9661417263
Published: 10th August, 2008
Last edited: 24th June, 2009
Created: 10th August, 2008
this electricity
injected into me
emotions running over me
and when you're getting close
you touch my innermost
a feeling deep inside me knows
—"circuit breaker", röyksopp
42239862
Published: 14th March, 2011
Last edited: 13th February, 2012
Created: 13th March, 2011
Gothic pixel font inspired by Old English and RM Albion.
119329962
Published: 22nd August, 2010
Last edited: 31st May, 2011
Created: 21st August, 2010
Simple, neat, serifed font with basic latin characters.
Comments/suggestions are welcome :)
1960115660
Published: 13th March, 2009
Last edited: 22nd June, 2009
Created: 27th February, 2009
I made this FontStruction for artists who beginning pixel-art. This font is a template for pixel-art. The matrix of the letter: 3×5×1. Optimal font size: 64 ptThis is a clone
23713921858
Published: 10th March, 2007
Last edited: 12th April, 2018
Created: 10th March, 2007
This is the first ever FontStruction.
A simple pixel font based on a 6 x 8 matrix of squares.
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
199128457
Published: 13th September, 2011
Last edited: 6th February, 2012
Created: 12th September, 2011
I think I've completed the glyph. But maybe I will add some glyphs like More Latin, Greek, Cyrillic, etc.
18653056
Published: 30th May, 2009
Last edited: 23rd June, 2009
Created: 29th May, 2009
Inspired by the funk_king. The stems were created by extending the letter o from mr. funk_king's hemisphere fontstruction. Then things go haywire from there. This was hard, so I took a simpler approach to most of the letterforms for speed's sake.
Thanks to meek and the Fontstruct staff for fixing the download.This is a clone
417821256
Published: 22nd February, 2012
Last edited: 22nd February, 2012
Created: 12th February, 2012
If there was a converter that converted music to fonts, this is what I'd expect to come out if you put in dubstep.
Inspired by the logos of dubstep artists such as Nero and Skrillex.
29713153055
Published: 5th February, 2012
Last edited: 15th October, 2012
Created: 4th February, 2012
Pixel font with lower right corners cut. Best used with font size 24.
1526178155
Published: 5th November, 2014
Last edited: 18th November, 2014
Created: 31st October, 2014
LevelRebel is a monospaced, 48-brick high, birds-eye view, horizontally layered, isometric pixelfont. The uppercase faces to the left and the lower case faces to the right. It could work as a font for a game with a retro 3d feel and something about mastering levels, climbing storeys, stacking towers or sliding bricks or bars.
284187353
Published: 6th October, 2012
Last edited: 19th October, 2012
Created: 5th October, 2012
I"M BACK <3
The viewer doesn't really do this font justice. Please either download and view or make a private clone!
For this font I aimed to make a block sans with bridges in unconventional locations...and then it became a monoline semi-geometric slab~ And I sorta regret starting on this so late...
Suggestions are welcome. I know the pointy bits of W and M are wonky but I don't know how to fix those ...
166137850
Published: 22nd November, 2009
Last edited: 22nd November, 2009
Created: 16th November, 2009
This font consists purely of elements of musical notation. Some of the letters are a bit far fetched and it is only barely legible, but I like it, and maybe you should use it for musical notes instead of text.
171288650
Published: 28th September, 2011
Last edited: 28th September, 2011
Created: 15th September, 2011
An alphabet worthy of Q*bert; he could successfully complete each letter and number designed here as an individual game board. The punctuation, however, is another story...
984107549
Published: 26th April, 2008
Last edited: 11th March, 2011
Created: 26th April, 2008
Clone of Tristeak Ribbon, with endcaps and some tweaks. One character in this set is topologically different from all the others... see if you can find it!This is a clone of Tristeak Ribbon
14376949
Published: 31st October, 2011
Last edited: 1st December, 2011
Created: 31st October, 2011
I am a first year student at the University of the West of England. Our first project this year was to design a typeface based around a word of our choosing. I opted for ‘Pompous’, as it stood out to me from the list. During the project I visited Bristol Cathedral several times, and spent time in and around Bridgwater, looking at anything that I found to be pompous, such as cast-iron work and Baroque architecture. My final design is influenced by Gothic typefaces and raised lead tombstones/plaques. The name ‘Delectatio Morosa’ is Latin for peevish delight, which I discovered whilst looking at different Latin phrases.