691610117
Published: 28th December, 2010
Last edited: 30th December, 2010
Created: 28th December, 2010 Inspired by this.
Just a quick, pixellated uncial calligraphy font. Nothing special about it.
453146919
Published: 6th April, 2008
Last edited: 16th June, 2009
Created: 6th April, 2008
My design incentive: A cube has 9 visible edges when placed isometrically (omitting the invisible 3 edges). These edges should be enough to express strokes of 26+10 alphanumerical characters. Also to increase the contrast, I used a 3-pixel-wide brush for the strokes and dotted the others.
Shortcoming: Not very satisfied with the imbalanced weight of each letter. And some of the letters are hard to recognize.
PS: Best under Pixel view (View->Show Pixel Preview).
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
1331410341
Published: 31st January, 2010
Last edited: 22nd February, 2010
Created: 29th January, 2010
The letter forms are based on solid square, where each letter form is created by removing only what is necessary to identify the letter and retaining consistency between the other letterforms.
721452217
Published: 16th February, 2010
Last edited: 16th March, 2010
Created: 14th February, 2010
I began this fontstruction as a challenge to create a seriffed pixel font with grid characteristics similar to iSlab’s 8 pt setting (bearing an x-height of four pixels). This inspiration began with similar shapes and roots as its predecessor, but evolved from there once it quickly became clear that those shapes really could not be reproduced with strict pixels.
Then I went on a bender creating the katakana and hiragana character set.
Then I went crazy with filters and single brick substitution.
167137850
Published: 22nd November, 2009
Last edited: 22nd November, 2009
Created: 16th November, 2009
This font consists purely of elements of musical notation. Some of the letters are a bit far fetched and it is only barely legible, but I like it, and maybe you should use it for musical notes instead of text.
29713153055
Published: 5th February, 2012
Last edited: 15th October, 2012
Created: 4th February, 2012
Pixel font with lower right corners cut. Best used with font size 24.
149139831
Published: 6th March, 2013
Last edited: 11th June, 2013
Created: 6th March, 2013
This pixel font is quite hard to read. But you can make something EXTRAORDINARY with this simple font:
http://fontstruct.com/fontstructions/show/787925
167135342
Published: 10th May, 2014
Last edited: 10th May, 2014
Created: 6th May, 2014
A recreation of a cross stitch pattern I found on Pintrest and originally from the Hungarian cross stitch site qtp.hu.
Thanks to elmoyenique who designed the "I" and "Y" glyphs, which were not present in the original.
831339927
Published: 29th October, 2014
Last edited: 30th October, 2014
Created: 28th October, 2014
This font is made for word games like scrabble, wheel of fortune, word search, crosswords. I have included a lot of digraphs and trigraphs that may be considered a single tile in some languages (according to this article: http://en.wikipedia.org/wiki/Scrabble_letter_distributions). Numbers 0-9 can be used to assign scrabble scores to the previous letter (since they are different for each language). 0 stands for 10 points.
681216322
Published: 24th October, 2009
Last edited: 9th December, 2009
Created: 24th October, 2009
edit 04 Nov;;
Now with (some) diacritics! And more fancy glyphs! And extra flourishes! Arlen is a part of a healthy balanced breakfast. Try it today.
edit 28 Oct;;
I am humbled by the recent Top Pick award, since I consider this set a constant work-in-progress! Pieces will be added and changed over the next few weeks. So hopefully it continues only to get better and not worse. ;P
711257015
Published: 24th October, 2009
Last edited: 28th November, 2009
Created: 17th October, 2009
More pxl love. And another expansion of Lex Kominek’s Trajedy majuscules.
The freshness of the original charmed me into creating an extended set of matching miniscules, diacritics, symbols and ligatures. But why stop there? :^)This is a clone
199128457
Published: 13th September, 2011
Last edited: 6th February, 2012
Created: 12th September, 2011
I think I've completed the glyph. But maybe I will add some glyphs like More Latin, Greek, Cyrillic, etc.
148117121
Published: 13th January, 2009
Last edited: 22nd June, 2009
Created: 13th October, 2008
A pixelated very small outline font for very small sizes
// to be continued //
10671133328
Published: 23rd February, 2009
Last edited: 16th June, 2009
Created: 6th August, 2008
A faithful recreation of the DOS / IBM PC System Font. Monospaced with very short descenders and thick font weight for better readability on low fidelity CRT displays. Makes me want to optimize AUTOEXEC.BATs all over again.
Including original "More Latin" characters and custom made "Extended Latin A" characters for good international compatibility.
1962115660
Published: 13th March, 2009
Last edited: 22nd June, 2009
Created: 27th February, 2009
I made this FontStruction for artists who beginning pixel-art. This font is a template for pixel-art. The matrix of the letter: 3×5×1. Optimal font size: 64 ptThis is a clone
641117213
Published: 3rd March, 2011
Last edited: 6th March, 2011
Created: 3rd March, 2011
A 3x4 monospaced font that covers all Simple Latin, a little bit of More Latin, and basic Greek.
2131128927
Published: 4th September, 2011
Last edited: 4th September, 2011
Created: 8th April, 2010
Releasing two more fonts within a day, well, after a huge break I couldn't come back empty-handed.
This is a remix of my most popular font, Sector 017, but this time it's clean and simple, only leaving random cuts and angles here and there. Still, it's a super-duper-techno-futuristic font.
A loooong time ago someone asked me to do a version without the famous eroded pattern. So I created this FontStruction and I've been working on it for... more than a year. Why so long? LOL I DUNNO.
Similar version is visible in many designs of TAMRECORDS (a Russian neurofunk record label) and the credit goes to Pixel Junglist, an Ukrainian artist who is responsible for their artworks (I guess he is...). He remixed the original Sector 017 as well, I think I've just made his job much easier :).
There are "Basic Latin" and "More Latin" character sets available +Polish and Cyrillic characters.
Take a look here: http://www.behance.net/gallery/TAMRECORDS/568101
It doesn't mean that I'm not going to rig up a nice sample pic. It's gonna be at least about 20% cooler than the one I made for Sector 017. This is a clone of Sector 017
93117735
Published: 6th March, 2012
Last edited: 16th March, 2012
Created: 5th March, 2012
Inspired with neurone's font "AFT64 The Orgians" although it doesn't have any identical shapes or styles...
This is still incomplete. I'm going to finish it soon...