My second entry for the Numbers competition.
This one has actually been sitting there for a while already, I haven't published it before because of the terrible kerning and some awful letter solutions. But I think the numbers are quite cool, so...
"Slaughter Serif" aims to bring a thick, cutting-edge style mixed with hand drawn elements to type. Yet legible, it is to be used for display type considering the small but profound details. This is my first font, so any feedback would be greatly appreciated. Thanks for looking <3
Object Grotesque is a medium Sans-serif typeface. With its low contrast and modern look, making it perfectly for our branding and headlines. These typeface works well both in larger and smaller sizes and handles tight spacing nicely. This font includes 235 characters.
A font in this similar circus style was created back in 2014. Many years ago I went through to clear out some of my less desirable fonts, and it was lost during that time. Thanks to the font databank of Luc Devroye I was able to rebuild the font using the prior sample as inspiration while changing and revitalizing some of the glyphs. It was quite fun to rebuild this font, bringing it back from the grave. Please enjoy
This ornate typeface was designed with the intention to give every part of a letterform some curve. The end result was a typeface that mirrored the rounded shape of old-fashioned wood spindles like one might find on an antique dinning chair or an elaborate staircase in an ancestry home. Spindles like these were handcrafted and born from the finest lumber a proud wood worker could find. This same type of pride went into the crafting of Simple Spindle.
The font was inspired by runic lettering and was taken from the theme unstable. sticks were used as the main shapes to create the typeface, to give this typeface a weak breakable feeling. I wanted to show a balancing act in the type to display the theme and give it a sense of unease.
(IT LOOKS MUCH BETTER WHEN YOU USE THE ZOOM BAR)
Feel free to get in touch
Instagram: Mabry_Graphical
This is a cloneRe-creation of Technik®, a one-weight typeface originally designed by German design studio Bionic Systems™ in 2001. This re-creation contains 2 weight : Technik® Display,best for titles, and Technik® Text, best for small text.
Mostly a filled version to DECODER but with some modifications, especially on the diagonals. This because the way they were designed in the outlined DECODER font made them look far too thick in a solid version. So on these I cut weight to get a better visual balance. I kerned some pairs but a lot still needs to be looked into, which I will soon!
Cheers
This is a clone of STF_DECODERSTF_Teknolog1k - Contemporary tech looking sans-serif typeface.
Once more a pretty thin design.
Brick filter @ 1x1
grid scale @ 0,85x0,85(to restore unwanted vertical spacing caused by nudging)
0.5 grid square unit weight.
Enjoy!
11/16/2018 - Coming soon, KANJI!
Lost in Japan is a font with that curious type of feel. The name makes sense when I spell it out below.
LOST - Very confusing, yet cool.
IN - Really?
JAPAN - Cointains all Hiragana/Katakana characters.