9311538
Published: 23rd July, 2009
Last edited: 23rd July, 2009
Created: 23rd July, 2009
My take on the dot fontstruct craze. Based on my own handwriting. Upper case is chrome, lowercase is solid.
11635314
Published: 28th September, 2009
Last edited: 21st September, 2010
Created: 27th September, 2009
Take a walk on the wild side. Now with punctuation.
246215372
Published: 2nd May, 2024
Last edited: 26th April, 2010
Created: 23rd April, 2010
Clone of Clover.
The capital letters doesn't look nice in my previous one. So I do some correction on it.This is a clone of Clover
977556
Published: 1st October, 2008
Last edited: 16th June, 2009
Created: 9th September, 2008
2x1 brickscaled. I have Eurostyle in my mind when I began this one, but made it without diagonals.
14175536
Published: 6th October, 2009
Last edited: 21st September, 2010
Created: 29th August, 2009
It's fun to work with negative spaces for a change.
The 'i' is as wide as 'm' & 'w'.
72155517
Published: 4th October, 2009
Last edited: 14th November, 2011
Created: 10th September, 2009
A simple-minded font, grown up in the backyard of a lovely little mansion.This is a clone
5085712
Published: 6th May, 2010
Last edited: 12th May, 2010
Created: 11th July, 2009
This has been in the making for quite some time and I was only able to work on it because of the new fontstruct features. all bricks i used for this fontstructions were half-sized bricks. i mean half-circles, half-sized blocks and so on. also i worked with 1.75 scaling. thanks to this kind of setup i was able to create roundings, that go a little over or below flat-shaped letters. see the sample. also lower case letter like l, k, h and so on are a little taller than upper case letters, like in "real" fonts.
the disadvantage is seen on M,W,m,w where the stem in the middle is a little too short... i had to use a very weird workaround for these 3-stem letters, so this is as good as it gets, unless fontstruct is going to have an empty space brick, that would allow me to create a fitting composite. i used lots of composites and lots of stacking. also the spacing isn't very nice, i'll see if i can do anything about that.
84105728
Published: 31st August, 2010
Last edited: 2nd September, 2010
Created: 20th August, 2010
Not complete. But I had this waiting to be shared for a while...so I´ll add uppercase and other characters hopefully soon!
128305843
Published: 6th September, 2009
Last edited: 6th September, 2009
Created: 5th September, 2009
Minimal stencil font. lowercase, numerals and some punctuation. More on http://typerider.wordpress.com/This is a clone
1845819
Published: 15th December, 2009
Last edited: 13th December, 2009
Created: 12th December, 2009
you would think there are a lot of lined fonts. not really. i googled to see what was out there. i was surprised i didn't find this one. just uc for now.This is a clone
6735820
Published: 30th July, 2011
Last edited: 15th September, 2011
Created: 6th July, 2011
only capital letters with czech alphabet and basic punctuationThis is a clone
215145981
Published: 21st February, 2010
Last edited: 3rd March, 2010
Created: 24th January, 2010
I tried to design this font as if it was made of folded paper stripes. It looks better in small size on screen. Alternative i for ligatures = I.
256206099
Published: 5th June, 2010
Last edited: 5th June, 2010
Created: 21st May, 2010
No reference used at all. This is me drawing Paul Renner's original Futura from memory, without intending to. Actually, I was going for something more Avante Garde. It all started with the O and developed from there. The hardest letter = S. It was a real pain in the S. It was interesting afterward to compare the letters to Futura after finishing the caps.
Futura - It was like the Helvetica of 1928.
Bezziaire is an early experimental simulation of Bezier curves with FS2.0. Zooming 30% and below renders best results.
Horizontal optical compensation added for the circular glyphs, as well as baseline overshoots.
060510
Oh yeah, this also has preliminary involvement with shasta's circle competition, which is seriously humbled by his Circle Cult.
74136114
Published: 3rd October, 2009
Last edited: 4th October, 2009
Created: 1st October, 2009
My name is Geostruct Grotesque and I'm a typeface. I love grotesque and gothic type fonts, particularly with vertical exaggeration; so I set out with this in mind and here's the result. Love Trade Gothic & Univers Condensed.
http://type60.com/2009/10/geostruct-grotesque-a-typeface/This is a clone
136116192
Published: 4th June, 2010
Last edited: 16th June, 2010
Created: 2nd June, 2010
Xerro. Because it started with the o, and it looks like zero, even though there's no numerals. Another faux bezier helveticaesque looking sans serif experiment. Lowercase for now.
060310
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
5941163139
Published: 28th March, 2011
Last edited: 12th June, 2011
Created: 27th March, 2011
Another 'cut-out pattern font' not completely happy with it yet though
700641
Published: 20th April, 2008
Last edited: 16th June, 2009
Created: 20th April, 2008
tall x-height, tried smth like a 'drawn' type, just the lower-case for now
please do comment.