248186433
Published: 11th July, 2009
Last edited: 12th July, 2009
Created: 10th July, 2009
If you use this font for an artwork or project, please show me the result. I'm curious.
10331364189
Published: 9th June, 2010
Last edited: 9th June, 2010
Created: 9th June, 2010
Based on a design I created for a video game package many years ago, but with some improvements.This is a clone of Spacerock Biline
7126426
Published: 27th October, 2011
Last edited: 14th November, 2011
Created: 25th October, 2011
UPDATE: I have altered the letters 'U', 'H' and 'X' in order to increase legibility. - 14/11/11
The outcome of my first Graphic Design project at the University of the West of England. This typeface is based on the designated theme of 'Evil'. As the project developed I began to move away from the rather stereotypical 'dark' imagery commonly associated with evil and approached the topic in a different, light-hearted manner. This led me onto the theme of villainy in popular culture, from film to video games. The classic ghosts of the arcade game Pac-Man are designed with such consideration - they are required to communicate both character and threat to the player, whilst still falling within the limitations of the 1980s hardware. As a result, these creatures personify the concept of 'evil stripped down to its essential forms.'
607627
Published: 10th June, 2008
Last edited: 6th March, 2009
Created: 10th June, 2008
Upper and lower case, plus numbers. Like riveted brass on wood.
20346210
Published: 1st July, 2008
Last edited: 22nd June, 2009
Created: 1st July, 2008
Inspired by the saccharine sounds of the ice cream truck, which has been making the late evening loop around these parts. Upper and lowercase letters enjoy getting all mixed up with one other like a melting Neapolitan ice cream bar. Enjoy.This is a clone of Pop Blox
33785729
Published: 24th March, 2009
Last edited: 23rd June, 2009
Created: 24th March, 2009
Lowercase includes alternate capital J and LThis is a clone
73155612
Published: 2nd May, 2024
Last edited: 26th December, 2009
Created: 25th September, 2009
Syzygy was an attempt to create a typeface of old style characters with a high contrast between thicks & thins and attractive curves, despite the inherent limitations of fonstruct’s available blocks. The end result is a highly readable typeface — even at smaller sizes — comprised entirely of straight lines. While the astronomical definition talks about alignment, the word “syzygy” more broadly means “the union of disparate or opposing object, ideas or concepts”. Thus, the name “syzygy” is meant to reference the merger between old-style letters and a modern, computer-driven design tool — truly a meeting of opposites.
17585671
Published: 19th August, 2010
Last edited: 19th August, 2010
Created: 16th August, 2010
A fun rounded sans with a hexagonal halftone pattern? You betcha! Zoom right in to see the halftone goodness, or use at 1/4 pixel size for a nice sausagey sans.
451115539
Published: 24th February, 2009
Last edited: 1st September, 2009
Created: 7th February, 2009
Working from this poster by Crouwel: Wagemaker
http://www.vividvormgeving.nl/fotopagina/crouwelc09.htm
32725523
Published: 27th February, 2009
Last edited: 16th June, 2009
Created: 25th February, 2009
Use the Big Fat fonts with each other in different colours for awesome chromatic effects.
Inspired by the award winning Optica by Manuel Guerrero, this is Big Fat Shaded's big sister. Same letter shapes but with a more vibratory, well, vibe. Great for drop caps. The two-tone effect still works - just set one layer in uppercase, one in lowercase.
A blank vibrating square can be found at "-" and space, and the uppercase is at "_".This is a clone of Big Fat Shaded
567275436
Published: 9th April, 2008
Last edited: 22nd June, 2009
Created: 9th April, 2008
A full set of playing card dingbats including a joker and a card back.
2091135356
Published: 8th April, 2008
Last edited: 23rd June, 2009
Created: 8th April, 2008
Use the Big Fat fonts with each other in different colours for awesome chromatic effects.
A big fat angular industrial strength chromatic font. The lowercase contains the fill for the uppercase.
UPDATED 25 February 2009: Made the space character 2 grid units wider.
UPDATED 27 February 2009: The 'J' has been off this entire time and nobody noticed. Now it's fixed. Also fixed width of 'Q' to match new members of the Big Fat family.
3105155347
Published: 29th September, 2008
Last edited: 22nd June, 2009
Created: 3rd August, 2008 The Slurpee Font - Created and fueled by an unhealthy summer obsession with the world's greatest beverage you can drink/eat with a straw. A little interweb research gave some hints at a few more glyphs than the initial six glyphs in the 'Slurpee' logo. In some cases, like with the 'c' glyph, I noticed that it had been drawn differently in different usage. See here and here.
Being that the current Slurpee logo is Unicase, I decided to try and make uppercase and lowercase alternatives that can be mixed and matched for the unicase feel.
See also Chank Diesel's wonderful font Cosmic, which draws from the old school Slurpee branding.
P.S. The Monster Black Ice flavor that came out this summer was ridiculously awesome.
9311538
Published: 23rd July, 2009
Last edited: 23rd July, 2009
Created: 23rd July, 2009
My take on the dot fontstruct craze. Based on my own handwriting. Upper case is chrome, lowercase is solid.
11635314
Published: 28th September, 2009
Last edited: 21st September, 2010
Created: 27th September, 2009
Take a walk on the wild side. Now with punctuation.
1183523
Published: 7th July, 2008
Last edited: 15th June, 2009
Created: 1st May, 2008
The second in my series of May or May Not be Inspired by a Real Typeface That May or May Not Actually Exist.
41145210
Published: 27th June, 2011
Last edited: 27th June, 2011
Created: 26th June, 2011
This is the first typeface I drawn, I've no preparation as type designer so I started with something easy. I named it Modulo 'cause the design principle is to create glyphs with the only combinations of right isosceles tirangles (which combined can make sqares as well).
His role is to create pattern, headlines or something "typografically unconventional". I hope it may inspire you to create something interesting, modify it to improve legibility and glyphs numbers; so, feedbacks are required :)
One question: How can I delete the fontstruct logo that appears when words breaks and get more lines in the textbox?
ps - unfortunately I can't adjust the leading as well as the spacing, the idea is to remove space between lines.
pps - I used a non commercial-share alike license but feel free to use it for you works, personal or not (but share, please, I'm curious). I chose this license only 'cause I hope that "non commercial" preserves Modulo (as font file) by online sharks that want to sell something they don't own.
21335011
Published: 13th June, 2008
Last edited: 15th June, 2009
Created: 13th June, 2008
Catch it while you can, it's gone with speed of light!
Upper case letter only!