See more:
https://fontstruct.com/fontstructions/show/1559459/slick-strontium
https://fontstruct.com/fontstructions/show/1525277/zirconia
https://fontstruct.com/fontstructions/show/1871385/table-cut
https://fontstruct.com/fontstructions/show/1719850/gruz-1
https://fontstruct.com/fontstructions/show/1307978/gimli-minuscules-cyrillic
https://fontstruct.com/fontstructions/show/942639/ecthelion_1
https://fontstruct.com/fontstructions/show/401866/digi3d
https://fontstruct.com/fontstructions/show/863425/fs_turn_off_the_sun
https://fontstruct.com/fontstructions/show/1045652/shadows_37
https://fontstruct.com/fontstructions/show/2403515/inline-headrush
This is a clone of SwordplayI found the original Spheretta-5,7 while looking for "dotty" fonts, to make sure that the font I'm doodling at the moment will look a little different from others on FontStruct. I liked Spheretta and as cloning was allowed by the creator I made some changes as Meek's many innovations enrich our creative thinking **smile** The original font was created in 2011 by arseniiv.
I smoothed the circle, worked into existing glyphs where I thought 'necessary' (nudges, ~re~moved some dots in glyphs or added dots to reduce some gaps).
Comparing parent and clone: changes are a smoother circle, a few symbols, the Lower Case for Basic Latin and most Latin1 positions, some operators/symbols are available with as well as without the UC circle. And that I have broken the 5x7 rule in some glyphs to improve their lines.
In the LC glyph style (no circle) you have: full stop, comma, all quotation marks on Basic Latin and Latin1, apostrophe, asterisk, plus, minus, solidus, colon, semicolon, percentage, less, more.
The low line is a blank circle; decorative dot arrangements inside a circle are on the tilde, left square bracket, grave accent.
The original (with a circle) can be found here: the "?" is on "{", the "!" on "}", the "-" on "reverse solidus, the "=" on "]"
I've added arseniiv's name and this parent-Fontstruction's year of creation on the first letter of the ""Even More Latin"" band, then added mine on the second letter on the same band. Feel free to add more glyphs (and your name and creation year, following ours), arseniiv allowed cloning so that we can add to his work. I follow his idea; and like him I, too, can't find enough time to continue working on Spheretta-5,7 for the next months. It would be great to see Spheretta-5,7 grow some more ...
This is a cloneSee more:
https://fontstruct.com/fontstructions/show/1925239/fontain-4
This is a clone of Nollaig ShonaA wider version of Chesterfield King.
This is most likely my FINAL fontstruction.
This is a clone of Chesterfield KingMy first font made in FontStruct. A more sharp and trippy option for the original cloned ztripping font (credits to "elmoyenique"). Good for poster creation, lettering and general typographic experimentation. Modern and Old Fashioned at the same time. Hope yall enjoy!
This is a clone of ztripping eYe/FSSee more:
https://www.fontstruct.com/fontstructions/show/1694508/tm-minimal-ii
https://www.fontstruct.com/fontstructions/show/1637545/double-crossed
https://www.fontstruct.com/fontstructions/show/220313/criss_cross_1
https://www.fontstruct.com/fontstructions/show/197382/slug
https://www.fontstruct.com/fontstructions/show/1695634/clown-car
This is a clone of InfixWhile suffering some serious fonter's block, here's another "wonky" experiment: this time, based on my "21st Century Dot Matrix" font. Random numbers were used to determine each dot's nudged position for the vertical (–½ / –¼ / 0 / +¼ / +½), and another set of random numbers for the horizontal. Each position had an equal 20% chance of placement.
On the previous "wonky" font ("Wonky Pins"), I adjusted some dots manually to be more visually pleasing, but I refrained from doing that here. Because so many dots were nudged to extreme positions (–½ & +½ vertically and horizontally) WITHOUT further adjustment, the printed text is still legible but definitely not as refined at "Wonky Pins"...
This typeface was also based on 2 sets of dots this time: one randomized set for an even number of dots across a row (6 or 8), and the other set for an odd number of dots (7). Sometimes, even dots and odd dots are used together on the same row in order to match the placement in the original design. These blocks are present in the "À" position. A slightly larger generic block in position "Á" is only present to prevent word processors from 'cutting off' dots nudged too far vertically up or down; initial test printings resulted in ½ dots being printed at those extremes.
Perhaps another "wonky" experiment will place the extreme ends at a lower chance of occurance (perhaps 10%) while the other three (–¼ / 0 / +¼) more at likely at 26.67% each. Or perhaps an even higher chance that the dot is not even nudged at all, with lower likelihoods as you move outwards to the extremes. This might alleviate the need for any manual adjustments, yet still get the point across that something... something has gone wonky with the printer...
A new take on my font home/sweet/home, expanded with some fun holiday dingbats. Just in time to use in your Christmas Cards! Please respect the license - if you would like to use this font for commercial projects, please contact Alexander@Kominek.ca