Tristan Gevaux (GEV0), Favorites
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Stanwyck
by Icelar8.36
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Balanced Rating: 8.36
Average Rating: 8.50
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Balanced Rating: 8.36
Average Rating: 8.50
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Codeman
by Noah F. Ross (winty5)7.95
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Balanced Rating: 7.95
Average Rating: 8.00
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Balanced Rating: 7.95
Average Rating: 8.00
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Foilness
by Down107.42
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Balanced Rating: 7.42
Average Rating: 7.25
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Balanced Rating: 7.42
Average Rating: 7.25
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MENTEUR
by constantinos8.35
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Balanced Rating: 8.35
Average Rating: 8.67
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Balanced Rating: 8.35
Average Rating: 8.67
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Kapow
by Christian Munk (CMunk)8.70
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Balanced Rating: 8.70
Average Rating: 8.80
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Balanced Rating: 8.70
Average Rating: 8.80
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zentenial eYe/FS
by elmoyenique8.82
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Balanced Rating: 8.82
Average Rating: 9.00
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Balanced Rating: 8.82
Average Rating: 9.00
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Luthien Pixel
by Frodo78.63
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Balanced Rating: 8.63
Average Rating: 8.74
Click for more information about this rating. 27 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.63
Average Rating: 8.74
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Wim Gestreept
by escaphandro8.50
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Balanced Rating: 8.50
Average Rating: 8.67
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Balanced Rating: 8.50
Average Rating: 8.67
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3441520723
Published: 31st August, 2014
Last edited: 20th January, 2015
Created: 26th August, 2014
Last edited: 20th January, 2015
Created: 26th August, 2014
Inspired bt the works of great Wim Crouwel and striped sports jerseys. Also a study in 45 degrees diagonals, happily provided by fontstructor and master Goatmeal. Basic latin support and a few ligatures. **UPDATE 19.11.2014 I worked out a few unbalanced characters and added ligatures. Hope you like it!
**UPDATE 2016: please check the new version under the name of Wim V2.
All Rights Reserved. No download available.
db Points Sans Oblique
by beate8.76
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Balanced Rating: 8.76
Average Rating: 8.92
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Balanced Rating: 8.76
Average Rating: 8.92
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Karlstad
by Isaac González (1saac)8.43
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Balanced Rating: 8.43
Average Rating: 8.64
Click for more information about this rating. 11 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.43
Average Rating: 8.64
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Computer says no
by Christian Munk (CMunk)8.51
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Balanced Rating: 8.51
Average Rating: 8.60
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Balanced Rating: 8.51
Average Rating: 8.60
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Edelweiss
by lakoni3138.14
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Balanced Rating: 8.14
Average Rating: 8.21
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Balanced Rating: 8.14
Average Rating: 8.21
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zaffron eYe/FS
by elmoyenique8.25
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Balanced Rating: 8.25
Average Rating: 8.36
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Balanced Rating: 8.25
Average Rating: 8.36
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fs Connect
by thalamic8.72
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Balanced Rating: 8.72
Average Rating: 8.94
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Balanced Rating: 8.72
Average Rating: 8.94
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All Rights Reserved. No download available.
FreakFraktur
by Icelar8.65
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Balanced Rating: 8.65
Average Rating: 8.87
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Balanced Rating: 8.65
Average Rating: 8.87
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zaved eYe/FS
by elmoyenique7.97
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Balanced Rating: 7.97
Average Rating: 8.00
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Balanced Rating: 7.97
Average Rating: 8.00
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SneakPick
by cam.ill7.83
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Balanced Rating: 7.83
Average Rating: 7.82
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Balanced Rating: 7.83
Average Rating: 7.82
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ztencils eYe/FS
by elmoyenique8.73
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Balanced Rating: 8.73
Average Rating: 8.84
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Balanced Rating: 8.73
Average Rating: 8.84
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Slice
by Christian Munk (CMunk)8.70
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Balanced Rating: 8.70
Average Rating: 8.76
Click for more information about this rating. 62 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.70
Average Rating: 8.76
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Claredont Stencil
by riccard08.45
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Balanced Rating: 8.45
Average Rating: 8.59
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Balanced Rating: 8.45
Average Rating: 8.59
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Pipe Dream
by samlambert238.02
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Balanced Rating: 8.02
Average Rating: 8.05
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Balanced Rating: 8.02
Average Rating: 8.05
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21684237
Published: 31st October, 2011
Last edited: 31st October, 2011
Created: 29th October, 2011
Sam Lambert, Graphic Design student at UWE. For my project I went with the theme of laziness (after an early failed attempt at using the theme of repetition). Whilst researching my theme I looked into the things people like doing best when feeling lazy, two very popular activities were smoking and sleeping. I wanted to create a simple/clean typeface that had a lazy feel to it. I tried to avoid giving it a predictable slouched look and thought a smokey/dreamy effect would work well for a font and also link to my research. I wanted to incorporate the smoking and sleeping/dreaming themes into the name and thought 'Pipe Dream' was perfect as it relates to both smoking and dreaming. All feedback is appreciated.
Last edited: 31st October, 2011
Created: 29th October, 2011
Sam Lambert, Graphic Design student at UWE. For my project I went with the theme of laziness (after an early failed attempt at using the theme of repetition). Whilst researching my theme I looked into the things people like doing best when feeling lazy, two very popular activities were smoking and sleeping. I wanted to create a simple/clean typeface that had a lazy feel to it. I tried to avoid giving it a predictable slouched look and thought a smokey/dreamy effect would work well for a font and also link to my research. I wanted to incorporate the smoking and sleeping/dreaming themes into the name and thought 'Pipe Dream' was perfect as it relates to both smoking and dreaming. All feedback is appreciated.
Gilotyna ex
by luks8.67
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Balanced Rating: 8.67
Average Rating: 8.84
Click for more information about this rating. 19 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.67
Average Rating: 8.84
Click for more information about this rating. 19 votes You voted ? for this FontStruction. You may change your vote at any time.
Blax slab
by Michel Troy ~UrbanPixel~ (Upixel)8.66
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Balanced Rating: 8.66
Average Rating: 8.75
Click for more information about this rating. 36 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.66
Average Rating: 8.75
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zfraktur eYe/FS
by elmoyenique8.42
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Balanced Rating: 8.42
Average Rating: 8.52
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Balanced Rating: 8.42
Average Rating: 8.52
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Pandemonium
by SophieBalch8.67
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Balanced Rating: 8.67
Average Rating: 8.74
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Balanced Rating: 8.67
Average Rating: 8.74
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4961831188
Published: 9th November, 2010
Last edited: 3rd December, 2010
Created: 4th November, 2010
This font was inspired by the word chaos. Initially to me chaos meant incoherent mess, but after looking at chaos theory i began looking at ways to order chaos. To show this in my font I have used a regimented typeface with repeated ideas of thick and thin lines, but juxtaposed this restriction by forming the letters with chaotic scribbles.
Last edited: 3rd December, 2010
Created: 4th November, 2010
This font was inspired by the word chaos. Initially to me chaos meant incoherent mess, but after looking at chaos theory i began looking at ways to order chaos. To show this in my font I have used a regimented typeface with repeated ideas of thick and thin lines, but juxtaposed this restriction by forming the letters with chaotic scribbles.
Textura Prescisus
by pschellhase8.44
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Balanced Rating: 8.44
Average Rating: 8.55
Click for more information about this rating. 22 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.44
Average Rating: 8.55
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Sans Serious I
by afrojet8.44
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Balanced Rating: 8.44
Average Rating: 8.55
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Balanced Rating: 8.44
Average Rating: 8.55
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1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
From the book ‘Dutch Type’ by Jan Middendorp:
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
Read more from ‘Dutch Type’.
Image from Letters op matt.
More images of Jurriaan Schrofer's work on Flickr:
Schrofer in Total Design book.
Cover for European Journal of Social Psycology
Museumjournaal, design Jurriaan Schrofer
Die Internationale Avant-Garde
Jurriaan Schrofer - Fodor catalog
Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.This is a clone of Sans Serious II
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
From the book ‘Dutch Type’ by Jan Middendorp:
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
Read more from ‘Dutch Type’.
Image from Letters op matt.
More images of Jurriaan Schrofer's work on Flickr:
Schrofer in Total Design book.
Cover for European Journal of Social Psycology
Museumjournaal, design Jurriaan Schrofer
Die Internationale Avant-Garde
Jurriaan Schrofer - Fodor catalog
Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.This is a clone of Sans Serious II
projekt
by woutery6.00
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Balanced Rating: 6.00
Average Rating: 5.38
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Balanced Rating: 6.00
Average Rating: 5.38
Click for more information about this rating. 13 votes You voted ? for this FontStruction. You may change your vote at any time.
Pointers
by aaronamar6.99
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Balanced Rating: 6.99
Average Rating: 6.81
Click for more information about this rating. 21 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 6.99
Average Rating: 6.81
Click for more information about this rating. 21 votes You voted ? for this FontStruction. You may change your vote at any time.
NugothicA
by Axel Leyer7.87
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Balanced Rating: 7.87
Average Rating: 7.87
Click for more information about this rating. 30 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.87
Average Rating: 7.87
Click for more information about this rating. 30 votes You voted ? for this FontStruction. You may change your vote at any time.
Braille
by peteraronow7.55
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Balanced Rating: 7.55
Average Rating: 7.38
Click for more information about this rating. 8 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 7.55
Average Rating: 7.38
Click for more information about this rating. 8 votes You voted ? for this FontStruction. You may change your vote at any time.
subspace link
by essgee5.99
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Balanced Rating: 5.99
Average Rating: 5.00
Click for more information about this rating. 8 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 5.99
Average Rating: 5.00
Click for more information about this rating. 8 votes You voted ? for this FontStruction. You may change your vote at any time.