Published: 16th April, 2015
Last edited: 23rd April, 2015
Created: 26th February, 2015
The vertical nature of '2602' refers to the work of Yamasaki Minoru, one of the most influential architects of the New Formalism in the 20th century.
For optimal use it's advised to use line spacing which is 0,65666667 times the font size.
There's a slightly small difference in width between the strokes and the open spaces in between them. This is a clone
Published: 12th January, 2015
Last edited: 13th January, 2015
Created: 10th January, 2015
A pointy display font. Finished as far as I need it at present. Done basic diacritics, numbers and some punctuation. I have reworked the slash in the "Z".
Published: 11th November, 2014
Last edited: 11th November, 2014
Created: 10th November, 2014
First pixel font experiment. PIXel, sTENcil, SANS. Looks like Stencil Typeface that comes with Windows, only without serifs.
Published: 18th September, 2014
Last edited: 14th September, 2014
Created: 13th September, 2014
Creato nel 2014 da Salvatore Piscopo. 900 Stencil è un font sans serif dalle forme geometriche, ispirato ai caratteri noveceteschi di scuola tedesca (Bauhaus di Walter Gropius), in particolar modo allo Stencil di Joseph Albers (realizzato tra il 1926/31). Il 900 Stencil si distingue da quest’ultimo per la presenza delle aste oblique e la linea di separazione verticale (tipica dei font stencil) presete in ogni glifo, inoltre, seppur chiudendo un angolo di 90°, i vertici arrotondati di alcune lettere non si intersecano con l’intera larghezza delle aste verticali, donando al font, sopratutto nelle lettere maiuscole, un apetto piuttosto squadrato, che ne rende complessa la lettura, ma che si presta perfettamente alla comunicazione visiva.This is a clone
Published: 2nd September, 2014
Last edited: 1st September, 2014
Created: 1st September, 2014
As with BAPSolidStencil, cuts have been made only in the glyphs that would otherwise contain islands.
Published: 1st September, 2014
Last edited: 31st August, 2014
Created: 30th August, 2014
As the name indicates, this is a simple stencil version of my BAPSolid font. Cuts have been used only to eliminate islands of white space; therefore, most glyphs don't require such gaps.
Published: 28th August, 2014
Last edited: 4th March, 2015
Created: 28th August, 2014
WIP update of my old 2011 font. Caps start at the upper left, LC starts at the lower left.
-For the glory of GodThis is a clone of FET Title
Published: 28th July, 2014
Last edited: 11th August, 2014
Created: 21st July, 2014
Stencil font, more abstract than usual. In progress. Should I add numerals? Punctuation? Is there any area that has an error or needs refining (etc)?