Download disabled
The designer of this FontStruction has chosen not to make it available for download from this website by choosing an “All Rights Reserved" license.
Please respect their decision and desist from requesting license changes in the comments.
If you would like to use the FontStruction for a specific project, you may be able to contact the designer directly about obtaining a license.
Another Eurostile-based font. Something you'd see on the side of a spaceship.
11 Comments
Great font! We need the sample with the spaceship view, really!
What a proper crafted and sturdy font.
A design that emits a strong personality but was carefully made by someone with that gentle love and care for sculpting perfection. I spot countless of small variational depth and little nuances. Something that always shines through from each of the individual characters in your fonts. This one is no exception.
The random recurring futuristic touches on some of the letters are more than capable of making any 80s synthwave enthusiasts to drive into self-oscillation overtones and is well distributed throughout the entire alphabet set to add that extra sub-oscillator voice layer without causing latency to disrupt that pleasant rhythm.
I really notice some obvious growth within your recent works. Especially in the subtle, yet ever more complex geometry that is typically well thought of and executed toward a flawless victory. The various typographic nuances and elements that went into the design of the letterforms, simply nice!
It checks most of the boxes like: beautifully crafted glyphs, optical correction, well balanced, and text rendering has a nice overall rhythmic flow.
All of these are cramped into a very usable package that could even K.O. Mike Tyson with it's uppercase.
I like it a lot.
Some thing I would like to point out:
• I'm not sure if G is optimal the way it almost fully enclose the counter. Even though its transposed into S as well. I do have the feeling it's more of a disruptive factor in G's asymmetrical nature. Whereas the cross-symmetrical nature of the letter S helps mellowing its tone a bit down to more acceptable amplitude. But this might be personal preference.
• Z's stroke feels a bit heavy, W also feel somewhat overweight.
• The leg for R on the other hand could be slight thicker
• Also for some weird optical reason K feels as if its actually flipped vertically. In its current form it appears as if the arm is actually thicker than its leg, hence the vertically flipped interpretation. I don't know what is going on here that is causing this, but you might want to consider compensating for this by adding some slight extra beef to its leg. Similar like what I suggested for the letter R.
Of course it obvious that these are only some quick observations rather than Mr. Myagi style wax-on-wax-off martial arts moves that make the font Hi-Fi Stereo. But these might at least be worth checking out to test.
— Nonetheless, stellar contribution once more.
Crisp and nicely balanced with space-vibe details.
Congratulations once again!
@V. Sarela (Yautja) - Now THIS is my kind of "futuristic" font! Congratulations. :^)
Lovely space age font, i have been really enjoying very-wide and very-thin fonts recently
Thanks, everyone! Sample coming.
@Sed4tives: Thanks for you eagle-eyed observations. (The Bad Gear references in your comments didn't go unnoticed!)
To me, the G/R/W/Z look fine, but I updated the uppercase G/K/R and left the originals in the lowercase for comparison (although I trimmed down k's arm). The thicker leg on K looks better, but on R it looks a bit too thick to me... Let me know what you think.
Wonderful font!
I wonder if an alternate A with the crossbar is in the plans because the crossbarless (yes, that's a word) A might get confused with the V when it's upside down.
It could go into the Private Use Area as FontStruct provides access to every single Unicode block since July, 2021.
A
Please sign in to comment.