Just a stencil doodle. Seems like it would go well with the Kitchen Sink family.
This is built at roughly 3.5x5, but shrunk with filters to look squareish and to make the line spacing very small.
See also:Guillotine Blade
Army stencil font based on funk_king's - Dog Tag.
Well, it's been a while, work has ramped up during this school term. I never complain about that though. I'd rather be busy with work I'm comfortable doing. But I digress.
This font is Spruce, as seen in GEOS FontPack PLUS on the Commodore 64. Not sure whether you'd call this stencilled or segmented. It's got an odd set of descenders, and I've corrected some glyps so they're symmetrical top and bottom, even if that gives them ascenders. This may not spruce up your font collection as such (groan)...
5x5 pixel font in which no lines are allowed to bend or touch at all. Where they would bend or touch, they are segmented instead.
Possible non-game uses for this: Circuit design, light arrangement, wiring design, αPX electronics, primitive writing systems...
Original size: 3.75pt (use multiples of this value for pixel perfection)
This one's a request from a friend. :^)
A "hullaballoon" is a person who stores up spite/malice/controversy/etc. and then suddenly releases it all at once, like a deflating balloon. Also, the name of one of the many joke bands I created.
LC 2 px high, 9 px wide. LC are 8 high 9 wide except for glyphs with a curved base which are half a pixel below what might be expected. Numbers have varying heights for aesthetic reasons, not because I'm blind, careless or incompetent.
.:*:.:*:.:*:.:*:.:*:.:*:. just saying - because I have this aversion regarding people wanting me to think like them, make fonts like theirs or like they expect. Maybe they don't want or can't understand originality, avant-garde work or just a font that has individuality?
Il mondo è bello perché è vario.
In der Kreativität entsteht Fortschritt.
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Kreativität bezeichnet die Fähigkeit intelligenter Lebewesen, neue und ungewöhnliche Lösungen für Problemstellungen zu finden. Voraussetzung für Kreativität ist die Fähigkeit, Dinge und Vorgehensweisen frei und neu kombinieren und entwickeln zu können. Ein wesentlicher Bestandteil ist oft die Fähigkeit, produktiv gegen Regeln zu denken und zu handeln (also: nicht nur zu kombinieren) und damit auch neue Regeln aufzustellen.
I joined Fontstruct December last year.
My very first contribution back then was a tribute to the great Dutch graphical designer "Jurriaan Schrofer". And many more followed.
These past six months have passed very quickly, and, much to my surprise I can proudly pronounce that I have passed the point of 10,000 shared glyphs mark. Totally crazy, I'd never expected to have been putting out such a substantial volume of work.
Thank you all for the kind words and the support I so far reveived. I hope all of you have been enjoying my contributions so far, since there is much more to come! :)
As for the new font,
It's not so much of a celebrating work for a 10.000th glyph submission but it isn't bad either, so enjoy once more.
Another recap of the works by "Jurriaan Schrofer"!
(all downloads will be back available soon, sorry for the incovenience.)
CheersThis is a clone of STF_CUTOUT 1985
MILITIA - A bold geometric typeface inspired by the military.
It comes in 2 style variations (solid/stencil) and features uppercase plus small uppercase letters!
SUTORAIPU ORIGAMI - A display typeface that was inspired by origami.
Enjoy!This is a clone of STF_SUTORAIPU ORIGAMI (MULTILINE)
24-segment display. This one belongs to a small family called Calculatrix.
Like Calculatrix 12, this one is spaced so that every segment appears in its proper place, as if the text were being rendered on one giant display. (If using this in your own software, you will want to check the line spacing as it can vary depending on the software.)
I suppose this font could be used for weaving or embroidery work, as well... it has that look about it...
TIP: Try zooming out while already at Pixel size!
Calculator font with a 7-segment display. This should bring many of you back to school, but in a good way, I hope.
This one belongs to a small family called Calculatrix.
I've allowed "MWmw+" to break the grid because they were impossible to render otherwise...
Did/do you ever use oldschool calculators to write funny messages? Post your best calculator words in a comment! :D
An experimental 12-segment display, and my 100th published Fontstruction. It's the calculator of yesterday's future!
This one belongs to a small family called Calculatrix.
This font is monospaced to ensure segments are always where they "should" be (as if the text were printed on one giant display).
Attempt to recap the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".
Apart from some small variations I made between a couple of upper and lower case characters the two are mostly copies!
Another recap in the ever growing series of attempts to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer"(15 april 1926 – 1 juli 1990).
This time I revisited the letters taken from one of his sketches called "Alphabet for cutout letters-c. 1985" and completed it with numerals and some additional punctuations!
The only real differences compared to the original sketch are heavier stroke weight and some letter parts/shapes that were drawn in the original were left out from the recap since they are of no use in a typeface!
As usual I completed the alphabet with numerals and some additional punctuations.
Lowercase characters only!!
Modernism alphabetThis is a clone of STF_HETERODYNE_(SOLID)
See more: https://fontstruct.com/fontstructions/show/988227/de_stijl_11
A font made with a small number of blocks - 16. Although it could be as little as 6 if I used lots of nudging and modifiers.
A piece of constructivism inspired by Dutch artistic movement "De Stijl".This is a clone of STF_FABRICON_(OUTLINE)