Its a tricky one mate. one option might be to extend the right side all the way to the top to create some sense of extra flesh in the bottom of the glyph, giving you perhaps a chance to open it up a bit, making some sort of a legs idea, like you did with R.
A font is greater than the sum of its letters. Fonts are usually focused on what the words and sentences made from them look like rather than the individual letters.
While I think the numbers are not as successful as the letters, this is a really sweet piece of design, one that I really like and often think about. It would seem to embody Diana Vreeland's definition of elegance as 'refusal'.
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I don't like my lower case 'a'. Please make suggestions :)
Lower the height of the right half by 2 bricks... (1 brick = 1 grid square)
N is a bit illegible
Its a tricky one mate. one option might be to extend the right side all the way to the top to create some sense of extra flesh in the bottom of the glyph, giving you perhaps a chance to open it up a bit, making some sort of a legs idea, like you did with R.
Oh I have to learn reading better, I completely mixed op lowercase and uppercase. So nevermind my worthless suggestion! #oops
Thank you, thank you @meek. My first top pick!
@Jon Congrats!
Some glyphs and variations are in Garabatuss...
Tha several here yes. Example: googleben1, in Fezian, and splash.
A font is greater than the sum of its letters. Fonts are usually focused on what the words and sentences made from them look like rather than the individual letters.
While I think the numbers are not as successful as the letters, this is a really sweet piece of design, one that I really like and often think about. It would seem to embody Diana Vreeland's definition of elegance as 'refusal'.
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