The name Pos Ya is my original thought to when I finished the font meaning it's done, there, finally, it is in spanish. It is a long and skinny font that can be used in different ways. Experimented different versions and this was a top version that is stil legiable to use.
A variant of Marrada with more angles.
Usually with designs I try to make every part look like it "belongs" with the others as opposed to trying to make each part look its best. With Marrada, I struck a balance between the two. Q1@*&{} are probably the best examples of this sort of balance...
This is a clone of MarradaA combination of many small disparate elements. Like "Space Wham" it tries to harmonize angles and curves, but it does it by letting complementary glyphs have them as opposed to using them both in a given glyph. I broke this rule to make "Marrada Angle", though.
This is a cloneA squared-off Chisato Pixel. This loses a bit of style, but has much simpler geometry and is much easier to read. A few glyphs are identical as well, so this is now a Mixed Case design.
Despite its seeming simplicity, I enjoy this design very much. I've added it to ESOSVM under the name "ChiP".
This is a clone of Chisato PixelVersion 1.3: Added Polish.
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Another asymmetrical sans-serif made for use in rulebooks for the Freeform Limitless Adventure Kit (FLAK) pen-and-paper game system. This one is classed as a hybrid and works well at all point sizes!
It began as a Constant Height design, but now I don't classify it as such since most of the letters with diacritics are taller than those without. A few letters (eszett, thorn, eta, etc.) are allowed to descend slightly, as well.
This font has also found some use on signage at a friend's bistro!
Acrophobia with ratios changed so it isn't quite as tall. There is now line width variation which slightly enhances the "engraved" look this design has.
Unlike its predecessor, this one works well as a pixel font!
This is a clone of AcrophobiaA font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.
Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D
This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.
A design with long ascenders and descenders, even on letters that don't normally have them. Good for "old book" text in video games.
This is used in ESOSVM for most text which occurs while the player is in the dimension "Ladede", thus the name. Ladede has a canon, cosmology, and eventing which are seeded by in-jokes relating to roguelike games, especially Dungeon Crawl: Stone Soup. A font like this, in that context, is meant to be elegant but also mocking. This makes it seem subtly adversarial, as roguelike game elements are wont to do, and helps let the players know that they are in a bad, screwed-up place that they are unlikely to understand.
On its way home from Galacto-Zorgalorg, Kitchen Sink crashed on a strange exoplanet. It emerged from its ship to discover the ground was dimethylmercury and the atmosphere smelled of broccoli. As Kitchen Sink obstinately fumbled around outside its ship, it fell into a Pixelation Pit! This quantized Kitchen Sink's body like a garbage disposal, resulting in the form we see here. Pixelated, space-marooned and anthropomorphized at the same time - that's the fate of Kitchen Sink. What a FREAKIN' WEIRDO!
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Original size: 7.5pt (use multiples of this value for pixel perfection)
Italic Dynamite! It's so slanted that using this font and turning italics on does nothing to change its appearance. My software doesn't know how to slant it further! It also gives me a mild sense of perspective or vertigo depending on how I look at it...
Pixellated Proxima Punch. It's art deco for your ancient compy box! New smaller grid, same great taste.
Original size: 6pt. Use multiples of this value for pixel perfection. However, this one has been noted to look great at almost every smaller size. Try 7pt, 8pt, 9pt, etc. for slight variations on the look!
Logo font for the fictional band "Roan City Roadslickers" from D2:ES.
This is a clone of RC DynamiteI attempted a blackletter style without any knowledge or references. The result reminds me of a vampire's writing!
The name "Dethzmezenger / Death's Messenger" comes from one of many old joke bands which I created.
Original size: 17.25pt (use multiples of this value for pixel perfection)
A design made to have long legs. The mild optical illusion this font creates was a happy coincidence!
I changed the name to "Taller Tales" since it seems that many fonts called "Tall Tales" actually exist...
Original size: 40pt (use multiples of this value for pixel perfection, or use in combination with antialiasing)
Proxima Punch with all curves changed to angles. A more engraved look.
This is a clone of Proxima PunchA style built on a tall ellipse. Bold line on the left, narrow line on the right. (The glyphs )]}¿¡ break this rule for the sake of aesthetics.)
See also: Proxima Punch Pixel
I wanted to go with a tall-looking appearance when I was creating this font. Aside from the lower-case letters, I believe I have achieved what I was going for. The idea for the name, "Attitude", was an interesting one. My mother saw what I was making and thought some of the letters had some sassiness or character about them.
I've had a specific font in mind for a design project for a while now, but I haven't been able to find anything like it online so I decided to try and replicate it myself. Using this font in Blender with an 'offset' value of about 0.20 yields pretty much the exact same font I was imagining, which is good enough for me :)
(fortunately I won't ever need to use a V or Z in the aforementioned project!)
WebFont is SIL Open Font License freeware (version 1.0). If you like it for a website, you can use it as a web font. You can clone it, download it, whatever. Hopefully, if you use it as a web font, you will add a link to my site, Font-Journal (https://www.Font-Journal.com), in the credits of your website or blog (professional sites & blogs give credit for the resources used that aren't theirs), if you use it or distribute it, but that is not required.
You can edit, modify, append or do whatever you need to do with this font, including using it commercially or in creating your own art/graphic works, even a new version of the font as long as all further redistributed derivatives use a new reserved font name and remain under the same "SIL Open Font License".
This is a freeware font, it should never be sold, unless it is included as bonus freeware part of a paid collection. WebFont is FREE.
Supports a large latin character set (lots of latin), with extras like the Copyright, Trademark, Tel: symbols, currency signs and an assortment of little Dingbats. I try to use Dingbats for the UI when I design websites, so I included a few without weighing the font down too much, it still loads quickly. Loading a vector based font for UI stuff is a lot easier and quicker than loading graphic files.
Any questions, character requests? Go ahead and ask!
If you see anything that needs to be addressed, be sure to shout out at me, I'll see if I can fix stuff. - Doug Peters, Symbiotic Design
https://Dougs.Work - https://Doug-Peters.com - https://Salamander.US
https://SymbioticDesign.com - https://Worthful.com - https://Worthful.net