant to be used starting with a Capital letter, then lowercase letters following it. But no one will listen, will they?
This is a cloneA non standard stencil/piano-like font, using an experimental "guides + nudging" kerning process and a lot of smooth curvy shapes. Some soft alternates (for A, W, w, X, x, Y and y) are in the ligatures area at the More Latin section.
This is a cloneREWINDER - A bold and decorative "I don't have a clue" style font.
Alternative lowercase versions for (a, c, e, g, j, m, n, o, q, s, u, v, w, y, z)
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Usually I design fonts from a general concept I have in mind and start with the Latin alphabet first since I am most familiar with these characters. Then when I have completed these I start adding extra language support. letting everything evolve from there on out into the other languages such as Cyrillic or Greek. Doing it in this fashion I find myself having the best change of doing a decent job designing characters I am not familiar with the right way and in line with the design parameters.
This time I starten designing the Cyrillic alphabet first, trying not to think about the Latin set design at all. I did this in an attempt to have a neutral mindset that wasn't influenced in doing it a certain way.
And I must admit, this was the best and most comfi time I ever did a Cyrillic set. I experienced a sense of having a lot more freedom for creative output.
The result became this cool looking "hell knows" what kind of style letterforms. I have no clue if I actually did a decent and accurate job at the Cyrillic set, and I'm not sure where to go from here on out either.
I hope you like it so far
Cheers