это короче как vcr osd mono но лучше.
this font is like vcr osd mono but better.
This is a clone of 12x16 iskra(Credit to Paradigm The Great for the original typeface.)
This is the second font I've made so far and currently my "dream font", if such a thing like that exists.
I've never seen a typeface with a capital R, S, and number 4 like this one, as the only one I've come across by the beginning of August 2023 would be "Videotape", however even that would be misaligned and wonky. This font is the sequel to my first font, "Tracking Knobs", but with more glyphs and lowercase letters.
This is a clone of CHARGEN '92A replication of the Panasonic Omnivision VCR bitmap. Now, that I have a Panasonic Omnivision VCR for myself, the model being a PV-V4520, I can make this font with ease and 100% accuracy.
This font is not entirely accurate. Please point out errors so I can fix them in the forseeing future.
This is a clone of VCRStereoCyrThis is the improved version of EAS Bulletin! Hope you like it!
This is a clone of EAS BulletinA VCR/camcorder-type pixel font. This is the vector version, which as far as I can tell looks the same except for some subtle differences in kerning and 2px higher line height.
Gitlab repo (contains FontForge source for the bitmap version)
2nd alternative version of EAS font (Sans)
NOTE: Click "TrueType Font" when downloading!
This is a clone of EAS Again Alt. Sans2nd alternative version of EAS font (Mono)
NOTE: Click "TrueType Font" when downloading!
This is a clone of EAS Again Alt. MonoOriginal size: 15pt
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A font which has a spurless, sans-serif, pixelated polygonal look which is somewhat reminescent of fonts used in VHS technology.
A lot of applied science went into this design. It's designed to remain legible on all media in all use conditions, provided that one uses the original size or a multiple thereof. Numerous technologies and mediums were employed to realize this objective.
"Diaspora" was tested and refined for use with/on/against:
• CRT, LCD & e-Ink screens
• image formats & compressed imagery (GIF, JPG)
• printers (inkjet, bubble jet, laserjet, & thermal)
• analog video & multi-generational copies (VHS, Super 8)
• digital video (AVI, MP4, MPEG, WEBM, WMV)
• 3D and voxel models (Blender, MagicaVoxel, POV-Ray)
• dynamic scaling hardware (game consoles and capture devices)
• imagery plugins & filters, including image degraders
• image scaling/interpolation hardware & software
• image recognition hardware & software
These all have traits which degrade, distort, compress, glitch, or otherwise alter imagery in various ways. This design aims to minimize the loss of legibility from these effects and to attain the best scores possible in various forms of imagery analysis. So far, this has proved extremely useful, as it can remain fully legible even when extreme JPG or video compression are applied to it thousands of times.
A piece of software I helped write, called the Marinan Imagery Deconstruction AI System (MIDAS), is being used on captured images of this font. The end objective is to realize the design which has the best all-around Marinan Interpretability Value (MIV) for all the tested platforms - the design which is considered by MIDAS to be the most legible in the most media under the broadest range of use conditions and quality levels.
MIDAS uses a set of considerations made with both humans and computers in mind, so a high MIV does not necessarily equal a better font - it just means one that the system thinks is easier to visually interpret. Note the use of the phrase "visually interpret" as opposed to "read". MIDAS tries to determine how well people and computers can tell what shapes are, not how much enjoyment they'll get from reading or how much strain they might undergo while doing it.
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VERSION HISTORY:
1.0.0 - initial release.
1.0.1 - More Latin support added.
1.0.2 - First batch of tests run.
1.0.3 - gjy5&ßẞ were improved, some glyphs added.
1.0.4 - Second batch of tests run. Space width reduced.
1.0.5 - Experimentally converted to a rounded spurless design, then converted back to a plain spurless after testing. A few new ligatures were added.
1.0.6 - Cyrillic and Greek enter development. Many of these letters must be altered to be distinct from their Latin counterparts.
1.0.7 - Some spacing values changed to increase internal consistency. More difficult tests are being devised. However, since only I seem interested in this type of work, this project is going on hiatus for some time.
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See also: AMFA, a font built with similar considerations in mind
Alternative version of EAS font (Sans)
NOTE: Click "TrueType Font" when downloading!
This is a clone of EAS Again SansThis is a collaboration font for whoever wants to work on the rest of the characters. Anyways, this is inspired by the Frozen song "Into the Unknown", which is owned by Disney. Be sure to give credit to us whenever you download our fonts.
VHS/EAS font Sans.
NOTE: Click "TrueType Font" when downloading!
This is a clone of EAS Again MonoAlternative version of EAS font (Mono)
NOTE: Click "TrueType Font" when downloading!
This is a clone of EAS Again Mono