All shapes.

Currently studying graphic design at UWE Bristol this is my first FonstStruct attempt, creating a typeface based on the theme ‘Rebirth’. After mind mapping all the ideas that sprang to mind when hearing this theme, the idea of our spiritual centre and specifically the seed of life, sacred geometry and recurring patterns in our universe stood out to me as subjects I wanted to explore.

After overlaying various sacred geometry over each other, to find similarities and differenced, specifically focusing on trying to unite the masculine and feminine attributes of the shapes, I started to draw and create my own recurring patterns.

Through research into existing religious script and spiritual fonts I found inspiration from the harsh angles uniting with soft curves. I started to create my own font building blocks and by creating my own bricks on FontStruct to create both my letters and recurring pattern which I placed within my letters to symbolise the sacred geometry and roots at the centre of all our lives.

Future Retro is a geometric typeface that has an implied roundness. The shape and contrast within each letter invokes a retro and a futuristic feeling at the same time. Future Retro is a sans serif display typeface with clear readability. Future Retro is great for large scale type in posters, signage, merchandise, headlines, titles, etc.

This a typeface designed to echo the shapes and patterns found across manholes which cover our network of systems across the UK. Manhole covers have been beautifully decorated with patterns but also act as indicators and safety features. Both patterns and the shaping of letterforms are inspired by manhole covers I have found. Designed to be a display typeface at large scales!

My most recent  debacle is no longer a tragedy thanks to Sed4tives (Thanks!). ;)

I made an extra long space in Specials so that the line height and/or leading would work out with the 2x2 blocks (at least, in Fontstruct previews).

The idea is to have a spinning ying-yang symbol as the pattern to qualify it as a counter.  Plus, it's a container, using the negative space where the pattern is broken-up, to define the characters.  I also used mini ying-yang symbols to round some of the edges, or perhaps to define a boundry that required it.

http://www.vintin.co.uk