Renaissance-style Italic font, with straight capitals & old style numerals. The lower case letters are designed within a dot matrix, albeit slanted; with the uppercase letters I have deviated from this, in order to create well-proportioned Roman capitals.
45NUM_WI71
MY MAPPING
1=14 fonts
<<
1234567890
>>
U0030-0075
(48-117)
~~~~~~~~~~
0123456789
:;<=>?@ABC
DEFGHIJKLM
NOPQRSTUVW
XYZ[\]^_`a
bcdefghijk
lmnopqrstu
----------
°±²³´µ¶·¸¹
º»¼½¾¿ÀÁÂÃ
ÄÅÆÇÈÉÊËÌÍ
ÎÏÐÑÒÓÔÕÖ×
ØÙÚÛÜÝÞßàá
âãäåæçèéêë
ìíîïðñòóôõ
~~~~~~~~~~
U00B0-00F5
(176-245)
7 WEIGHTS + 1 ITALIC
<< 1234567890 . 1234567890 >>
.............!.............
W7I0: 0123456789 ! °±²³´µ¶·¸¹ :W7I1
W6I0: :;<=>?@ABC ! º»¼½¾¿ÀÁÂà :W6I1
W5I0: DEFGHIJKLM ! ÄÅÆÇÈÉÊËÌÍ :W5I1
W4I0: NOPQRSTUVW ! ÎÏÐÑÒÓÔÕÖ× :W4I1
W3I0: XYZ[\]^_`a ! ØÙÚÛÜÝÞßàá :W3I1
W2I0: bcdefghijk ! âãäåæçèéêë :W2I1
W1I0: lmnopqrstu ! ìíîïðñòóôõ :W1I1
<< 1 2 3 4 5 6 7 8 9 0 , 1 2 3 4 5 6 7 8 9 0 >>
==+===============================+===============================+==
W7! 30 31 32 33 34 35 36 37 38 39 | B0 B1 B2 B3 B4 B5 B6 B7 B8 B9 !W7
I0! 0 1 2 3 4 5 6 7 8 9 | ° ± ² ³ ´ µ ¶ · ¸ ¹ !I1
--+-------------------------------+-------------------------------+--
W6! 3A 3B 3C 3D 3E 3F 40 41 42 43 | BA BB BC BD BE BF C0 C1 C2 C3 !W6
I0! : ; < = > ? @ A B C | º » ¼ ½ ¾ ¿ À Á Â Ã !I1
--+-------------------------------+-------------------------------+--
W5! 44 45 46 47 48 49 4A 4B 4C 4D | C4 C5 C6 C7 C8 C9 CA CB CC CD !W5
I0! D E F G H I J K L M | Ä Å Æ Ç È É Ê Ë Ì Í !I1
--+-------------------------------+-------------------------------+--
W4! 4E 4F 50 51 52 53 54 55 56 57 | CE CF D0 D1 D2 D3 D4 D5 D6 D7 !W4
I0! N O P Q R S T U V W | Î Ï Ð Ñ Ò Ó Ô Õ Ö × !I1
--+-------------------------------+-------------------------------+--
W3! 58 59 5A 5B 5C 5D 5E 5F 60 61 | D8 D9 DA DB DC DD DE DF E0 E1 !W3
I0! X Y Z [ \ ] ^ _ ` a | Ø Ù Ú Û Ü Ý Þ ß à á !I1
--+-------------------------------+-------------------------------+--
W2! 62 63 64 65 66 67 68 69 6A 6B | E2 E3 E4 E5 E6 E7 E8 E9 EA EB !W2
I0! b c d e f g h i j k | â ã ä å æ ç è é ê ë !I1
--+-------------------------------+-------------------------------+--
W1! 6C 6D 6E 6F 70 71 72 73 74 75 | EC ED EE EF F0 F1 F2 F3 F4 F5 !W1
I0! l m n o p q r s t u | ì í î ï ð ñ ò ó ô õ !I1
==+===============================+===============================+==
<< 1 2 3 4 5 6 7 8 9 0 ' 1 2 3 4 5 6 7 8 9 0 >>
Metadata quote:
"4x5 numerics with 7 weights and 1 italic a.k.a. WI71"
Not inspired by any other design,
e.g. Abneurone's minimalist pixel experiments
(my very dotted 4x5 version may look like the 7x7
"Deep Low 2" font he made on 2014 and 2017
- which includes a lot of duplicates
but is not limited to the numerics).
NOT for commercial use:
fontstruct.com/fontstructions/show/1505214
2018
0212 PNG
0320 TXT
dpla
WIP
This is a clone of sitelen kon87.10 degree slanted font for Italicized italic italic Ultra-Italic italic Italian italics. Thanks for making me design a whole family of fonts that hurt my eyes, Zuloph. :P
After I made RC Vertigo, Zu said he could still read it. I began to create increasingly slanted designs, and this one was finally the one he couldn't read.
No symbols/numerals for this one. I consider it to be machine-readable only at this point...
A stencil version of RC Dynamite made for laser cutting! Could also be an LCD Segment design with slight modification...
This is a clone of RC DynamiteSemiserif semispur minimalism.
*
This design uses a few novel glyph-shapes and techniques to achieve its look. Most notable of these is the serifed a which lets the serif protrude to the right. I avoid this feature in almost all designs, especially pixel fonts, because it adds an unnecessary 1px of spacing - but for this font, the feature can be included without changing anything for the worse. Many other glyphs have this same sort of protruding serif/spur, and the slanted geometry of the serifs/spurs affords them a look that "retreats" from neighboring glyphs, rather than seeming to protrude into them.
Italic Dynamite! It's so slanted that using this font and turning italics on does nothing to change its appearance. My software doesn't know how to slant it further! It also gives me a mild sense of perspective or vertigo depending on how I look at it...