still a thick font - smartscore font will get thinner!
This is a clone of Smartscore 1240fs EthoSlab
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This font is based on a heavy font I saw somewhere which really caught my eye. I tried to recreate it as best as I could, and it turned out maybe a little better than I had expected.
So far it's just all the basic latin, I will expand it later when I have time.
fs Stainless
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My first font using the Connect Bricks
This is just a test font to experiment with new bricks, nothing more
Sorry if some of the letters and numbers look alike, K and H look the same, A and R look the same, and 1 and 7 can be mixed up
this is my first published font since I joined. So, I am not a professional font designer. I just made this font for fun. So if you have any problems please feel free to share them in the comments.
Yours sincerely,
Thank you.
The master FontStruction, as the creator and me say. It is the patron of patrons. The less than and greater than symbols look like rotated circumflexes.
T̲h̲e̲ ̲C̲h̲e̲e̲r̲f̲u̲l̲ ̲S̲t̲o̲r̲y̲ ̲o̲f̲ ̲t̲h̲e̲ ̲M̲a̲s̲t̲e̲r̲ ̲F̲o̲n̲t̲ ̲-̲ ̲f̲r̲o̲m̲ ̲O̲r̲d̲i̲n̲a̲r̲y̲ ̲t̲o̲ ̲e̲x̲t̲r̲a̲o̲r̲d̲i̲n̲a̲r̲y̲ Master was once just an ordinary sans-serif typeface on the amazing app of FontStruct. But eventually it started losing control of its temper and that’s when everything started to go wrong…
The font promptly lost all of its support. Tesco removed it from all its products. Aldi opened with no typeface such as Master.
It was a nobody.
Until the 1950s when a skilled editor decided to log into FontStruct.
Now, this editor was very keen on editing all fonts which didn’t get used or were not finished. He also was a big fan of the font Master and had always THOUGHT of it as the most masterful typeface on the internet.
So that’s how the font Master came to be a proper typeface.
Then in the late 90s, the professional FontStructer Rob Meek, the graphic designer that everyone loved, decided to send the creator an apologetic letter stating that he hadn’t meant to frighten all the users off his app.
The creator opened the letter and replied with a letter stating that he would block the violent companies off the website so long as Rob agreed, which he did, in a letter agreeing to his action; if it didn’t include all the everyday users who entered the site.
Thus the No Nonsense Act of 1987 was then established, allowing everyone to enter FontStruct on the occasion that they didn’t delete or ignore any of the good ‘Low Bick’ fonts.
But in 2022, things changed. FontStruct was now an official website which everyone could still visit. It was now integrated as part of the internet where they had already implemented laws such as the System Safety Act of 2019, the SMART26, the Bad Blocking Act and the Copyright, Designs and Websites Act 2018 which was the web version of the copyright designs and patents act of 1988.
The Master font was now solemnly appreciated by all the users of the internet, who happen to come across it in the ‘Master font’ section and is now used in designs all over the world!
And THAT is how the Master font became the most famous typeface on the web.
I hope you enjoyed my story.
Note: The 'Low Bick' fonts are now 'Top Pick' fonts.
NOTE: Click "TrueType Font" when downloading!
Condensed version of The Boldest One Sans.
This is a clone of The Boldest One Sansfirst font ever
Contains:
- Basic Latin
- Latin-1 Supplement
- Latin Extended-A
- Latin Extended-B
- IPA Extensions
- Spacing Modifier Letters
- Combining Diacritical Marks
- Greek and Coptic
- Cyrillic
- Cyrillic Supplement
- Armenian
- Hebrew
- Georgian
- Klingon
work in progress
update: georgian
BS1 Ink-Bleed is a typeface made for "What The Font?" project
As you can see I was inspired by different graffiti and tags that I saw on Bristol streets. I decided to use simple style letters for better readability in this small grid.
I wrote each letter on cardboard, and pixelated on computer after that. I like that this method gives nice distortion/noise and nice realistic shapes.
CLICK HERE FOR MORE MEDIA
A typeface that provides you with a glimpse into brickwork construction.
Monospace lowercase and duospace uppercase (double the width of lowercase), with negative-space diacritics.
Strong tensile and compressive strength (works well stretched, squeezed, and warped in general).
The long-awaited italic version of Misterama Slab - why make a slab serif without an italic? It'd be useless then!
This is a clone of Misterama SlabThis is my first ever font using ideas to make an heavy sans-serif typeface. I was inspired by elmoyenique and Jamie Place (FontBlast). I'm not stealing ideas from anybody by the way, I've wanted to share something to explain a journey of making my own fonts in life.
I got some aspect of making the glyphs look heavier. I've tried to make the letter f, but it flawlessly has the same height as the other glyphs. If I make number four, than I've obviously make it like this because the slanted bricks are not enough to make up a four glyph. Some of the glyphs (for example: ð, ß, ™, ®) are hard to build it because it was considered to be rounded by its curve and too small if the text was heavier.
When I run out of name ideas, the only idea of this font name i've chose is Lourde (french word for heavy).
MadeInTurkey pixel font
Still being developed