A font formed out of Truchet Tiles.
Truchet tiles are formed by taking a single tile composed of opposing quarter circles, then applying its inverse in a random fashion. Here, I've inverted the tiles to create outlines, then developed the negative aspects of the letters, thus creating a reversal of a reversal of a reversal! Boom! Now you're in the third dream level of Inception.
This is a cloneSee more:
https://fontstruct.com/fontstructions/show/264790/paper_clips
https://fontstruct.com/fontstructions/show/754781/anthologic
https://fontstruct.com/fontstructions/show/332122/sentinel_3
https://fontstruct.com/fontstructions/show/1747945/stepforward-1
https://fontstruct.com/fontstructions/show/795996/chibby
https://fontstruct.com/fontstructions/show/1687576/caramba-1
https://fontstruct.com/fontstructions/show/1404093/blopp-1
https://www.fontstruct.com/fontstructions/show/666067/quinquepuncta
https://fontstruct.com/fontstructions/show/92583/frieda
Kollarbo. Derived from "collarbone," except spelled with a 'K' with the last consonant taken off, which parallels the Klavika font, which sounds like "clavicle," except spelled with a 'K' with the last consonant taken off, parallelling even further because "collarbone" is synonymous with "clavicle." So clever. So, so clever.
Kerning coming soon. maybe. but at least the rest of the diacritics.
Photo by Mimi Moromisato from Pexels
This is a cloneBeeinflusst von Kem Weber (1889-1963)
A-Z on capital letters, alternate Q, S, X, and Z on their lower case positions.
I no longer publish samplers to illustrate my fonts as my samplers aren't wanted. It's nice that Meek publishes them for me; for competitions it seems important that members are made aware of contributions and I appreciate visually contributing and being part of the working community effort.
But I can't justify having to bother him with requests to publish my samplers that I designed only because I made a new weird font for my own reasons, hoping to get some (helpful) comments to point me towards improvements, additions etc.
I made a font inspired by art-deco, which I really love. To more universal capital letters, more decorative lowercase have been made, which can be varied by additional alternative characters (o e i).
Offstruct RGB is a pixel colour font made using Adobe Illustrator and Fontstruct's new layers feature. It is inspired by the additive colour model in which Red, Green, and Blue light are mixed together. More samples here: Behance
This is a clone of offstructThis started off as something inspired by Michael Biggs' letter design for the B-series of Irish Pound banknotes (1976-1993).
Lughnasadh (1 August) is the Gaelic festival marking the beginning of the harvest season.
011616. Oops. This one was supposed to be released when it was created. Somehow it got lost. Anyway, it was an experiment with smoothed out diagonals, which was difficult before the brick nudging feature. Now it its easy. So more improvments added. Here was my original text in 2010. Old links were broken, I can't add links anymore...?
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Created from scratch, but inspired by will.i.ૐ's WPA Go Thin, which was inspired by Stewf's WPA Gothic. Not as much an in depth character study as William's, but delving deeper into the concept of smoothing out all hard edged corners, especially the transitional connections between all diagonal lines to their horizontal or vertical counterparts. This direction forced me to dig deep to figure out if it was possible to create a smoothly ramped curve. After chiseling out multitudinous variations of composite combinations, I came up with this solution. Then I pat myself of the back and gave myself a cookie. The technique is also employed on my Escapade, and Streamlyne fonts. As usual, I like to leave these techniques as Easter eggs for everyone to discover for themselves using their own creativity. Sometimes its inspiring just to know such a thing is possible. But let me know if you can't figure it out. Press Shift+PXL on the preview to zoom in and check it out.
This is a clone