Since I could not find "non-eroded" version of a source font that I like a lot, I decided to make my own clone. When at it I tweaked some letters (A, K, W, Y, 5) to my liking and left the lowercase as variations. Also added few letters with diacritics from my region.
This is a clone of zeeglo eYe/FSInspired by a video showing a hairdresser creating a wig for a play........
Many LC glyphs are an alternate to corresponding UC.
I haven't mastered creating good joints between FS bricks and the compos I need to make ""to join"" the two types of brick. Trying to get them to flow into each other produces more or less untidy joining in many places which I find frustrating. Maybe I have to sketch out simpler designs for easy Fontstructing.
Looking at the caron I wonder if the center cross-over brick needs replacing with the one that dips downwards? See the two different bricks in the caron of E and e.
This is a clone@This is an extended version of Ostara Aria and more elaborate than the "Kerbe" designs. I changed the look of the LC and adjusted some of the UC.
Now the UC lace is better structured and distributed; glyphs A,N,M,U,V,X,Yand their LC, and @,7 and quotation marks have changed shape slightly; missing glyphs on the More Latin set (and the entire ExtendedLatin1 for my family, friends and aquaintances across Europe) needed quite some work due to the ornate sections - I hadn't planned on making this many glyphs, the ornate look was just intended for display UC of English, German and French and not for any other glyphs. Getting diacritics to look good with the decorated UC glyphs was a challenge but I think the ones I've decided to use don't overdo the ornateness nor distract from the glyph's shape.
Due to the new glyphs and diacritics I should have added 1 pixel height to accommodate the decorative lace element more obviously. Instead I changed some shape-rules ever so slightly to have an easier time adding the lace brick.
The LC is now solid black; diacritics have some added lace to integrate better in the design. The LC gives a separate font which might be of interest for headlines, advertising, on signs, cut to sew on fabric etc.
.
.
Note that there are still some adjustments/spacing needed; the kerning isn't finished yet either. I'm publishing this to get constructive comments -- and praise ;)
[youmoor]I plead for an algorythm that allows one strange/incomplete comment or (psychosocial) pinaillage for every 1 or 2 sincere (++explained) praises :D Applicable not every minute of the year you understand, only from GMT 0:001h Mondays to GMT 23:599h Sundays [/yoomoor].
The font's name is Malagache.
LEOPOLD PRO (Sans-Regular) — Modern geometric condensed sans
════════════════════════════════════
This is a minimalist, geometric sans serif font with medium contrast and a strong compressed look. The modern condensed forms make up an elegant and classy looking font.
The overall design is a mixture of contemporary design with antique inspired elements.
The other style can be found here:
LEOPOLD PRO (Serif-Regular)
Cheers
This is a cloneWIP
This is a clone of zement02 eYe/FS CAn edit of CMunk's brilliant Monotwist that tries to increase legibility even if it reduces stylistic consistency a little. Notably different are most letters with lines that end in curves (such as 'C', 'f', and 'S'), plus 'I', 'i', 'J', 'j', 'l', 'M', 'm', 'Q', 'r', 'W', 'w', 'Z', 'z', and most numbers. Numbers make heavy use of crossing curves, which is an effort to set them apart from similar letters (such as '0' vs. 'O'). Some chars have been added, such as attempts at the copyright and trademark signs. Greek and Cyrillic haven't been touched yet. With 1px spacing between chars vertically and horizontally, this should fit in a 4x11 box per char (each uses 3 blocks of width at most, and 10 blocks of height at most including 2 for descenders).
This is a clone of MonotwistTEFlonALuminium — A contemporary geometric sans-serif
═══════════════════════════════════
Inspired by the brand logo for French kitchen and home appliances company 'Tefal'.
The font is an extrapolation from the five letters that make up the original logo. I have made some small changes to certain characters to make them more suitable for a full font and body copy text format.
I hope you like it..
Cheers
This is a clonePHOTONIA (Pro) - 70s future retro style
═══════════════════════════════════
70s style reverse contrast sans with future retro aesthetics, perfect for projects with a vintage sci-fi, space age or computer theme.
This is actually a refurbished and extended version of an older FontStruction I did back in 2019. The original PHOTONIA was a cool looking little work, but didn't quite made the most of its design concept. Inexperience and poor design decisions had led to inconsistencies and other flaws throughout the font. Besides those it also had a small character set that mostly consisted out of the basic Latin block and bare essential symbols & punctuation marks. But imo it still had quite an interresting retro vibe and the potential to be more. So I decided to give the old project some well deserved refreshments.
First I started eliminating the inconsistencies that were present in the older work, than I continued polishing and re-design / modify several characters hoping to create a greater overall unity to the entire piece. Once I was fully satisfied with this renewed improvements it was time to build and expand the character set towards a more complete lingual and typographic support.
➜ ⚠ Previous Version:
▶ Basic Latin only
▶ Minimal kerning
➜ ⚠ What's New Inside:
▶ Additional Latin and accented Latin
▶ Diacritics
▶ Many glyph alternative forms
▶ Additional symbols and punctuation marks
▶ Horizontal box drawing (page deviders)
▶ Typographical symbols
▶ Ornamental printer's characters
▶ 1680 stored kerning pairs
Cheers
This is a cloneyou can think of this as the "sequel" to structurosa bold
This is a clone of Structurosa